Historian Jennifer L. Morgan ’86 Wins MacArthur Fellowship

Specialist in early American slavery has earned acclaim for extensive research and writing on the subject.

October 1, 2024

Communications Staff

portrait of Elizabeth L. Morgan.
Photo credit: courtesy of John D. and Catherine T. MacArthur Foundation

Jennifer L. Morgan, a historian and professor whose work explores the lives of enslaved women and deepens our understanding of the origins of race-based slavery in early America, has been awarded a MacArthur Fellowship for 2024. Morgan is a 1986 graduate of Oberlin College.

Popularly known as the “Genius Grant,” the MacArthur Fellowship is one of the nation’s most prestigious honors, recognizing talented, creative, and inspiring people who have shown exceptional originality in a variety of fields. Each fellow receives a stipend of $800,000 with no strings attached.

Morgan is the 15th graduate of Oberlin College and Conservatory to be named a MacArthur Fellow and the third in the last three years. She follows composer and pianist Courtney Bryan ’04, who won in 2023, and writer and educator Kiese Laymon ’98, a 2022 honoree.

Oberlin has produced more MacArthur Fellows than any other liberal arts college in the nation.

A lifelong New Yorker, Morgan earned a BA from Oberlin College in the self-designed major Third World Studies and a PhD in History from Duke University in 1995. She is a professor of history in the department of Social and Cultural Analysis at New York University, and the author of two books and numerous journal articles. 

Morgan’s first book, the groundbreaking Laboring Women: Reproduction and Gender in New World Slavery (2004), prompted one reviewer to compare her sensitive analysis of the meaning of childbearing and motherhood under slavery to Toni Morrison’s literary exploration of those themes in Beloved. Her second book, Reckoning with Slavery: Gender, Kinship, and Capitalism in the Early Black Atlantic (2011), won the Mary Nickliss Prize in Women’s and/or Gender History from the Organization of American Historians and the Frederick Douglass Prize, awarded by the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition.

I know that I’ve had an impact on my students. I know that I’ve had an impact on the field, but to have that acknowledged at such a huge scale just feels astonishing to me. I still can’t quite believe that it’s happened.”

Currently on leave from NYU, Morgan is a fellow at the Cullman Center for Scholars and Writers at the New York Public Library. She is working on The Eve of Slavery, a book about African women in 17th-century North America—and notably Elizabeth Key, who sued for freedom in 1656 on the grounds that her father was a free white man.

She credits all of it—her extraordinary scholarship and her Genius Grant—to the late Adrienne Lash Jones, the first tenured Black woman in Oberlin’s Africana Studies (then Black Studies) Department and the third in the college’s history. Jones was celebrated for introducing an Africanist perspective to the emerging Gender, Sexuality, and Feminist Studies program, for her relentless pursuit of a more just world, and for her formidable presence on campus.

Jones was “not some kind and sweet and soft mentor,” says Morgan, speaking by phone while walking through Times Square en route to her “egghead heaven” at the library. “She was hard and she was a little scary. She didn’t take any foolishness, and as a result, she made me work harder—more than any other professor that I had at Oberlin. I wouldn’t have gone to graduate school in history. I wouldn't have thought about doing Afro-American women’s history without her. She gave me something to aspire to—this model of what was possible. And that’s what set me in motion.”

Morgan learned of her MacArthur honor via phone call. Her initial reaction was disbelief. “I sort of yelled What? What are you saying? And I feel like tears just shot straight out of my head.”

The reality of her accomplishment is still sinking in. “You know, like many academics, you see the MacArthur list and you just think What a testament to the fact that your work makes a difference. As a professor, as a historian who works in the early modern period, I don’t do work that’s super popular—I don’t work on the civil rights movement, for example—it’s slightly more esoteric. I know that I’ve had an impact on my students. I know that I’ve had an impact on the field, but to have that acknowledged at such a huge scale just feels astonishing to me. I still can’t quite believe that it’s happened. And I feel incredibly humbled and honored.”

As for her stipend, Morgan is interested in using some of it to investigate other ways of telling important stories—to share the history she has uncovered about the experiences of Black women in colonial America with more people than graduate students and other historians. She wants a wider audience to know about these women, to understand “this is why what they went through is important in the history of this country—and in the way that we tell the history of this country.”

Learn more about Morgan at jenniferlylemorgan.com.

You may also like…

Omar Tells His Story

October 11, 2024

This December, Oberlin will present a concert version of Rhiannon Giddens’ award-winning opera, both at Finney Chapel in Oberlin and the Maltz Performing Arts Center in Cleveland. Surrounding it are all kinds of cross-disciplinary events for campus and community.

man wearing scarf on head holding a cane