- Associate Professor of Historical Performance
- Director, Historical Performance Program
- SB, Massachusetts Institute of Technology, 1976
- MM, New England Conservatory, 1981
- DMA, Cornell University, 1992
- fortepiano study with Malcolm Bilson
- piano study with Patricia Zander
Pianist David Breitman directs the Historical Performance Program. He is equally at home with the fortepiano and the modern piano, and enjoys both solo and ensemble playing. Recent seasons have included Beethoven’s Fourth Concerto and Choral Fantasy on both historical and modern pianos, and several performances at the renowned Cobbe Collection of historical instruments outside of London.
He now shares his enthusiasm for this repertoire with students in the courses Performing Beethoven’s Violin/Cello Sonatas. He is working on a book titled Time-Travel for Pianists: How Today’s Players Can Learn from Yesterday’s Instruments.
Breitman's collaboration with baritone Sanford Sylvan spans more than 30 years, with several hundred recitals and four CDs, ranging from Schubert’s Die sShöne Müllerin, to the premiere recording of The Glass Hammer, a major song cycle by the Cuban-American composer Jorge Martin. He has recorded the Mozart piano-violin sonatas on historical instruments with Jean-François Rivest for Analekta and, in a collaboration of a different sort, he is one of seven fortepianists on the 10-CD recording of the complete Beethoven piano sonata cycle on CLAVES.
Selected recordings featuring Breitman: