Vocal Studies
Richard Miller Classical Voice Competition for High School Students - Saturday, November 7, 2026
This competition is a presentation of the Oberlin Conservatory Division of Vocal Studies.
APPLICATION DEADLINE:
SEPTEMBER 29, 2026
The Richard Miller Classical Voice Competition for High School Students is named in honor of longtime Oberlin Conservatory voice faculty member, author, pedagogue, and performing artist. This competition has been established to encourage and support high school students in pursuit of a career in classical vocal music.
Fifteen semifinalists compete for cash awards and scholarships to Oberlin College and Conservatory, as well as the opportunity to appear in master classes with esteemed members of the competition jury, made up of voice faculty at Oberlin, and a prominent guest from the field.
Prizes:
- 1st prize - $2500
- 2nd prize - $1500
- 3rd prize - $1000
- 4th and 5th prizes, "Howard Lubin Encouragement Awards" - $500 each
- Scholarships
All prizes awarded are at the discretion of the judges.
Eligibility: The competition is open to sophomore, junior, and senior high school students recommended by their choral or voice teachers.
Required competition repertoire: Participants must prepare three contrasting pieces from the classical repertoire, including spirituals and folksongs, one of which must be in the singer’s native language.
Application procedure:
Applicant must provide—
- a letter of recommendation from the participant’s current voice teacher or choral instructor
- an unedited video (provide YouTube links to your video recordings); see Video Guidelines
- $45 non-refundable application fee
Video Guidelines:
- All videos must include memorized performances of three contrasting selections from the standard classical repertoire (including spirituals and folksongs) and be performed with live piano accompaniment.
- A spoken introduction that includes only the contestant’s name and the title of the selection should begin each recorded performance.
- The applicant may submit one video with all performances included, or two separate videos for each selection.
- Videos should give an accurate impression of the contestant’s voice (with no enhancement or editing) and with contestants appearing in full view.
Competition Rules:
Final Competition repertoire due: October 20
Live competition rounds and master classes will be held in person on the campus of Oberlin Conservatory in Kulas Recital Hall.
Oberlin Conservatory's professional collaborative pianists will be provided for the semifinal and final rounds. There will be no opportunity to rehearse with the pianist before the competition.
2026 Competition
Date and Location
Saturday, November 7, 2026
Oberlin Conservatory, Kulas Recital Hall
Oberlin, OH
Jury
- Salvatore Champagne, director
- Oberlin Voice Faculty
Kayo Iwama, guest jury member
American pianist Kayo Iwama has concertized extensively with singers such as Stephanie Blythe, Kendra Colton, William Hite, Rufus Müller, Christòpheren Nomura, Lucy Shelton and Dawn Upshaw throughout North America, Europe and Japan, and has performed in many prestigous venues including the Walter Reade Theater at Lincoln Center, Weill Recital Hall at Carnegie Hall, The DiMenna Center, Merkin Hall, The Morgan Library, Boston’s Jordan Hall, the Isabella Stewart Gardner Museum, Seiji Ozawa Hall at Tanglewood, the Kennedy Center, Tokyo’s Yamaha Hall and the Théâtre du Châtelet in Paris. The Washington Post has called her a pianist “with unusual skill and sensitivty to the music and the singer” and the Boston Globe has praised her “virtuoso accompaniment…super-saturated with gorgeous colors”.
