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Spreading
the Jive
How the National Craze Came to Oberlin
by
Holly Matyas '02
As
members of the Oberlin Swing Society hustle to set up the sound
system, a group of people cautiously enters Hales Gym. Swing Society
member Sarah Hall '02 greets them with an enthusiastic smile and
proceeds to explain and demonstrate one of the basic swing steps,
the jitterbug. A moment of panic sweeps through the group. A chorus
of "Could you show that again?" echoes through the gym.
Hall and her partner, David Karpf '01, show the basic jitterbug
again in slow motion. Before long, dozens of couples cover the dance
floor. Some are experienced dancers, others beginners, but they
are all smiling and laughing and dancing together.
Oberlin's
swing scene has come a long way in a short time. When Karpf arrived
at Oberlin in the fall of 1997, he met a group of about a dozen
people who held informal swing dances in the basements of Noah and
Burton and decided to give it a try. "I've always liked the image
of it. It just seemed so cool," he said. "Ballroom is a scary social
dance. Salsa is more difficult to pick up. But once you learn the
basic swing step, you can watch people and make up moves."
Karpf
began publicizing the informal basement dances, and his friend,
Kevin McShane '00, set up the first "Dress to Impress Swing Nite."
A dance
was held during the fall 1998 orientation, and Joshua Hartshorne
'01, president of the Oberlin Swing Society, was one of the first-year
students there who became hooked on swing. Wishing to secure more
appropriate dance spaces, with real sound systems rather than personal
boom boxes, Hartshorne organized the first meeting of what would
become the Oberlin Swing Society that October. The following spring,
he and other dedicated swing dancers submitted a charter proposal
in order to become an officially recognized student organization.
Difficulties
finding space in the fall of 1999 tested the group's determination,
but the Swing Society did not give up. Members wrote letters to
parents of Oberlin students in an effort to gain support. They emphasized
the community nature of swing, said Sarah Scannell '00. "One of
the things that Josh and I stressed when we were meeting with people,
trying to get either money or a charter, was that swing is a physical
exercise that takes a certain amount of skill, commitment, and time,"
she said.
Finally
at the end of 1999, the Oberlin Swing Society became officially
chartered, giving it access to equipment from the audiovisual department
and a stronger voice when applying for space.
Society
members still work at "spreading the jive." For example, vice president
Lily Matini '03 is responsible for establishing connections with
the swing scene outside Oberlin. Her efforts have allowed members
of the Swing Society to compete in local com-petitions and participate
in an intensive workshop in Cleveland taught by Steven Mitchell,
one of the country's leading Lindy hop instructors.
In
addition to teaching basic swing lessons before each dance, Swing
Society members taught winter-term projects for the past two years,
and this year, they taught a basic swing EXCO (Experimental College)
course that drew over 140 people to its first meeting. All swing
events are open to faculty, staff, and members of the community
as well as students, and most are free.
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