Andrew Pau

  • Director, Division of Music Theory
  • Professor of Music Theory

Areas of Study

Education

  • AB, Stanford University, 1990
  • JD, Harvard Law School, 1993
  • MM, Mannes College of Music, 2005
  • PhD, City University of New York, 2012

Biography

Andrew Pau has taught at the Oberlin Conservatory since 2011. Pau’s research focuses on the music of nineteenth-century French composers. He has written and presented papers on chromatic harmony, phrase rhythm and text setting, and theories of narrative and musical meaning. He is especially interested in musical genres such as opera that lie at the intersection between music and the literary, visual, theatrical, and choreographic arts.

In April 2016, Pau appeared on national television as a contestant on the game show Jeopardy!, where he became a six-day champion.

Fall 2026

East Asia in Western Art Music — MUTH 266PT

Spring 2027

Music Theory II — MUTH 132

Aural Skills IV — MUTH 202

Excellence in Teaching Award, 2023–24

Barry S. Brook Dissertation Award in Music, CUNY Graduate Center (2012)

Mannes Theory Essay Award (2010)

Felix Salzer Techniques of Music Award, Mannes College of Music (2005)

Chapters in Edited Volumes

“Fauréan Correspondences: Motivic Practice and Octatonicism in Lili Boulanger’s Clairières dans le ciel,” in Gabriel Fauré: Influences and Infuence, James William Sobaskie, ed. (Boydell Press, 2026), 276–294 

“The Franckist-Wagnerian Strain (Duparc, Chausson, Chabrier),” in The Cambridge Companion to French Art Song, Stephen Rumph, ed. (Cambridge University Press, 2026), 146–167

“The Musical Language of Freedom vs. Oppression in Richard Danielpour and Toni Morrison’s Margaret Garner,” in Modeling Musical Analysis, Kimberly Goddard Loeffert and John Peterson, eds. (Oxford University Press, 2024), 231–242

Peer-Reviewed Articles

“‘German Rhythms to French Words’: Meter and Dance in Nineteenth-Century French Opera,” SMT-V, forthcoming (January 2027)

“Common-Tone Tonality in Bizet’s Carmen,Music Theory Spectrum 40(2) (2018): 280–301

“The Harmonic Theories of Jean-Adam Serre,” Intégral 32 (2018): 1–13 

“Plagal Systems in the Songs of Fauré and Duparc,” Theory and Practice 41 (2016): 81–111

“‘Sous le rythme de la chanson’: Rhythm, Text Setting, and Diegetic Performance in Nineteenth-Century French Opera,” Music Theory Online 21(3) (September 2015)

Authored Reviews

Review of Schubert’s Instrumental Music and Poetics of Interpretation by René Rusch, Theory and Practice 49–50 (2024–25), 159–166

Review of Debussy’s Critics: Sound, Affect, and the Experience of Modernism by Alexandra Kieffer, H-France Review 20 (September 2020), No. 171. 

Review of Les pêcheurs de perles by Georges Bizet (Metropolitan Opera DVD), Nineteenth-Century Music Review 16 (2018), 147–150.

Conference Presentations

“Expanded Continuations in Belle Époque Instrumental Music.” Paper presented at the annual meeting of the Society for Music Theory, Milwaukee, WI, November 2026 (forthcoming) and the Dublin Music Analysis Conference, Dublin Ireland, July 2026. 

“Modality in the Choral Works of Lili Boulanger.” Paper presented at the international colloquium Modality in French Music at the Turn of the Twentieth Century, Paris, France, March 2026.

“‘Here We Have Our Place: The Musical Construction of African Identity in Omar,” part of a special session “Constructing Identity in Rhiannon Giddens and Michael Abels’s Omar (2022)” (with Christa Cole and Sylvie Tran). Paper presented at the annual meeting of the Society for Music Theory, Minneapolis, MN, November 2025.

“Huang Zi and Brahms’s Reception in Republican-Era China.” Paper presented at the 

American Brahms Society conference “Whose Brahms?” Reception and Uses of Nineteenth-Century Music up to the Present Day, Minneapolis, MN, November 2025.

“Expanded Continuation Phrases in Fauré’s Piano Music.” Paper presented at the international colloquium Gabriel Fauré – Théodore Dubois: Perspectives et héritage 2024, Paris, France, November 2024 and the Fauré Centennial Festival, Boulder, CO, March 2024.

