Photo of Andrew Pau
  • Associate Professor of Music Theory
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Education

  • AB, Stanford University, 1990
  • JD, Harvard Law School, 1993
  • MM, Mannes College of Music, 2005
  • PhD, City University of New York, 2012

Biography

Andrew Pau has taught at the Oberlin Conservatory since 2011. Pau’s research focuses on the music of nineteenth-century French composers. He has written and presented papers on chromatic harmony, phrase rhythm and text setting, and theories of narrative and musical meaning. He is especially interested in musical genres such as opera that lie at the intersection between music and the literary, visual, theatrical, and choreographic arts.

In April 2016, Pau appeared on national television as a contestant on the game show Jeopardy!, where he became a six-day champion.

Awards and Prizes

Barry S. Brook Dissertation Award in Music, CUNY Graduate Center (2012)

Mannes Theory Essay Award (2010)

Felix Salzer Techniques of Music Award, Mannes College of Music (2005)

Publications and Presentations

“Sous le rythme de la chanson: Rhythm, Text, and Diegetic Performance in Nineteenth-Century French Opera.” Music Theory Online 21/3 (2015).

“Plagal Systems in the Songs of Fauré and Duparc.” Paper presented at the annual meeting of the Music Theory Society of New York State, New York, NY, April 2016

“The Influence of Dance Forms on Metrical Practices in Nineteenth-Century French Opera.” Paper presented at the annual meeting of Music Theory Midwest, Appleton, WI, April 2014.

“‘A Flight Into the Exotic Distance’: Harmony and Voice Leading in the Act IV Duet from Bizet’s Carmen.” Paper presented at the annual meeting of the Society for Music Theory, Charlotte, NC, November 2013

“Chromaticism, Motive, and Tonality in Bizet’s Carmen.” Paper presented at the annual meeting of the Society for Music Theory, Montreal, Canada, October 2009

“The Harmonic Theories of Jean-Adam Serre.” Paper presented at the annual meeting of the New England Conference of Music Theorists, New Haven, CT, April 2009

“Voice Leading as Harmonic Determinant in Atonal Music.” Paper presented at the annual meetings of the Society for Music Theory, Baltimore, MD, November 2007

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