Wendy Beth Hyman

  • Professor of English and Comparative Literature
  • Chair of Book Studies

Education

  • BA, Smith College, 1997
  • MA, Harvard University, 2000
  • PhD, Harvard University, 2005

Biography

My research and teaching interests focus on 16th- and 17th-century poetry and drama, especially in relation to intellectual history, the history of science and technology, Renaissance art and visual culture, and classical mythology. My work is most often animated by attempts to articulate how literature represents—and even creates—new forms of knowledge.

I offer a wide variety of courses. English Renaissance literature is my primary focus, but many of my classes also count toward comparative literature, theater, Classics, and gender, sexuality, and feminist studies.

Almost all of my classes include field trips and “labs” in the Allen Memorial Art Museum, Special Collections in Oberlin College Library in Mudd Center, the Clarence Ward Art Library, the Oberlin College Letterpress Studio, and or the museums, galleries, and theaters of Cleveland.

I love teaching classes that put primary sources in students’ hands, and in which knowledge is generated collaboratively, so I rely on experimental pedagogies as well as lecture and discussion. My students have transcribed 17th-century recipe books, curated a show with me at the AMAM, printed their own letterpressed sonnets, composed music to accompany Donne poems and a site-specific installation based on Ovid’s Metamorphoses, undertaken DH-supported rhetorical analyses of the Royal Society’s corpus, kept commonplace books, and more.

Every other January, I lead an international winter-term trip called Shakespeare in Italy, generously subsidized by the Oberlin College Julie Taymor ‘74 Fund for World Culture.

I have just completed two books. The first is called Impossible Desire and the Limits of Knowledge in Renaissance Poetry (Oxford University Press, 2019). In it, I demonstrate that seduction poetry, far from being merely a trivial commonplace, was a crucial instrument in early modern intellectual life.

The second volume is a coedited collection, with Hillary Eklund, called Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now (Edinburgh University Press, 2019). Its two dozen essays by a diverse range of scholars make the timely case for the liberatory value of teaching historical literature and offer a breadth of strategic pedagogies that mobilize students’ capacities to confidently remake the world.

I have recently published an article on how early microscopists were influenced by prior centuries of insect poems. That article, “Seeing the Invisible Under the Microscope: Natural Philosophy and John Donne’s Flea,”  appears in Philological Quarterly 98.1, in a special issue called “Imagining Early Modern Scientific Forms.” The book chapter “The Inner Lives of Renaissance Machines,” is forthcoming in Object Lessons in Renaissance Personhood (Edinburgh University Press, 2019). Another essay, “Literature as Self-Explicating Artifact,” will appear in Patterns Across the Disciplines (Santa Fe Institute Press, 2020).

My past work includes the widely reviewed edited essay collection, The Automaton in English Renaissance Literature (Ashgate, 2011). I have published essays on early modern mechanical birds, Spenser’s Faerie Queene, physics and metaphysics in early modern lyric, clockwork jacquemarts and Shakespeare’s Jack Falstaff, Nashe’s Unfortunate Traveller, metaphoricity and science, and the pedagogy of book history.

I offer a wide variety of courses, many of which also count toward comparative literature, theater, classics, and gender, sexuality, and feminist studies. They include:

  • Introduction to Shakespeare
  • Visuality, Materiality, and Renaissance Literature
  • Shakespeare and Metamorphosis
  • The Poetry of Love and Seduction in the Renaissance
  • Literature and the Scientific Revolution
  • Renaissance Literature
  • Shakespearean Tragedy
  • Introduction to the Advanced Study of Literature

I also teach a senior seminar on literary theory and semiotics called Words and Things, among others.

I have just completed two book manuscripts:

  • Impossible Desire: Seizing Knowledge and Time in Renaissance Erotic Literature
  • Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now

Impossible Desire: Seizing Knowledge and Time in Renaissance Erotic Literature  was published by Oxford University Press in 2019. In it, I demonstrate that seduction poetry, far from being merely a trivial commonplace, was a crucial instrument in early modern intellectual life.

