Bibliography of Resources
on
Professional Development
Career
Audition Advice for Singers.
Washington, D.C.: Opera America, 1996.
MT820 .A83 1996
A series of essays by industry about
the psychology of auditioning.
Career Guide for Singers.
Washington, D.C.: OPERA America,
1992. Ref ML12 .C37 1992
Catalog of North American companies, competitions, and institutes for
advanced training.
Dearing,
James W.
Making Money Making Music: No Matter Where You Live.
Cincinnati, Ohio: Writer's Digest Books, c1982.
ML3790 .D36 1982
Practical, sane advice on succeeding (that is, staying employed and
fulfilled) as a freelance musician. Directed
at popular musicians.
Field,
Shelly. Career opportunities in the
music industry, 4th ed. New York,
N.Y.: Checkmark Books, 2000. ML3795
.F497 2000
Cataloged descriptions of the
professional requirements of most musical careers.
Entries themselves are thorough, but the list itself is not
comprehensive.
Freed,
Gwendolyn. Musician's Resource: the Watson-Guptill Guide to Workshops Conferences,
Residential Programs, Academic Programs, Festivals, Master Classes. New
York: Watson-Guptill Publications, 1997. Ref
ML3790 .F72 1997
A catalog of nationally recognized
North American music organizations, festivals, and university programs.
For serious musicians at the beginning of their careers.
Highstein,
Ellen. Making Music in Looking Glass Land: A Guide to Survival and Business
Skills for the Classical Musician. New
York: Concert Artists Guild, 1993.
Excellent supplement to the standard industry manuals, tailored to the
classical musician. Includes advice
on practicalities such as self-promotion, networking, finding the appropriate
“scene.”
Hull,
Geoffrey P. The Recording Industry. Boston:
Allyn and Bacon, 1998. ML3790
.H84 1998
Includes history and analysis of the industries of recording, publishing
and live entertainment. Thorough
analysis of production, marketing, retailing, and legal aspects of recording.
Krasilovsky,
M. William. This Business of Music: the
Definitive Guide to the Music Industry. New York: Billboard Books, c2000.
ML3790 .S5
Authoritative, comprehensive guide
to every aspect of the music business. Daunting
as an introduction, but indispensable as a reference.
Lebon,
Rachel L. The Professional Vocalist: a Handbook for Commercial Singers and
Teachers. Lanham, Md.:
Scarecrow Press, 1999. MT855 .L43 1999
Practical guide to using and teaching the vocal instrument, vocal
technology, and other aspects of professional singing.
Includes appendices on diction and the International Phonetic Alphabet.
Monaco,
Bob. The Platinum Rainbow: How to Succeed in the Music Business Without
Selling Your Soul! Sherman
Oaks, CA: Swordsman Press, 1983. ML3790
.M58 1983
The self-help side of business success, with advice on professionalism,
developing business sense, dealing with unjust setbacks and achieving career
goals. Intended for popular
musicians, adaptable to classical music.
Musical America. International Directory of the
Performing Arts. Great
Barrington, Mass.: ABC Leisure Magazines. Con
Ref Desk ML12.M88
Oliver,
Donald. How to Audition for Musical Theatre: A Step-By-Step Guide to
Effective Preparation. New
York: Drama Book Publishers, 1985. MT892 .O4 1985
Advice on the often-overlooked details of audition professionalism.
Intended for actors in musical theatre easily adapted to operatic
auditions. Appendices include a
list of songs not to use in
auditioning, excuses not to give the casting crew for inferior auditions, and
instructions for accompanists.
Owens,
Richard. Towards a Career in Europe: a Resource Book for American Singers
Auditioning in Austria, Germany, and Switzerland. Dallas:
American Institute of Musical Studies, 1983.
MT820 .O945 1983
Good introduction to beginning a Bavarian career--should be supplemented
with up-to-date directories of European companies and festivals.
Physical and Mental Health
Galleway,
W. Timothy. The Inner Game of Tennis. New
York: Random House, 1974. GV1002.9
.P75 G34
The classic book on performance anxiety and related psychological
issues (our favorite, “self-interference”).
Followed by The Inner Game of
Music.
Green,
Barry, with W. Timothy Galleway. The
Inner Game of Music. Garden
City, N.Y.: Anchor Press, Doubleday, 1986.
ML850 .G73 1986
Sequel to The Inner Game of Tennis.
Havas,
Kato. Stage Fright: Its Causes and Cures, with Special Reference to Violin
Playing. London: Bosworth,
1973. ML 850 .H35
A compendium of exercises to
combat the symptoms of various forms of stage fright.
Most are specific to the violin, but some entries, such as “The Fear of
Not Being Good Enough” and “The Fear of Memory Lapse” apply to all
instruments.
Reid,
Cornelius L. Voice: Psyche and Soma.
New York: Joseph Patelson Music House, 1975.
MT820 .R368
Analysis of the vocal instrument, with entries on musculature, resonance,
passaggio, etc.
Vocal Health and Science: a Compilation of Articles
from the NATS Bulletin and the NATS Journal.
Jacksonville, Fla.: National Association of Teachers of Singing, 1991.
MT821 .V63 1991
Collection of articles on a variety of subjects, including medications,
surgery, aging, voice disorders, voice abuse, medical care, vocal control,
ornamentation, hygiene, laboratories, and technology.
Videos & Newsletters:
Classical
Singer. Maplewood, N.J.: Classical
Singer, 1998-
D'Anjolell,
Dick, producer/writer. The
Musician's Guide to the Music Business.
Media, PA: RMD & Associates, 1993.
VCR-2198
The New York Opera Newsletter. Maplewood,
N.J.: New York Opera Newsletter, Inc., Con Periodicals
Compiled by Kathleen Abromeit and Leslie Roberts
Edited, and annotated by Leslie Roberts, June 30, 2001