Miss Iwama is the associate director of the innovative Graduate Vocal Arts Program at the Bard College Conservatory of Music, where she works alongside Stephanie Blythe, the Metropolitan Opera mezzo-soprano and recently appointed artistic director of the program. Miss Iwama has been with the program since its inception in 2006, working in tandem with the founding artistic director, the acclaimed soprano Dawn Upshaw. Other collaborations with Dawn Upshaw include master classes and a recital at the Britten-Pears Young Artist Program at the Aldeburgh Music Festival, and appearances at the International Vocal Arts Institute in Virginia, the University of Wyoming, Edward Pickman Hall at the Longy School of Music and the Richard B. Fisher Center for the Performing Arts at Bard College. Ms. Iwama has been a faculty member of Songfest, and for over two decades taught at the Tanglewood Music Center, where she also served as the coordinator of the Vocal Studies Program. There she worked with some of today’s most promising young singers and collaborative pianists, and assisted Maestros James Levine, Seiji Ozawa and Robert Spano in major operatic and concert productions. In addition her teaching has also taken her to some of the foremost universities of the United States and Asia to give master classes and performance/demonstrations. A former resident of the Boston, Massachusetts area, she was a frequent performer on WGBH radio, and performed with such groups as the Florestan Recital Project, the Handel and Haydn Society and Emmanuel Music. In addition she was the founder, music director and pianist of the critically acclaimed Cantata Singers Chamber Series, creating programs devoted to rarely-heard works of art song and vocal chamber music. She was formerly on the faculties of the Hartt School of Music, Boston Conservatory and the New England Conservatory of Music.
Miss Iwama earned a bachelor of music degree at the Oberlin Conservatory of Music and her master of music at Stony Brook University where she studied with Gilbert Kalish. She also attended the Salzburg Music Festival, the Banff Music Center, the Music Academy of the West and the Tanglewood Music Center, where she worked with such artists as Margo Garrett, Martin Isepp, Graham Johnson, Martin Katz and Erik Werba. She has served previously on the music staffs of the Steans Institute at the Ravinia Festival and the Boston Symphony Orchestra. Miss Iwama can be heard on CD on the Well-Tempered label, with baritone Christópheren Nomura in Schubert’s Die Schöne Müllerin, two ISMM discs devoted to French mélodies and the songs of Schumann with tenor Ingul Ivan Oak, and on the The Reckless Heart with soprano Kendra Colton, a collection of 20th century American and British song. She will also be heard on a newly released CD with Miss Colton in the vocal music of John Harbison, honoring the composer’s 80th birthday
8:30-9:00 a.m. Registration in the Conservatory Lounge
9:30-11:30 a.m. Semifinals
Semifinalists will sing one piece of their choosing and one chosen by the panel of judges.
Each singer will be allotted a maximum performance time of seven minutes.
11:55 a.m. Announcement of Master Class Participants and Competition Final Round Participants
12:00 p.m. Lunch
Lunch will be provided for all competition singers!
Conservatory Annex
1:00-2:45 p.m. Master Class with Oberlin Faculty
3:00-4:15 p.m. Master Class
5:00 p.m. Finals Concert and Awards Presentation
Open to the public. Free admission
Participants will sing one selection of their choosing.
Performance order will be established at random.
6:00-6:30 p.m. Light Reception
Conservatory Annex
6:30 p.m. Dinner on your own
8:00 p.m. Oberlin Opera Theater performance of Engelbert Humperdinck's Hänsel und Gretel
Hall Auditorium
Complimentary tickets will be provided to competition participants and chaperones.
September 29: Application deadline
October 10: Competition participants will be notified whether they have been admitted to the live rounds in Oberlin.
October 20: Any changes in competition repertoire must be submitted to the competition administration for approval.
November 7: Competition day in Oberlin
Oliver Anderson
Arjun Bhayani
Elizabeth Clegg
Alexandra Galyavina
Kochavia Glaubach
Elias Jeon
Cailey Jones
Sophia Kaushik
Brooks Liang
Isabella Morgan
Karlo Neumann-Carogol
Isabelle Prats
Seth Rodriguez
Olivia Xia
Tiger Zebrowski
Acknowledgement
The Richard Miller Classical Voice Competition for High School Students is supported in part by funds given in memory of former Oberlin College and Conservatory faculty member and alumnus Howard Lubin '75.
Learn more about Vocal Studies at Oberlin

The Division of Vocal Studies is dedicated to nurturing the undergraduate singer and includes the departments of Voice and Opera Theater.
Oberlin Conservatory develops young singers through private study, vocal coaching, diction and language courses, pedagogy classes, and study of music that spans genres, eras, and styles. Students gain confidence, performance acumen, auditioning skills, and artistry, opening a world of possibilities.