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His piano sonata, written over several years during breaks from the Atlanta Symphony, celebrates the four classical elements.

Donizetti's Viva la Mamma and Poulenc's Les Mamelles de Tirésias come to life November 2-6.

Founded at Oberlin in 1996, Chicago-based sextet is widely acclaimed for its innovative programming.

Conceived by harpist Yolanda Kondonassis, One Hundred features Oberlin Orchestra and guest musicians Gil Shaham, Orli Shaham, and Jason Vieaux.

Presented in partnership with Tri-C Performing Arts, free performance features Blanchard’s Grammy-winning piece A Tale of God’s Will.

Oberlin’s Performance & Improvisation challenges students to explore and expand their artistic voice though collaboration and global rhythms.

Oct. 5 inauguration fulfills mission of the conservatory’s Selch Collection of American Music History.

Part of the Artist Recital Series, program will feature trios by Schubert and Shostakovich, plus selections from Glière.

Inspired by Shakespeare's Tempest, What Noises Remain emphasizes percussion and field recordings from around the world.

Growing demand and collaborative opportunities lead to appointment of versatile singer La Tanya Hall.