Program Overview

Music Theory

Music theory is a part of every area of study in the conservatory. We stress aural skills, critical thinking, analysis, and writing to help students find as many ways as possible to not only understand music but to also engage with it deeply.

classroom lecture

Professor Jan Miyake ’96 teaches in one of her music theory classes.

Photo credit: Tanya Rosen-Jones ’97

Program Facts

Division Director

Jared Hartt,
Barker Professor of Music Theory

Contact

Jeanne Rosecrans, Administrative Assistant

440-775-8297

jrosecra@oberlin.edu

Oberlin Orchestra in Finney Chapel

Oberlin Orchestra Performance in Finney Chapel.

Photo credit: John Seyfried

Performance Ensembles

Oberlin sponsors approximately 500 concerts on campus each year, including recitals and concerts by the more than 25 student ensembles, and performances and master classes by guest artists.

Performance Ensembles

Faculty

Christa Cole ’17

Assistant Professor of Music Theory

Thomas Cooke

Visiting Assistant Professor of Music Theory

Mítia Ganade D’Acol

Visiting Assistant Professor of Music Theory

Samuel Gardner

Assistant Professor of Music Theory

Jared Hartt

Barker Professor of Music Theory

Tyler M. Howie

Visiting Assistant Professor of Music Theory

Rebecca Leydon

Professor of Music Theory

Megan Kaes Long

Associate Professor of Music Theory

Joseph Lubben

Professor of Music Theory

Jan Miyake ’96

Professor of Music Theory

Bryan Parkhurst

Associate Professor of Music Theory

Andrew Pau

Associate Professor of Music Theory

Carlos Pérez Tabares

Assistant Professor of Music Theory

Eron Smith

Assistant Professor of Music Theory

Justin Weiss ’17

Visiting Assistant Professor of Music Theory

Music Theory News

The Meaning Behind the Motions

What makes a live performance unforgettable? Assistant Professor of Music Theory Samuel Gardner has uncovered compelling evidence that physical gestures—ranging from subtle, unconscious movements to lively, intentional displays—are central to understanding how both performers and audiences connect with sound.