Matthew Rarey

  • Associate Professor of African and Black Atlantic Art History
  • Chair of Art History

Education

  • PhD, University of Wisconsin-Madison, 2014
  • MA, University of Wisconsin-Madison, 2008
  • BA, University of Illinois at Urbana-Champaign, 2005

Biography

I research and teach the art history of the Black Atlantic, with a focus on connections between West Africa, Brazil, and Portugal from the seventeenth through twenty-first centuries. My work looks to the creation, circulation, and constant re-interpretation of visual objects by Africans and their descendants – especially those that have escaped art historians’ attention previously – to trace intertwined histories of slavery, racial formation, religious practice, and commodity exchange. At Oberlin, I offer courses on African art from the antiquity to the present, as well as African diaspora visual culture in Brazil, the Caribbean, and the United States. My classes privilege close visual analysis and careful reading of primary source documents in the context of critical and comparative theories of Blackness, sexuality, race, archives, and colonization.

These interests coalesce in my first book, Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic (Duke University Press, 2023). The book traces the accumulative history of bolsas de mandinga: pouch-form amulets of transcultural origins that took on new forms and histories as Africans purveyed them in the south Atlantic between 1660 and 1835. Insignificant Things garnered multiple major prizes, including a 2024 Arnold Rubin Outstanding Publication Award from the Arts Council of the African Studies Association (ACASA), and the 2024 Charles Rufus Morey Book Award from the College Art Association, given annually to “a distinguished book in the history of art, published in the English language.” I am now at work on a second book project about maps of maroon communities and Black diasporic landscapes in South America and the Caribbean, and the afterlives of these maps in the work of contemporary Black artists and land rights activists.

Outside of my writing and teaching, I retain a strong interest in curating African and Black Atlantic art histories. I spearheaded installations of African art at the Chazen Museum of Art at the University of Wisconsin-Madison (2011); the Emile H. Mathis Gallery at the University of Wisconsin-Milwaukee (2015); and the Allen Memorial Art Museum (AMAM) at Oberlin College (2017). In 2019, alongside Andrea Gyorody, I co-curated Afterlives of the Black Atlantic, also at the AMAM, which received a 2020 Award of Excellence from the Association of Art Museum Curators and was shortlisted for a 2024 ACASA Award for Curatorial Excellence.

A lifelong Midwesterner and a fifth-generation Ohioan, I am also a proud product of the U.S. public education system from elementary through graduate school.

  • Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic (Durham, NC: Duke University Press, 2023). 304pp.

  • “Leave No Mark: Blackness and Inscription in the Inquisitorial Archive.” In Black Modernisms in the Transatlantic World, ed. Steven Nelson and Huey Copeland (Washington: National Gallery of Art and Yale University Press, 2023): 34-55.
  • “Never at Rest: African Art at the University of Wisconsin.” With Henry John Drewal. African Arts 53:4 (Winter 2020): 68-85.
  • “‘And the Jet Would Be Invaluable’: Blackness, Bondage, and The Beloved.” The Art Bulletin 102:3 (September 2020): 28-53.
  • “Assemblage, Occlusion, and the Art of Survival in the Black Atlantic.” African Arts 51:4 (Winter 2018): 20-33.
  • “Counterwitnessing the Visual Culture of Brazilian Slavery.” In African Heritage and Memories of Slavery in Brazil and the South Atlantic World, ed. Ana Lucia Araujo (Amherst, NY: Cambria Press, 2015): 71-108.

  • Murdo J. MacLeod Book Prize, Latin American and Caribbean Section of the Southern Historical Association (2024)
  • Arnold Rubin Outstanding Publication Award, Arts Council of the African Studies Association (2024)
  • Award for Curatorial Excellence (Shortlisted), Arts Council of the African Studies Association (shared with Andrea Gyorody) (2024)
  • Charles Rufus Morey Book Award, College Art Association (2024)
  • Afro Latin American/Afro-Latinx Scholarship Prize, Association of Latin American Art and the Visual Culture Section of the Latin American Studies Association (2024)
  • National Endowment for the Humanities Summer Institute, “Mapping the Early Modern World.” The Newberry Library, Chicago, Illinois (2022)
  • Award for Excellence, Association of Art Museum Curators (with Andrea Gyorody) (2020)
  • National Endowment for the Humanities Fellowship (2018-2019)
  • Dana-Allen Dissertation Fellowship, Institute for Research in the Humanities, University of Wisconsin-Madison (2013-2014)
  • Council on Library and Information Resources (CLIR) Mellon Fellowship for Dissertation Research in Original Sources (2012-2013)

