Tim Scholl, professor of Russian and comparative literature and director of the Oberlin Center for Languages and Cultures, presented the paper “Among Empires: Marius Petipa’s Responses to Late Nineteenth-Century Russian Nationalisms” at the international symposium From Bordeaux to St. Petersburg, Marius Petipa and the Russian Ballet, held October 21-23 in Bordeaux, France.
The conference was funded by French UNESCO and marked the first time an academic conference was held in France to celebrate the work of the French-Russian choreographer who created the basis of the ballet repertory now considered classic: Sleeping Beauty, the Nutcracker, Swan Lake, and scores of other dances.
Brian Alegant, director of music theory and Barker Professor of music theory, published the article “Dallapiccola’s Second Thoughts: The Epilogue to the Concerto per la notte di Natale dell’anno 1956” in an early view version of Music Analysis.
Assistant Professor of Theater Justin Emeka ’95 took part in a Stage Directors and Choreographers (SDC) Foundation One-on-One Conversation on November 5 at the National Opera Center Recital Hall. Emeka exchanged ideas about process, aesthetics, and how identity shapes art with director, performer, and writer Ruben Santiago-Hudson.
For more information, see this webpage.
Professor of Piano Peter Takács played the first of three programs in his "Beethoven Experience" series at Carnegie Hall's Weill Recital Hall on October 18. Of the sold-out performance, Frank Daykin of New York Concert Review said "Beethoven would have been proud.”
For more on the performance, see the New York Concert Review.
Works of Assistant Professor of Studio Art, Reproducible Media Kristina Paabus are included in the Akron Art Museum exhibition NEO Geo. The contemporary art exhibition examines geometric abstraction’s ongoing relevance in Northeast Ohio through drawings, paintings, ceramics, textiles, prints, photographs, and sculptures of eight artists working in studios in Northeast Ohio.
NE Geo is on view from November 21, 2015, through April 24, 2016, with an opening reception on Friday, November 20, 2015. More information about the exhibit can be found on this webpage.
Assistant Professor of Dance Alysia Ramos premiered The Mists, a new immersive dance theater production at Red Butte Gardens’ "Garden After Dark" in Salt Lake City, Utah, October 22-24 and 29-30.
Inspired by Marion Zimmer Bradley’s acclaimed book The Mists of Avalon, this production invited audience members to follow legendary characters—including Morgaine le Fey, King Arthur, Lady Gwenhwyfar, Lancelot, and the Lady of the Lake—on a wordless journey into the mythological land of Avalon at the sunset of its reign. Unlike conventional theater and dance productions, The Mists was an interactive story that integrated dance, theater, live music, and lighting design into the living landscape of the Garden itself. The nearly 50-person cast circulated the gardens throughout the 3-hour event performing cyclical scenes that, when witnessed by each audience member, constructed unique narratives.
Part dance theater, part haunted house, part costume party, The Mists was the first outdoor immersive dance theater production in Utah and reached approximately 1,500 audience members a night. Ramos and collaborator Liz Ivkovich coproduced, directed and choreographed with a cast of professional artists, students from The University of Utah, and high school students from Rowland Hall School.
Read more about The Mists on 15 Bytes, an online magazine about the visual arts in Utah.
Kazim Ali, director and associate professor of creative writing and associate professor of comparative literature, has published a new book: Resident Alien: On Border-crossing and the Undocumented Divine (University of Michigan Press).
Of the book, the Press says, "Kazim Ali uses a range of subjects—the politics of checkpoints at international borders; difficulties in translation; collaborations between poets and choreographers; and connections between poetry and landscape, or between biotechnology and the human body—to situate the individual human body into a larger global context, with all of its political and social implications. He finds in the quality of ecstatic utterance his passport to regions where reason and logic fail and the only knowledge is instinctual, in physical existence and breath. This collection includes Ali’s essays on topics such as Anne Carson’s translations of Euripides; the poetry and politics of Mahmoud Darwish; Josey Foo’s poetry/dance collaborations with choreographer Leah Stein; Olga Broumas’ collaboration with T. Begley; Jorie Graham’s complication of Kenneth Goldsmith’s theories; the postmodern spirituality of the 14th century Kashmiri mystic poet Lalla; translations of Homer, Mandelstam, Sappho, and Hafez; as well as the poet Reetika Vazirani’s practice of yoga.”
See more on this University of Michigan Press webpage.
Crystal Biruk, assistant professor of anthropology, was awarded a Wenner-Gren Foundation postdoctoral research grant to fund research in Malawi and South Africa.
Renee Romano, professor and chair of history and professor of comparative American studies and Africana studies, delivered the 14th Annual American Studies Lecture at the University of Leicester in Leicester, England, on October 19. The title of her lecture was “‘The Great Force of History’: Collective Memory, White Innocence, and Making Black Lives Matter."
Shelley Lee, associate professor of comparative American studies and history, was an invited panelist at the multidisciplinary symposium on immigration in the United States titled Politics, Promises, and Possibilities: The 1965 Immigration Act At 50 held October 16 at Indiana University. Lee spoke on a panel about labor in post-industrial America.