- Professor of Recorder and Baroque Flute
- Emeritus Curator of Musical Instruments
- BS, Oakland University, 1976
Michael Lynn performed for the inaugural luncheon for President Obama’s first term and has given concerts throughout the United States, Canada, Taiwan, and Japan with Apollo’s Fire, Mercury Baroque, ARTEK, Oberlin Baroque Ensemble, Smithsonian Chamber Players, Tafelmusik, American Baroque Ensemble, Handel & Haydn Society, the Boston Early Music Festival Orchestra, the Cleveland Orchestra, Houston Symphony, Cleveland Opera, Santa Fe Pro Musica, and many other ensembles.
He teaches each year at the Oberlin Baroque Performance Institute and has taught other workshops throughout the country. Lynn previously taught at the University of Michigan, Oakland University, Case Western Reserve University, and at the Recorder Institute of Indiana University.
Lynn produced a monthly column for Flute Talk magazine and has written feature articles for Traverso, Flute Talk, Flute View, and Oberlin Conservatory Magazine. He was the founder of Early Music Facsimiles and a founding member of the board of Apollo’s Fire. His recordings can be heard on Wildboar, Gasparo, Eclectra, Koch International, Avie, and other labels.
Known for his knowledge of historical flutes, Lynn maintains a website—www.originalflutes.com—based on his flute collection and presents lectures and demonstrations about the history of the flute. His recent presentations include the 19th-century French Flute Extravaganza at Oberlin Conservatory, the International Congress of the National Association for Music Instruments in Tavira, Portugal, and the Early Music Department of the Escola Superior de Música, Artes e Espectáculo in Porto, Portugal.
Lynn is founder and executive director of the Medici Charitable Foundation, a nonprofit dedicated to producing concert performances to benefit medical organizations. He previously served Oberlin as associate dean for facilities and technology for 15 years.
Michael Lynn PublishesJuly 7, 2016
Michael Lynn, professor of recorder and Baroque flute, has published the article “The Development of the Flute in 19th-Century France” in the summer 2016 issue of The Flutist Quarterly, the official magazine of the National Flute Association (NFA). In the article, Lynn shares a great deal about Oberlin, his flute project and the Selch Collection of American Music History, which was donated by Frederick and Patricia Selch.
NFA members can access the magazine online on this web page.