Grace An

  • Associate Professor of French and Cinema and Media

Education

  • PhD, Cornell University, 2004
  • AB, Bryn Mawr College, 1993

Biography

At Oberlin, I teach courses in French language, film and cultural history, and food and wine studies. They’ve included semesters exploring the French New Wave, film stardom and acting, and documentary and the essay film, as well as advanced seminars such as 1968: art, médias, contestation and La Chine et le Japon dans l’imaginaire français. I’ve particularly enjoyed teaching my introductory course on French cinema and the summer block intensive Discovering Champagne: The World in a Glass, which I hope to teach again.

Scholarship-wise, I think of myself as a cultural historian of France during the second half of the 20th century.  My first book Disobedient Muse: The Feminism and Filmmaking of Delphine Seyrig (University of California Press, 2026, series: Feminist Media Histories) tells the story of a passionate and committed artist who committed her cultural capital, tremendous talent, and strength to the movements of change in France of the late 1960s and 1970s. I am currently work on another project, tentatively titled Hanoi Jane Revisited: What Fonda Saw In Vietnam.  My articles have explored the films of directors Olivier Assayas, Jean-Luc Godard, Chris Marker, Alain Resnais, François Truffaut, and Agnès Varda. They have appeared in journals such as Contemporary French & Francophone Studies: SITES, Contemporary French Civilization, French Screen Studies, and Imaginaries: Films, Fictions, and Other Representations of French-Speaking Worlds.

The best part of being a member of the Oberlin faculty is the time I spend with Oberlin students. With their perspectives, insights, humor, and engagement, they have enriched my classroom and my life.

Spring 2026

Français élémentaire II — FREN 102

Absurdity, Cruelty, and the Search for Meaning — FREN 354

I love teaching my interests in courses such as Stars, Actors, and the World Stage, which explores stardom as a public platform for responding to one’s times, while searching for a more suitable place for film actors in film history, which has prioritized the film director above all.  Or1968: révolutions politiques, artistiques et culturelles, which I was honored to teach at the Institut d’études françaises d’Avignon under the auspices of Bryn Mawr College. 

I also enjoy learning from students who contribute tremendous insight, passion, and imagination to these intellectual adventures. In fact, my work has benefitted from the assistance of key undergraduate research assistants who have helped develop bibliographies, detect trends, serve as editorial assistants, and even transcribe television interviews by French actors at France’s national television and radio archive in Paris.

Notes

Grace An Writes Catalogue Essay for France's Premier Film Institution

Grace An was commissioned to write a catalogue essay for the Cinémathèque Française, France's premier film institution, which is launching its first exhibition devoted to a non-male filmmaker: Agnès Varda. The essay explored Varda's "revolutionary" short films during the 1960s, including Black Panthers and Salut les Cubains. The exhibit will open October 2023 and close in January 2024.

An was also commissioned to write a short piece about the film Annie colère (Blandine Lenoir, 2022) for a special issue of Imaginaires (formerly French Film for Historians) dedicated to reproductive politics and care. An is a member of the journal's advisory board.

Grace An Co-edits a Special Issue of French Screen Studies

Associate Professor of French and Cinema Studies Grace An co-edited a special issue of French Screen Studies on French documentary film and the ethics of care since 1968. Articles in the issue explore films that addresse topics including education, migration and refugees, disability, incarceration, and postcolonial trauma. An authored the article "Care across divides: militant abortion and film around the Veil Law," which discusses the ways feminists and activist doctors sought alternative practices of reproductive care and justice during the years that led to the legalization of abortion in 1975. Reframing abortion as a labor of care, the filmmakers filmed an ethics of care avant la lettre, just years before the ethics of care was conceived during the 1980s in the U.S., yet developed eventually in France. This article benefitted from the insight and research conducted by Amelia Connelly, Lillian Enoch, Skylar Kleinman, Alison Simonds, Daisy Vollen, and Kiki Widran during the first Junior Practicum (Fall 2020). French Screen Studies is the only English-language academic journal to focus exclusively on French cinema and media.

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