Grace An

  • Professor of French and Cinema & Media

Education

  • PhD, Cornell University, 2004
  • BA, Bryn Mawr College, 1993

Biography

A recipient of the College's Teaching Excellence Award, Grace An teaches French language, film and cultural history, food and wine. Her courses have explored the French New Wave, film stardom and acting, documentary and the essay film.  Advanced seminars include 1968: art, médias, contestation and La Chine et le Japon dans l’imaginaire français. Her favorite course to date was the summer intensive course Discovering Champagne: The World in a Glass which she hopes to teach again.

Scholarship-wise, Prof. An is a film and cultural historian of France during the second half of the 20th century.  Her first book Disobedient Muse: The Feminism and Filmmaking of Delphine Seyrig (University of California Press, 2027, series: Feminist Media Histories) tells the story of a passionate and committed artist who committed her cultural capital, tremendous talent, and strength to the movements of change in France of the late 1960s and 1970s. She is currently working on a book on the star actress Jane Fonda and the Vietnam War and another project on the allegories of Asian women in French intellectual and cultural history.

Prof. An's articles have explored the films of directors Olivier Assayas, Jean-Luc Godard, Chris Marker, Alain Resnais, François Truffaut, and Agnès Varda in journals such as Contemporary French & Francophone Studies: SITES, Contemporary French Civilization, French Screen Studies, Imaginaries: Films, Fictions, and Other Representations of French-Speaking Worlds, as well as publications for the Cinémathèque Française in Paris.

Fall 2026

Français intermédiaire I — FREN 205

Expression orale et écrite — FREN 301

French Cinema, Intersectional and Feminist — FREN 320

Spring 2027

The Film Artist Agnès Varda, From Photography to Installations — FREN 390

Notes

Grace An Writes Catalogue Essay for France's Premier Film Institution

Grace An was commissioned to write a catalogue essay for the Cinémathèque Française, France's premier film institution, which is launching its first exhibition devoted to a non-male filmmaker: Agnès Varda. The essay explored Varda's "revolutionary" short films during the 1960s, including Black Panthers and Salut les Cubains. The exhibit will open October 2023 and close in January 2024.

An was also commissioned to write a short piece about the film Annie colère (Blandine Lenoir, 2022) for a special issue of Imaginaires (formerly French Film for Historians) dedicated to reproductive politics and care. An is a member of the journal's advisory board.

Grace An Co-edits a Special Issue of French Screen Studies

Associate Professor of French and Cinema Studies Grace An co-edited a special issue of French Screen Studies on French documentary film and the ethics of care since 1968. Articles in the issue explore films that addresse topics including education, migration and refugees, disability, incarceration, and postcolonial trauma. An authored the article "Care across divides: militant abortion and film around the Veil Law," which discusses the ways feminists and activist doctors sought alternative practices of reproductive care and justice during the years that led to the legalization of abortion in 1975. Reframing abortion as a labor of care, the filmmakers filmed an ethics of care avant la lettre, just years before the ethics of care was conceived during the 1980s in the U.S., yet developed eventually in France. This article benefitted from the insight and research conducted by Amelia Connelly, Lillian Enoch, Skylar Kleinman, Alison Simonds, Daisy Vollen, and Kiki Widran during the first Junior Practicum (Fall 2020). French Screen Studies is the only English-language academic journal to focus exclusively on French cinema and media.

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