Strings Auditions
Notes for Strings Applicants:
- Applicants must submit a screening audition for review via the Audition and Screening Dropbox on your Applicant Portal.
- Screening recordings and recorded auditions must be audio/video recordings. Audio only recordings will not be accepted.
- The repertoire performed for screening need not be identical to the repertoire performed for final audition, but must meet the requirements detailed below.
- Screening deadline: December 4.
- Final audition recordings deadline: February 1.
- When choosing repertoire to satisfy requirements of your choice, we encourage exploring the works of Black and other underrepresented composers, or other works that you find personally meaningful or diverse. Choosing repertoire is an opportunity to showcase works that best reflect your culture, gender or other forms of self-identity. Check the Oberlin Conservatory Library webpage Diversify your Repertoire for ideas to get started.
2022 - 2023 On-Campus Violin Audition Dates
Thursday, January 26, 2023
Friday, January 27, 2023
Saturday, January 28, 2023
Screening Requirements:
- One movement from a Bach solo sonata or partita
- The first or last movement of a major concerto
- One étude or caprice by Paganini, Ernst, Wieniawski, Dont, or Rode; or a short virtuosic work or movement for solo violin
Final Audition Requirements:
- One movement from a Bach solo sonata or partita
- The first or last movement of a major concerto
- One étude or caprice by Paganini, Ernst, Wieniawski, Dont, or Rode; or a short virtuosic work or movement for solo violin
- One work or movement of the applicant's choice
We are committed to a diversity of voices in the literature. Works by composers from groups underrepresented in the classical canon are especially welcome in all choice categories. The required work by Bach; movement of a concerto; and étude, caprice, or short virtuosic work should be performed by memory for both screening and final audition performances.
2022 - 2023 On-Campus Viola Audition Dates
Thursday, January 26, 2023
Friday, January 27, 2023
Saturday, January 28, 2023
Screening Requirements:
- One movement of a significant concerto or sonata
- One movement of a Bach solo piece
Final Audition Requirements:
- One movement of a significant concerto or sonata
- Two contrasting movements of a Bach solo piece
- One piece of the applicant's choice
The faculty encourages the applicant to choose a work conveying their interest in underrepresented voices, their interest in a musical style or period not otherwise represented in the audition program (pre-baroque, avant-garde, etc.) or a work of their own composition. Compositions chosen should demonstrate the applicant's ability in phrasing, sustained playing, and technical facility, including legato and staccato at varied tempi.
2022 - 2023 On-Campus Cello Audition Dates
Wednesday, January 25, 2023
Saturday, January 28, 2023
Screening Requirements:
- One movement of a standard concerto
- Two movements of a Bach suite
Final Audition Requirements:
- One movement of a standard concerto - if you plan to play the first movement of either the Elgar: Concerto in E minor or Shostakovich: Cello Concerto No. 1, please also prepare the second movement
- One complete étude by a composer such as Duport, Popper, etc.
- Two movements of a Bach suite
- One piece of the applicant's choice
The faculty encourages the applicant to choose a work conveying their interest in underrepresented voices (Black, Indigenous, or women composers), their interest in a musical style or period not otherwise represented in the audition program (pre-baroque, avant-garde, etc.) or a work of their own composition. Compositions chosen should demonstrate the applicant's ability in phrasing, sustained playing, and technical facility, including legato and staccato at varied tempi. Piano accompaniment for the concerto is preferred but not required.
2022 - 2023 On-Campus Double Bass Audition Dates
Saturday, February 18, 2023
Screening Requirements:
- Two or more selections from final audition requirements listed below, totaling approximately ten minutes of playing
Final Audition Requirements:
Choose three of the following bulleted requirements:
- Two contrasting movements (or pieces) from the concerto, sonata, or similar repertoire
- One or two movements from any of the Bach Cello Suites or any comparable piece or movement composed before 1750
- Three contrasting excerpts from the standard orchestral repertoire
- One piece composed after 1950, may be by a living composer
Oberlin encourages the exploration of Black and other underrepresented composers’ works when choosing repertoire. The following are recommended as a starting point to satisfying some of the requirements above: works by Xavier Foley, Andres Martin, or Lawrence Brown's Spirituals: Five Negro Songs, arranged for bass. You can also find other music on the Sphinx Organization's webpage here.
2022 - 2023 On-Campus Harp Audition Date
Saturday, February 18, 2023
Screening Requirements:
- One solo piece of the applicant's choice
- One orchestral excerpt of the applicant's choice
Final Audition Requirements:
- Two contrasting solos of the applicant's choice
- One orchestral excerpt of applicant's choice
2022 - 2023 On-Campus Classical Guitar Audition Date
Saturday, January 28, 2023
Screening Requirements:
- Two contrasting pieces of the applicant's choice
- One major scale (any), two or three octaves
Final Audition Requirements:
- Three contrasting pieces of the applicant's choice, at least one should be written before 1900
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One major scale (any), two or three octaves
Compositions chosen should demonstrate the applicant's ability in phrasing, sustained playing, and technical facility, including legato and staccato at varied tempi.