Among literary critics, the early modern stage has long been understood as a specialized site for “radical” thought and experimental identities. This monograph, the first on carpe diem poetry in England, recovers the role of these disregarded lyrics in imagining the forbidden and thinking the scandalous. I argue that carpe diem’s essential postulate—that time is finite and love is mortal—brought centuries of Petrarchan convention into an explosive confrontation with philosophical materialism, with the result that erotic poetry was forever changed.

I show how carpe diem invitations conflate eroticism, metaphysical speculation, and Lucretian physics to startling effect: challenging accepted constructions of morality, faith, embodiment, and time. Impossible Desire thus argues that this poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the upheaval of the Reformation, an unlikely but effective vehicle for articulating religious doubt and probing the limits of human knowledge.

Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now, is forthcoming with Edinburgh University Press and is a coedited collection. Its two dozen essays by a diverse range of scholars makes the timely case for the liberatory value of teaching historical literature and offer a breadth of strategic pedagogies that mobilize students’ capacities to confidently remake the world.

I am a subject editor for the Routledge Encyclopedia of the Renaissance World.

I have begun a second monograph about myth and mimesis in Shakespearean and Spenserian romance.

With Jen Waldron of the University of Pittsburgh, I am coediting a special 2020 issue of English Literary Renaissance called “Theorizing Fiction in the Early Modern Period.”

My past work includes the widely reviewed edited essay collection, The Automaton in English Renaissance Literature (Ashgate, 2011). I have published essays on early modern mechanical birds, Spenser’s Faerie Queene, physics and metaphysics in early modern lyric, clockwork jacquemarts and Shakespeare’s Jack Falstaff, Nashe’s Unfortunate Traveller, metaphoricity and science, and the pedagogy of book history.

Fall 2024

Introduction to Shakespeare — ENGL 123
Thinking with Renaissance Literature — ENGL 215

Notes

Wendy Beth Hyman Elected as a Trustee of Shakespeare Association of America, Delivered Talks This Spring

March 14, 2023

Professor Wendy Beth Hyman has been elected to serve as a Trustee of the Shakespeare Association of America. She has also given three invited talks this spring: “Why the Renaissance Matters Now: Teaching the Early Modern with Integrity” (Stanford University), “Shakespeare and the Ingenious Machine” (Huntington Library), and “Intellectual Wellness: The Commonplace Book Tradition” (Cleveland Humanities Festival/Cuyahoga Community College).

Wendy Beth Hyman's Monograph Identified as an “Outstanding Academic Title”

September 5, 2022

Professor of English and Comparative Literature Wendy Beth Hyman's monograph, Impossible Desire and the Limits of Knowledge in Renaissance Poetry (Oxford UP, 2019), was identified as an “Outstanding Academic Title” by CHOICE 2021. Her co-edited collection, Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now (Edinburgh UP, 2019) has gone into paperback. She recently published an article, “Beyond Beyond: Cymbeline and the Ontology of Elsewhere,” in English Literary Renaissance 52.3. Along with Jen Waldron, she was guest editor of a special issue of that journal, Theorizing Early Modern Fictions. Finally, an article called “Patterns, The Shakespearean Sonnet, and Conduits of Scale” appeared in Spenser Studies 36 (June 2022). 

Wendy Beth Hyman Participates in Roundtable at the Shakespeare Association of America

November 8, 2021

Professor Wendy Beth Hyman participated in a remote roundtable, “Shakespeare and Social Justice: From Principle to Action,” at the Shakespeare Association of America and also gave an invited talk on literary imagination and Shakespeare’s Cymbeline at the University of North Carolina, Chapel Hill. She will present the lecture, “Ovid, Shakespeare, and Rape: Empowering Survivors in the Early Modern Classroom,” at the online Women and Power Festival at Shakespeare’s Globe in December.

