What's
Inside?

Cover Story
A tale of two Oberlins.

In View
Pie-in-the-sky possibilities or difficult life-and-death decisions? The Human Genome Project may ultimately mean both.

Obies
The Oberlin Center for Russian, East European, and Central Asian Studies placed its first intern last summer. Read this firsthand account of his experiences in Moscow.

Center Piece
A new organ takes shape in Finney Chapel. Profile 6 Economist Gregory Hess and his student research assistant ponder the relationship between war, economics, and the election cycle.

Arts
Filmmaking at Oberlin? Most definitely. A three-hour marathon of student film shorts last May was just the tip of the growing celluloid iceberg.

Yeosports
Player-turned-coach Ann Marie Gilbert inspires teamwork on and off the basketball court.

The Big Picture
The Oberlin Orchestra performed at the Getty Center, L.A. under the direction of guest conductor John Williams.


Side Lines
Little facts you might be interested in.









 


Fall-break road show

During fall break week, the members of the Oberlin Orchestra traveled to Los Angeles, where, under the direction of guest conductor John Williams and Associate Professor of Conducting Timothy Weiss, they performed a concert in the Harold M. Williams Auditorium of the Getty Center on October 17.


The program opened with Weiss conducting the ensemble in Mozart's Symphony No. 35. Then Williams took the baton and led the group in performances of three of his pieces from Schindler's List, as well as Barber's Knoxville: Summer of 1915, and Brahms' Academic Festival Overture.

Williams, one of the most distinguished and successful American composers of music for film and the concert hall, was music director of the Boston Pops Orchestra for 14 seasons; he is currently conductor laureate of that ensemble. The Getty concert was not the first time Williams has conducted the Oberlin Orchestra: he came to campus in May 1995 to conduct the ensemble and to receive an honorary doctor of music degree.

Soloists included violinist Julia Sakharova '03 and mezzo-soprano Laurie Rubin '01. "It was my first experience working with a renowned conductor," said Sakharova, who performed on the 200-year-old Guadanini violin owned by her teacher, Professor Almita Vamos.

"It was like a dream, and I told him that. It amazed me that Mr. Williams, not being Jewish himself, put such emotion into this music. I think he's a great composer."

Weiss, who prepared the orchestra for the concert, echoed those sentiments. "Students' reaction to working with John Williams was very positive. What they found surprising was that he was so unassuming, so casual. They liked that he was very much himself and comfortable with the players. His demeanor helped the orchestra not to be uptight. The music-making was very much from the heart. It sounded very free."

Oberlin trustee Stephen D. Rountree, who is also executive vice president and chief operating officer of the J. Paul Getty Trust, was instrumental in obtaining the venue for the concert.


View more pictures from the concert at Getty.