Oberlin sponsors approximately 500 concerts on campus each year. This includes recitals and concerts by the more than 25 student ensembles, and performances and master classes by guest artists. Faculty members perform on campus and throughout the world. Oberlin’s Artist Recital Series features concerts presented by a range of highly acclaimed artists.
Vocal and instrumental, solo and ensemble, students, faculty, and professionals represent the spectrum of music offerings that enrich life on campus and in the community. From baroque to contemporary guitar, classical to popular, computer-generated to acoustic, and from time-tested compositions to newer works, the college and conservatory present shows and performers to satisfy any musical interest.
The conservatory has several active student ensembles and faculty-led performance groups. Many are well established; others represent innovations in music and musical collaborations.
If you don’t see a group or ensemble of interest to you, considering making your own music. Oberlin offers many opportunities and different venues in which to practice and perform.
To find out who’s performing on campus and in the community, check the events calendar.
You can also find virtual events on Oberlin Stage Left. Each Saturday evening at 8:30 p.m., Oberlin Stage Left features broadcast performances by Oberlin Conservatory's Large Ensembles. A selection of previous performances are available on Backstage Pass.
Ensembles at Oberlin
The Collegium Musicum specializes in medieval, Renaissance, and early music. Founded in the early 1960s, the group has been led by Director of Musicology Steven Plank, since 1990. The 40-voice student ensemble has performed Mass and motet settings by Byrd, Tallis, Fayrfax, Monteverdi, Victoria, Lasso, Schuetz, and Palestrina. The group performs frequently at the Cleveland Museum of Art and has also presented concerts in Washington, D.C., and at Kenyon College.
In its six annual full-concert cycles, Oberlin’s Contemporary Music Ensemble (CME), directed by Professor of Conducting Timothy Weiss, performs music of all contemporary styles and genres: from minimalism to serialism, to electronic, cross genre, mixed media, and beyond.
CME has worked with many prominent composers, including Aaron Helgeson ’05, George Crumb, Sir Harrison Birtwistle, Stephen Hartke, Helmut Lachenmann, David Lang, Joan Tower, Frederic Rzewski, and others, and has premiered many of their works. CME also regularly premieres works by Oberlin faculty, student, and alumni composers.
Each year, some of the most well-regarded contemporary music icons perform as soloists with CME, including Jennifer Koh ’97, Claire Chase ’01, David Bowlin ’00, Tony Arnold ’90, Marilyn Nonken, Stephen Drury, Steven Schick, and Ursula Oppens. Distinguished students regularly receive opportunities to perform as soloists with the ensemble as well, a luxury that is seldom afforded at other institutions.
CME routinely performs in Cleveland and tours the states. In recent years, the group has performed at the Winter Garden, Miller Theater, Merkin Concert Hall, DiMenna Center, Harvard University, Benaroya Hall, Palace of Fine Arts, Carnegie Hall’s Weill Recital Hall, and in partner concerts with the Cleveland Museum of Art.
The group is featured on a number of commercial recordings, including John Luther Adams’ In the White Silence (New World Records), Lewis Nielson’s Écritures: St. Francis Preaches to the Birds (Centaur Records), and on the Oberlin Music record label.
Video: Oberlin CME plays Gran Turismo
Founded in 1837, the 140-voice Oberlin Musical Union is the second-oldest continuing choral tradition in the United States. Only Boston’s Handel and Haydn Society, founded in 1815, represents a longer ongoing tradition. This group performs the great works for chorus and orchestra. Recent presentations include Lauridsen’s Lux Aeterna, Orff’s Carmina Burana, Haydn’s Creation, Ravel’s Daphnis et Chloé, Brahms’ Ein deutsches Requiem, Verdi’s Requiem Mass, Poulenc’s Gloria, and Beethoven’s Missa Solemnis.
The Musical Union (MU) offers Oberlin community members the chance to join with Oberlin College musicians in performing these works. Typically, MU performs one concert per semester, rehearsing Monday evenings through the academic year. Concerts are performed with the Oberlin Arts & Sciences Orchestra in Finney Chapel.
The vocal ensemble rehearses with Director of Vocal Ensembles Gregory Ristow. Singers interested in joining MU should send email to Gregory.Ristow@oberlin.edu or call 440-775-8068.
Founded in 1929 by Olaf C. Christiansen as the Oberlin A Cappella Choir, the Oberlin College Choir is a select ensemble of college and conservatory students who perform a wide variety of a cappella and accompanied choral literature.