“The Six épigraphes antiques and Debussy’s (Re)compositional Process.” Paper presented at the annual meeting of the Society for Music Theory, San Antonio, TX, November 2018 and the international conference Claude Debussy in 2018: Debussy Perspectives, Manchester, UK, March 2018.

“‘A Flight into the Exotic Distance’: Harmony and Voice Leading in the Act IV Duet from Bizet’s Carmen.” Paper presented at the annual meeting of the Society for Music Theory, Charlotte, NC, November 2013.

“Voice Leading as Harmonic Determinant in Atonal Music.” Paper presented at the annual meeting of the      Society for Music Theory, Baltimore, MD, November 2007.

Notes

Andrew Pau Presents Paper at Dublin Conference

Professor of Music Theory Andrew Pau presented the paper “Expanded Continuations in Belle Époque Instrumental Music” at the Dublin Music Analysis Conference, organized by the Society for Music Analysis (U.K.) and hosted by Trinity College and the Royal Irish Academy of Music in Dublin July 13-15. The paper explores phrase forms in music by Cécile Chaminade, Gabriel Fauré, César Franck, and Maurice Ravel.

Andrew Pau Presents Paper at Paris Conference

Associate Professor of Music Theory Andrew Pau presented a paper titled "Modality in the Choral Music of Lili Boulanger" at the second edition of the international conference La modalité dans la musique française à l'orée du XXe siècle (Modality in French Music at the Turn of the Twentieth Century). The conference took place in Paris from March 26 to 28.

Andrew Pau Chapter Published in Essay Collection

Associate Professor of Music Theory Andrew Pau published "Fauréan Correspondences: Motivic Practice and Octatonicism in Lili Boulanger's Clairières dans le ciel" in Gabriel Fauré: Influences and Influence, an essay collection edited by James William Sobaskie (Boydell Press, 2026). Pau's chapter examines intertextual correspondences between song cycles by Fauré and Boulanger.

Andrew Pau Chapter Published in "The Cambridge Companion to French Art Song"

Associate Professor of Music Theory Andrew Pau published the chapter "The Franckist-Wagnerian Strain (Duparc, Chausson, Chabrier)" in The Cambridge Companion to French Art Song (Cambridge University Press, 2026), edited by Oberlin Conservatory alumnus Stephen Rumph. The chapter examines the mélodies of late-19th-century French composers who were influenced by the music of César Franck and Richard Wagner.

Division of Music Theory Members Present at Music Theory Society of New York State Meeting

Three members of the Division of Music Theory — Associate Professor Andrew Pau, Assistant Professor Christa Cole, and Visiting Assistant Professor Sylvie Tran — presented a special session titled "Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022)" at the annual meeting of the Music Theory Society of New York State on April 5. The session was based on a panel that the three faculty members gave in conjunction with Omar at Oberlin in December 2024.

Jan Miyake and Andrew Pau Contributed Chapters to Essay Collection

Professor of Music Theory Jan Miyake and Associate Professor of Music Theory Andrew Pau have contributed chapters to Modeling Musical Analysis (Oxford University Press, 2024), a collection of essays written by minoritized scholars and designed to model analytical writing for undergraduate students. Miyake’s essay discusses the Funeral March from Beethoven’s Eroica Symphony, while Pau’s explores Richard Danielpour and Toni Morrison’s 2005 opera Margaret Garner.

Andrew Pau Presentes Research Papers

Associate Professor of Music Theory Andrew Pau presented two research papers on opposite sides of the Atlantic during the first week of November. The first presentation, "Expanded Continuation Phrases in Fauré's Piano Music," was given at the Institut de France in Paris, at a colloquium marking the centenaries of the deaths of French composers Gabriel Fauré (1845–1924) and Théodore Dubois (1837–1924). The second presentation, "Fauréan Influences in Lili Boulanger's Clairières dans le ciel" was given at the annual conference of the Society for Music Theory in Jacksonville, Florida.

Andrew Pau publishes book review

Associate Professor of Music Theory Andrew Pau reviewed Alexandra Kieffer's book Debussy's Critics: Sound, Affect, and the Experience of Modernism for France Review, an online review dedicated to books on French history and culture. 

News