- Professor of Music Theory
- PhD in music theory, Washington University, 2007
- MM in piano performance and pedagogy, Arizona State University, 2000
- A.R.C.T. Pianist Diploma, Royal Conservatory of Music, Toronto, 2000
- BA in music, Acadia University, 1998
Jared Hartt has taught at Oberlin since 2007. He teaches all levels of the music theory and aural skills sequences, as well as two upper-division courses, Counterpoint and Medieval Motets. He received Oberlin’s Excellence in Teaching Award for 2015-16, as well as Professor Props awards in 2007-08 and 2012-13. He has been a Faculty Teaching Fellow in the Gertrude B. Lemle Teaching Center since 2018. Hartt’s research focuses on the motet in 13th- and 14th-century England, and the music of Guillaume de Machaut and his contemporaries.
Since earning his PhD in Music Theory from Washington University in St. Louis, Hartt has become active in the International Machaut Society, serving as its treasurer, secretary, and archivist. He is editor of the newsletter of the Society for Music Theory, serves on several advisory panels, and is a senior piano examiner for the Royal Conservatory of Music.
The Dorset Rotulus: Contextualizing the Early English Motet (co-authored monograph with Margaret Bent and Peter M. Lefferts), Boydell, forthcoming 2021.
Poetry, Music, and Art in Guillaume de Machaut’s Earliest Manuscript, BnF fr. 1586 (co-editor of volume with Lawrence Earp and author of Chapter 11, “Approaching the Motets in MS C: Structure, Sonority, Sense”), Brepols, forthcoming 2020.
A Critical Companion to Medieval Motets (editor of volume and author of Chapter 13, “The Duet Motet in England: Genre, Tonal Coherence, Reconstruction”), Boydell and Brewer, 2018.
“The Problem of the Vitry Motet Corpus: Sonority, Kinship, Attribution.” Music Theory and Analysis 4 (2017), 192-228.
"Les doubles hoqués et les motés: Guillaume de Machaut’s Hoquetus David." Plainsong and Medieval Music 21 (2012), 137-73.
"Rehearing Machaut’s Motets: Taking the Next Step in Understanding Sonority." Journal of Music Theory 54 (2010), 179-234.
"Tonal and Structural Implications of Isorhythmic Design in Guillaume de Machaut’s Tenors." Theory and Practice 35 (2010), 57-94.
"The Three Tenors: Machaut’s Secular Trio." Studi Musicali 38 (2009), 237-71.
Jared C. Hartt Publishes Edited Volume on Medieval MotetsSeptember 13, 2018
Jared C. Hartt, associate professor of music theory, published an edited book, A Critical Companion to Medieval Motets (Boydell and Brewer, 2018). This volume of collected essays, the first to be devoted exclusively to medieval motets, features chapters by seventeen leading scholars from around the world. More information on the book and its contents can be found here.