Justin Emeka ’95

  • Associate Professor of Theater and Africana Studies
  • Theater Department Chair and Artistic Director

Education

  • MA, University of Washington, 2005
  • BA, Oberlin College, 1995

Biography

Justin Emeka is a director, filmmaker, actor, writer, educator, and Mestre of Capoeira Angola whose work explores the intersections of classical texts, contemporary stories, and Black cultural traditions. His directing and adaptations are recognized for bringing culturally specific performance practices into conversation with both the American canon and new work.

Recent theater credits include his adaptation and direction of A Doll’s House at Two River Theater; Trouble in Mind at Pittsburgh Public Theater; King James at The Old Globe; The Piano Lesson at PlayMakers Repertory Company; and his adaptation of A Midsummer Night’s Dream in Harlem. He also directed and starred in August Wilson’s Two Trains Running at Pittsburgh Public Theater. Other directing credits include work with Classical Theatre of Harlem, Karamu House, Intiman Theatre, Dobama Theatre, and Oberlin College, where his productions have included Death of a Salesman featuring Avery Brooks, The Bluest Eye, Wedding Band, and Macbeth.

Emeka’s work has increasingly expanded into filmmaking. His award-winning films include Songs of Black Folk, BIOLOGICAL, and Six Winters Gone Still, continuing his exploration of Black life, memory, family, history, and cultural inheritance through the language of cinema.

A longtime practitioner and teacher of Capoeira Angola, Emeka founded one of the first college-based Capoeira Angola programs in the United States, integrating movement, music, history, and academic research. He has received recognition as a Mestre of Capoeira Angola, marking decades of study, practice, teaching, and commitment to the tradition.

At Oberlin College, Emeka is jointly appointed in Theater and Africana Studies, where he serves as Chair and Artistic Director of the Theater Department. His interdisciplinary approach is also reflected in his writing, including the chapter “Seeing Shakespeare through Brown Eyes” in Black Acting Methods: Critical Approaches; and "Playing with Race in the New Millenium".

Emeka is a member of the Stage Directors and Choreographers Society (SDC) and Actors’ Equity Association serves as a Trustee for the Stage Directors and Choreographers Foundation (SDCF) and chair of the Lloyd Richard New Futures Residency Program.

Fall 2026

Capoeira Angola I — AAST 161

Capoeira Angola I — DANC 161

Individual or Group Projects — THEA 225

Special Projects - Full — THEA 320F

Special Projects - Half — THEA 320H

Shakespeare and the Black Aesthetic — THEA 376

Theater Senior Project - Full — THEA 425F

Theater Senior Project - Half — THEA 425H

Spring 2027

Directing I — THEA 208

Individual or Group Projects — THEA 225

Capoeira Angola II — AAST 262

Capoeira Angola II — DANC 262

Special Projects - Full — THEA 320F

Special Projects - Half — THEA 320H

Theater Senior Project - Full — THEA 425F

Theater Senior Project - Half — THEA 425H

Notes

Justin Emeka Film Premiered on PBS

Associate Professor of Theater & Africana Studies Justin Emeka's latest film, Songs of Black Folk has been praised as an Oscar contender and is premiering on PBS’s POV on November 25Songs of Black Folk is a poetic exploration of Juneteenth’s living spirit. Filmed in the Pacific Northwest, it captures a powerful gathering of Black musicians whose voices summon history, testify to resilience, and reveal how music becomes both refuge and revolution.

News

Persistence, Practice, and Determination

Instead of an alarm clock, the sounds of Sergei Prokofiev and Chaka Khan would waft through Caylen Bryant’s childhood home every Saturday morning. Those early days  served as inspiration for the jazz bass performance and Africana Studies major. After graduating from Oberlin in 2017, Bryant went on to perfect her own sound, and head a music program handed down to her by author and musician James McBride ’79.