A. Rohrbach

Spring 1999

Office Hours:

ENGL 258

M:4:30-6 Tues:4:30-6

x8661

or by appointment

The Rise (and Fall) of the American Novel

General Course Description:

The American novel came of age during the period 1875-1929. We will study works published between these years in order to glean a sense of the emerging standards of the genre. In the process, we will also consider ways in which the forms of narration that originated with these novels mirror and/or distort the national scene. To what extent, we will ask ourselves, can we examine the forms that appear in these novels as comments on the historical context out of which they emerge? How do technological advances, for instance, impact not only the stories that are told but also the way that they are told? Can we treat these texts as history or as historical? What's the difference?

Course Proceedures:

Class participation and attendance are mandatory. In order to facilitate small group work, the class will be divided into small groups; these groups will meet outside of class on a rotating schedule and prepare short writing assignments and in-class presentations. Individual group members will meet with me outside of class at set intervals. In addition to these responsibilities, students will also write three short papers in the first half of the semester, two drafts of their final paper and a final draft.

Grading Policies:

You are required to write a total of eight "prep" papers. In addition, there will be two short essays, a mid-term essay and a final paper. Attendance and class participation are mandatory and an excess of three unexcused absences might result in a grade of "no entry." Your final grade will break down according to the following percentages:

Prep papers and discussion: 40-50%
Mid-term essay: 20-30%
Final paper: 20-30%

What is a "prep" paper?

A prep paper is a brief (1-2 pp) analytical comment that will be used as a way to focus class discussion. You need not account for the whole text in a prep paper. Rather, you will focus your attention on a specific moment, aspect, technique, or concept (for instance) and provide an analytic basis for that focus. Basically, you will be answering the question: Why is this worth your attention? It is the analytic aspect of the prep paper that sets it apart from, say, a journal entry.

What is a mid-term essay?

A mid-term essay is slightly longer than a prep paper because it is a more extended argument. In a 3-5 page essay you will be asked to address one of several topic questions (or one of your own design). Techniques of analysis that you will be using in your prep papers will come into play here since you will be selecting salient examples to support your point of view.

What is a final paper?

A final paper should be 8-10 pages in length. I will provide a list of possible topic questions and you are also free to develop your own topic. In the event that you do choose to create your own focus, please make an appointment with me to discuss it before you get in too deep. Chances are that I'll have some handy suggestions to help you write the paper. You may use secondary sources, but this is not a requirement

Required Reading

Cahan, Abraham. Yeckl. (1896).
Cather, Willa. My Antonia. (1918)
Crane, Stephen. Maggie: A Girl of the Streets. (1893)
Drieser, Theodore. Sister Carrie. (1900)
Fitzgerald, F. Scott. The Great Gatsby (1925)
Hemingway, Ernest. In Our Time (1925)
Howells, William Dean. A Modern Instance. (1882)
James, Henry. What Maisie Knew (1897)
Johnson, James Weldon. The Autobiography of an Ex-Coloured Man. (1912; 1927)
 
Larsen, Nella. Passing. (1929)
Norris, Frank. McTeague. (1899)
Wharton, Edith. Age of Innocence (1921)

Week 1:

Introduction:
George Parsons Lathrop, "The Novel and its Future"--xerox packet
Charles Dudley Warner, "Modern Fiction"--xerox packet

Week 2: (Feb 8)

Howells, William Dean. A Modern Instance. (1882)
William Dean Howells, "Propriety in Fiction"--xerox packet--Group 1

Week 3: (Feb 15)

Crane, Stephen. Maggie: A Girl of the Streets. (1893)
Clarence Darrow, "Realism in Literature and Art"--xerox packet--Group 2

Week 4: (Feb 22)

Cahan, Abraham. Yeckl. (1896).--Group 3

Week 5: (March 1)

James, Henry. What Maisie Knew (1897)
Henry James, "The Art of Fiction"--xerox packet--Group 4

Week 6: (March 8)

Norris, Frank. McTeague. (1899)
Frank Norris, "Three Essays on Naturalism"--xerox packet--Group 5

Week 7: (March 15)

Drieser, Theodore. Sister Carrie. (1900)
Theodore Drieser, "True Art Speaks Plainly"--xerox packet--Group 6

Spring Break

Week 8: (March 29)

Johnson, James Weldon. The Autobiography of an Ex-Coloured Man. (1912)--Group 1
James Weldon Johnson, "Race Prejudice and the Negro Artist," "Double Audience Makes Road Hard for Negro Authors," "Negro Authors and White Publishers"--xerox packet

Week 9: (April 5)

Cather, Willa. My Antonia. (1918)
Willa Cather, "The Novel Demueble"--xerox packet--Group 2

Week 10: (April 12)

Fitzgerald, F. Scott. The Great Gatsby (1925)
F. Scott Fitzgerald, "Echoes of the Jazz Age"--xerox packet--Group 3

Week 11: (April 19)

Hemingway, Ernest. In Our Time (1925)--Group 4
Outline of final paper

Week 12: (April 26)

Wharton, Edith. Age of Innocence (1921)
Edith Wharton, "The Great American Novel"--xerox packet-- Group 5
Draft of Final Paper

Week 13: (May 3)

Larsen, Nella. Passing. (1929)
Book reviews of Passing --hand-out in class-- Group 6

Week 14: (May 10)

Conclusion-Papers due

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