Fall 2024

Approaches to African Art — ARTH 154
Slavery and the Problem of the Visual — ARTH 370

Spring 2025

Approaches to African Art — ARTH 154
Methods of Art History — ARTH 299

Notes

Matthew Rarey Essay Published in "Esclavages: Représentations visuelles et cultures matérielles"

November 20, 2024

Associate Professor of Art History Matthew Rarey published an essay in Esclavages: Représentations visuelles et cultures matérielles (Paris: CNRS éditions / UNESCO, 2024). Edited by Ana Lucia Araujo, Myriam Cottias, and Klara Anna Boyer-Rossol, the book brings together essays by leading thinkers on the visual and material culture of slavery in the Atlantic and Indian oceans. Rarey's essay focused on how to envision anti-slavery resistance in sculpture, print culture, and public architecture in 1700s and 1800s Brazil.

Matthew Rarey Book Wins 2024 Murdo J. MacLeod Book Prize

September 25, 2024

Associate Professor of Art History Matthew Rarey has won the 2024 Murdo J. MacLeod Book Prize for Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic (Duke, 2023). Given annually by the Latin American and Caribbean Section of the Southern Historical Association, the award honors “the best book published in the previous year in the fields of Latin America, Caribbean, American Borderlands and Frontiers, or Atlantic World history." While the MacLeod is typically reserved for historians, the prize committee called Insignificant Things compelling across disciplinary boundaries.

Matthew Rarey and Andrea Gyorody Share Award for Curatorial Excellence

August 21, 2024

Afterlives of the Black Atlantic, a major exhibition at the Allen Memorial Art Museum in 2019-2020, was shortlisted for a 2024 Award for Curatorial Excellence from the Arts Council of the African Studies Association. The award honors "important contributions to the dissemination and understanding of African and African Diaspora Arts made through exhibitions." Associate Professor of Art History Matthew Rarey shares the prize with Afterlives co-curator and former Ellen Johnson ’33 Assistant Curator of Modern and Contemporary Art at the AMAM Andrea Gyorody.

Matthew Rarey Book Wins Outstanding Publication Award

August 21, 2024

Associate Professor of Art History Matthew Rarey's 2023 book Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic (Duke University Press) has been named one of four winners of the 2024 Arnold Rubin Outstanding Publication Award. Given every three years by the Arts Council of the African Studies Association, the prize honors “excellence in scholarship on the arts of Africa and the African Diaspora." Earlier this year, Insignificant Things also won the 2024 Charles Rufus Morey Book Award from the College Art Association, one of highest scholarly honors in the field of art history. Insignificant Things is the first book to win both prizes.

Matthew Rarey Wins 2024 Afro Latin American/Afro-Latinx Scholarship Prize for Essay

April 3, 2024

Associate Professor of Art History Matthew Rarey has also been named the winner of the 2024 Afro Latin American/Afro-Latinx Scholarship Prize for his essay “Leave No Mark: Blackness and Inscription in the Inquisitorial Archive,” published in Black Modernisms in the Transatlantic World (National Gallery of Art, 2023). The award honors an outstanding scholarly essay on Afro Latin American and Afro-Latinx art, and is awarded jointly by the Association of Latin American Art and the Visual Culture Section of the Latin American Studies Association.

Matthew Rarey Presents at Atlantic History Workshop

February 7, 2024

On January 30, Associate Professor of Art History Matthew Rarey spoke to the Atlantic History Workshop at New York University. Rarey discussed and received feedback on a chapter of his in-progress book manuscript, tentatively titled Blackness and Cartography in the Unending Eighteenth Century, with professors and graduate students from across the university.

Matthew Rarey Finalist for 2024 Charles Rufus Morey Book Award

November 21, 2023

Associate Professor of Art History Matthew Rarey has been named a finalist for the 2024 Charles Rufus Morey Book Award from the College Art Association. Rarey's book Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic is one of five finalists for the prize, which will be announced in January. The award honors "an especially distinguished book in the history of art, published in the English language," and is among the highest recognitions for scholarship in art history.

Matthew Rarey Delivered Paper at Clark Conference

October 25, 2023

On October 19, Associate Professor of Art History Matthew Rarey delivered his paper "Renaming the Fetish: Assembling Bolsas de Mandinga" at the Clark Art Institute in Williamstown, Massachusetts. Rarey's invited talk was part of the Clark's 2023 conference, "The Fetish A(r)t Work: African Objects in the Making of European Art History, 1500-1900," which examined the making and “invention” of African art in European discourse.