Wendy Beth Hyman gives invited lectures

February 19, 2021

Professor of English and Comparative Literature Wendy Beth Hyman has given two recent invited lectures. The first, “How Sonnets Think,” took place remotely at Oxford Brookes University in the UK; and “John Donne’s Flea and the Scientific Revolution” was delivered to the John Donne Society. She was also recently interviewed by Jeffrey R. Wilson (Harvard University) for a forthcoming project called “An Oral History of Public Shakespeare.”

Wendy Beth Hyman Publishes Co-Edited Collection, Interviewed

November 21, 2019

Associate Professor of English and Comparative Literature Wendy Beth Hyman has published a co-edited collection, Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now, with Edinburgh University Press. Tania Boster, executive director of integrative and experiential learning, and director of curricular initiatives at the Bonner Center, contributed a chapter. The book is open access.

Hyman was also recently interviewed for an episode of the podcast, That Shakespeare Life, about her research on jacquemarts, clockworks, and automatons in the Renaissance.

Wendy Beth Hyman Gives Invited International Talk

May 29, 2019

Associate Professor of English and Comparative Literature Wendy Beth Hyman gave an invited talk, "Teaching Titus Andronicus when Sexual Violence is on the World Stage," in Cape Town, South Africa, at the Shakespeare and Social Justice conference. She also spoke on the conference roundtable dedicated to books in the field, introducing her co-edited collection, Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now, forthcoming with Edinburgh University Press in October 2019.

Wendy Beth Hyman Publishes Monograph, Article

March 15, 2019

Wendy Beth Hyman, associate professor of English and comparative literature, has published a monograph, Impossible Desire and the Limits of Knowledge in Renaissance Poetry (Oxford UP, 2019) and an article, “Seeing the Invisible Under the Microscope: Natural Philosophy and John Donne’s Flea” in Philological Quarterly 98.1-2 (Spring/Winter 2019): 157-180.

Wendy Hyman 2015-16 Academic Year Update

May 11, 2016

Associate Professor of English Wendy Hyman has spent the 2015-16 academic year on research status, working at the Folger Shakespeare Library, the Harry Ransom Center at UT Austin, and the Huntington Library, completing a book manuscript entitled Carpe Diem: Desire, Impossibility, and Renaissance Poetry.

A recent article, “‘Deductions from metaphors’: Figurative Truth, Poetical Language, and Early Modern Science,” appears in The Palgrave Handbook of Early Modern Literature, Science, and Culture (forthcoming, 2016). Hyman also contributed an essay, “Embodying Rome,” for the Luminary Digital Media edition of Julius Caesar. She has given two invited talks this year, at Rutgers University and Case Western University, and presented papers at the Modern Language Association and Shakespeare Association of America.

In the fall of 2015, she and the students of her senior seminar, Words and Things, curated an exhibit, “The Body: Looking in and Looking Out,” at the Allen Memorial Art Museum. Wendy Kozol, professor of comparative American studies, also provided curatorial assistance. This was the first time students in an English literature class at Oberlin curated a show at the museum, and Hyman would like to acknowledge the invaluable help of the museum staff, as well as a Mellon-funded Curriculum Development Grant, to expand the museum’s place in this seminar and her teaching more broadly.

Wendy Hyman Publishes and Presents

June 3, 2014

Associate Professor of English Wendy Hyman recently published two essays: “‘For now hath time made me his numbering clock’: Shakespeare’s Jacquemarts," in Early Theatre and “Physics, Metaphysics, and Religion in Lyric Poetry,” in the Blackwell Companion to British Literature. Her work in literature and the history of science has also resulted in several talks, including “A Bawd for Figure: Form and Motion in Poetic Making,” at the 2014 Modern Language Association (MLA), and“Arcimboldo’s Post-human Assemblages,” at the Society for Literature and Science in the Arts in October 2013. She gave an invited talk, “Breaking the Sonnet,” at the Hiram College Bissell Symposium in February 2014, participated in the Visual Studies and the Liberal Arts Symposium at Smith College in May 2014, and led a seminar called "Words and Things" at the Shakespeare Association of America in March 2014, inspired by an Oberlin course she teaches by the same title.

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