Theater
Interns Positively Affect Productions and Classes
To
the Editors:
The
recent intern position cuts made by the College in attempts to save
money in light of the dwindling economy are certainly understandable
and even justified. In many cases, however, the most advantageous
course of action both curricularly and economically would be to
keep these intern positions in the department doing what they do
so well. One such case is the theater and dance department. T&D
employs two nine-month interns in Hall Auditorium known as Assistant
Technical Directors. These positions are absolutely crucial to the
smooth operation of the theatre department and to the successful
run of every performance that takes place on Hall Mainstage (i.e.,
the opera, the dance shows, etc.) and many performances that take
place elsewhere on campus like Wilder Main (i.e., Drag Ball).
I understand that the College needs to cut back on expenses, but
this is really not the place to do it. The two ATDs in Hall take
the place of one full-time staff position and one intern position.
This has proven to be the most economically sound method of maintaining
the necessary staff in Hall to ensure the full season of performances
goes up successfully.
To better understand the situation, perhaps I should elaborate on
what exactly it is that these ATDs do. First and foremost they build
the set and supervise the run crew for every show in Hall. That
means that without these positions, the opera would have no set,
and there would be no run crew to move even stock set pieces onto
the stage. The opera theatre department and T&D both need sets
for their shows to be successful and these performances are a valued
part of Oberlins diverse educational opportunities and artistic
experiences. Second, having these positions filled allows the full
time faculty and staff in Hall to concentrate more on teaching and
curricular activities and not just on producing a show. Many classes
crucial to any theatre major (but especially the tech. theatre major)
would therefore have to be eliminated to allow for time to build
the sets. This would seriously jeopardize many students abilities
to successfully complete their planned course of study needed for
their major. Lastly, these interns also interact daily with the
students who work in the shop, teaching them the basics of carpentry
and set building. This knowledge is then applied in the building
of sets of Drag Ball, OSTA, OMTA and OGASP sponsored shows, and
almost every other theatrical event on this campus. One of these
intern positions volunteered to design the set for Drag Ball this
year.
Finally, I would like to reiterate the fact that I do understand
the Colleges need to save money, however, there is no cheaper
way to get this work done and the extra work created by the absence
of these positions cannot be filled by other T&D staff members.
The work they do is unique to those positions and it would be unrealistic
and unreasonable to ask other staff members to take on those jobs
as well.
This issue needs to be resolved soon so as to fill the positions
with qualified applicants for next year, so please get involved
and help fight to save our interns.
Thomas
Taylor
College sophomore
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