In 1964, under the direction of Robert Fountain, the ensemble sang 39 concerts in the former Soviet Union and in Romania as part of the Cultural Exchange Program of the U.S. State Department. The ensemble also has performed at Severance Hall with the Cleveland Orchestra.
The Oberlin Gospel Choir launches in spring 2020, under the direction of jazz voice teacher La Tanya Hall. This group is open to all conservatory and college students with weekly rehearsals that lead to a performance.
The group will study and perform music that covers the diaspora of gospel music and represents everything from field songs passed on in the oral tradition from Africa, to modern gospel repertoire that incorporates elements of R&B, classical, neo-soul, jazz, and folk.
The focus is on phrasing, stamina, and three- and four-part singing to achieve the authentic sound of gospel music.
The Oberlin Jazz Ensemble is composed of jazz as well as classical performance majors, the ensemble is a component in a four-year curriculum in jazz studies leading to a Bachelor of Music degree with a concentration in performance, composition, or both.
The ensemble generally performs in Finney Chapel during the academic year and frequently appears at college festivals throughout the United States.
Oberlin Jazz Ensemble, founded in 1973, is one of several ensembles established by Wendell Logan, a beloved professor of African American music and onetime chair of Oberlin’s Division of Jazz Studies.
The Oberlin Orchestra has enjoyed a rich history of notable guest conductors including Igor Stravinsky, Pierre Boulez, Sir Simon Rattle (whose son is an Oberlin alumnus), David Zinman, Robert Spano ’84, and John Williams. Recent appearances by the Oberlin Orchestra include performances at Walt Disney Concert Hall in Los Angeles; at Cleveland’s Severance Hall; and a critically acclaimed performance at Carnegie Hall in New York conducted by Spano. The New York Times described the performance at Carnegie Hall as ‘‘stellar.’’
The Oberlin Percussion Group provides a regular forum for students to apply techniques learned in lessons, to hone their skills searching for the appropriate sound for a given situation, to learn the art of caring for instruments, and to discover diverse repertoire for the percussion ensemble—performing on campus and on tour.
The ensemble has access to an extensive collection of fine exotic and conventional Western percussion instruments. Most importantly, students acquire a keen sense of the dynamics of ensemble performance. Compositions are conducted only if necessary and students are coached to play like a chamber music ensemble.
Concert repertoire exposes students to compositions of historical significance by early composers such as John Cage, Henry Cowell, Lou Harrison, or Johanna Beyer as well as contemporary music. Premiering new works is a major objective of the group. The ensemble has commissioned more than 20 compositions to date by composers including Edward Miller, Richard Hoffman, Dary John Mizelle, Randall Coleman, Michael Daugherty, Russell Currie, Alejandro Viñao, Guo Wenjing, and Adam Rudolph '76. OPG has also presented the American premieres of many works by composers including Harrison Birtwistle, Iannis Xenakis, Michaël Levinas, Franco Donatoni, Luigi Nono, and Riccardo Malipiero. The various compositional types take into consideration the variety of colors and timbres of which percussion is capable, including electronic music elements.
OPG has made several recordings for the Opus One, Lumina, CRI labels, and Oberlin Music labels.
All percussion majors are members of the group and receive credit for the four hours per week of rehearsals.
- Performance & Improvisation (PI) Ensembles
- Oberlin Guitar Ensemble
- Baroque Orchestra
- Oberlin Opera Theater
- Chamber Music Ensembles
- Viola da Gamba Consort
- Trombone Choir
Arts and Sciences Orchestra
This is a full orchestral ensemble, including winds, brass, percussion, and strings. The ensemble is a for-credit course that performs several concerts each year in Finney Chapel. It is open to college students from any major and also includes faculty and community members who are selected through audition.
Arts and Sciences Chamber Music Collective
Led by members of the Verona Quartet, Quartet-in-Residence at Oberlin College and Conservatory, this chamber ensemble practicum course is designed for college students—orchestral instruments and pianists—to sharpen their individual and collaborative music skills through multifaceted settings from small groups to the A&S Chamber Orchestra.
Small Jazz Ensembles
Performance & Improvisation (PI) Ensemble
American Roots Music Ensemble
Oberlin Improvisation and New Music Collective (OINC)
World Music Ensembles
Including Javanese Gamelan, Brazilian Ensemble, and Sumatran Talempong
- Oberlin College Choir
- Musical Union
- Collegium Musicum
- Gospel Chorus