Matthew Rarey Essay Published

June 6, 2023

Associate Professor of Art History Matthew Rarey published his essay “Sela Adjei: Seeing in Black" in the edited volume Zadokeli: Efo Sela x Mawuli Adzei x Elikplim Akorli. The essay analyzes the work of contemporary Ghanaian artist Sela Adjei, placing it in a longer history of abstract painting employed by 20th-century Black artists and social movements in West Africa and the United States.

Matthew Rarey Contributed Chapter to "Black Modernisms in the Transatlantic World"

May 17, 2023

Associate Professor of Art History Matthew Rarey contributed the chapter "Leave No Mark: Blackness and Inscription in the Inquisitorial Archive," to the volume Black Modernisms in the Transatlantic World. Edited by Steven Nelson and Huey Copeland, the book emerged out of meetings held at the Center for Advanced Studies in the Visual Arts at the National Gallery of Art in Washington in 2018 and 2019. These meetings brought together leading scholars of Black art history to debate and remake the "boundaries of modernist art—its notions time and again focused on the singular white male European or American artist—with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism."

Matthew Rarey Presented Paper at Dumbarton Oaks Symposium

May 17, 2023

Associate Professor of Art History Matthew Rarey presented his paper "Fugitive Landscapes and the Challenge of Black Atlantic Cartographies: Brazil, 1763" at Dumbarton Oaks in Washington, DC. Rarey's paper was one of eleven invited presentations at Dumbarton Oaks' Spring Garden and Landscape Studies Symposium, entitled "Environmental Histories of the Black Atlantic World: Landscape Histories of the African Diaspora," organized by N. D. B. Connolly and Oscar de la Torre. The symposium brought together archaeologists, historians, art historians, and landscape architects to discuss and debate place-based histories of landscapes, waterscapes, and environments of the Black Atlantic world from the fifteenth through the twentieth century.

Matthew Rarey Publishes First Book

April 26, 2023

Associate Professor of Art History Matthew Rarey's first book, Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic, has been published by Duke University Press. The book traces the history of African-associated amulets carried as tools of survival in the Black Atlantic world between the seventeenth to the nineteenth centuries. Rarey argues that these visually benign objects demand new ways of writing the histories of art and Atlantic slavery.

Matthew Rarey Appointed to New Ohio-based Editorial Consortium

April 19, 2023

Associate Professor of Art History Matthew Rarey has been appointed to a new Ohio-based editorial consortium for African Arts, the flagship journal in his field. Headquartered at Miami University, the consortium brings together experts in African art at Miami, the Cleveland Museum of Art, Kent State, and Ohio State.

Matthew Rarey Delivered the 2023 Stern Lecture

April 6, 2023

On March 20, Associate Professor of Art History Matthew Rarey delivered the 2023 Stern Lecture at the Newcomb Art Department at Tulane University in New Orleans. Rarey's talk, "Atlantic Slavery and the Ethics of Cartography: Brazil, 1763," is based on recent archival research in Brazil and Portugal, and forms part of his in-progress book manuscript about eighteenth-century colonial maps of maroon communities in South America and the afterlives of these maps in the work of contemporary Black artists and land rights activists in Brazil.

Matthew Rarey publishes article

November 20, 2020

Assistant Professor of Art History Matthew Rarey's article, "Never at Rest: African Art at the University of Wisconsin" was published in the winter 2020 issue of African Arts. Rarey authored the essay along with Henry John Drewal, Evjue-Bascom Professor Emeritus of Art History and Afro-American Studies at the University of Wisconsin-Madison.

Andrea Gyorody and Matthew Francis Rarey Receive Curatorial Awards for Excellence

April 28, 2020

Andrea Gyorody, Ellen Johnson ‘33 Assistant Curator of Modern and Contemporary Art, and Matthew Francis Rarey, assistant professor of art history, have both received 2020 Curatorial Awards for Excellence from the Association of Art Museum Curators (AAMC) for their Allen Memorial Art Museum exhibition “Afterlives of the Black Atlantic.” On view since August 2019, “Afterlives” has been chosen by the AAMC as the best exhibition this past year at an organization with an operating budget of under $5 million.

News

3 Things with Matthew Rarey

January 31, 2024

Matthew Rarey, the chair of Oberlin’s art history department and an associate professor of African and Black Atlantic art history, won the College Art Association’s prestigious Charles Rufus Morey Book Award in 2024.

The Art of Difficult Decisions

January 29, 2024

The museum world is known for posing big questions. The Allen Memorial Art Museum has a plan for addressing them.