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FIELD #75

(Fall 2006)
 
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Contents
Hart Crane: A Symposium
Kevin Prufer
"My Grandmother's Love Letters": Behind the Candy Counter
Charles Wright
"'Voyages II": Improvisations on a Line by Hart Crane
Carol Moldaw
"The Harbor Dawn": The Liminal Tide
Elton Glaser
"O Carib Isle!": Tropes in the Tropics
Thomas Lux
"The Air Plant": Hart Crane's Tropical Effusion
David Young
"The Hurricane": Talking Back to God
Marianne Boruch
Some Moments in "Moment Fugue"
   

*****

D. Nurkse

Ben Adan

Carrie Bennett
We Understood That Clarification Was Necessary
Michael Chitwood
Fourth Hour of the Afternoon
Crows as the Figure of Disease
Three Dogs as the Figure of Death
Aimee Nezhukumatathil
The Green Flash
Fayad Jamis
Rain
(translated by Kathleen Weaver)
J. W. Marshall
Occupation
Emma Howell
Gravity
Divination
Catherine Sasanov
His Personal Property: Inventory and Appraisal Sheet, 1860
Rebecca Dunham
Ergot Theory
Marianne Boruch
Snowfall in G Minor
Half Morning Song
February
Paul Legault
Iditarod
Lance Larsen

Feed
With the World as My Body

Sarah Maclay
Gratitude
The Blueberry Field
Nola Garrett
Alligator Regrets the Anhinga
Alligator Reasons a World View
Ewa Lipska
That
Love After All
Afternoon
(translated by Margret Grebowicz)
Richard Robbins
For Extra Credit
Lying Down in the Idaho Desert
L. S. Klatt
The Somnambulist
Blunders
Jeannette Allee
Crimble of Staines
Joshua Kryah
from Closen
Dzvinia Orlowsky
Ballet on Chemo
Shirley Kaufman
In the Recovery Room
Anna Journey
My Great-Grandparents Return to the World as Closed Magnolia Buds
A Crawdad'll Hold Until It Hears Thunder
Susan Hutton
Calendrical
On Returning to the Midwest After a Seven-Year Absence
Melissa Ginsburg
In the Coat Closet
Timothy Liu
Escapes
Zanni Schauffler
The Doctor's Poster of Twenty Dangerous Moles
Along with Your Application, Please Provide Us with a Brief Autobiographical Sketch
Mary Cornish
Cut Flowers
Incarnate
Hinged Earth
   
 
FOURTH HOUR OF THE AFTERNOON

Humidity like gauze tape on the skin.
Butterflies have come to the butterfly bush.
I like the way that sentence walks,

foot-testing the rocks for a solid way across.
Cicadas torque their gear boxes,
and North Carolina is coming about,

its troll motors chuffing and dropping rainbow splatters
on the gray waters upon which we slide.
Always a royal formality stands up

when we try to utter the unutterable.
It was ever thus, those lice-ridden Lords
translating the altar blood of fatted calves.

A cold front is bringing the Pentacost
to the pine tops. There's a shiver in that herd,
ozone sharp as a whiff of hot tin.

You can see the rain coming, cowled,
head down, hiking steady with its crystal
prayer beads worried in wordless prayer.

--Michael Chitwood

Copyright © 2006 by Oberlin College. May not be reproduced without permission.

HINGED EARTH

Although this is not a photograph, the frame
has stopped all motion. There's plenty of time
to consider the view: oak leaves, apples.
We must be in the garden, on earth as it is.
Hinged earth--the snake's jaw as a music box, opens
then shuts. Birds shift in flight, acorns fall;
the sky, the ground, make their small adjustments.
On earth as if at an altar: knees bend, a gill
flaps for air. The wooded canopy over it all
is thought to represent justice. Elsewhere, a dragonfly
spreads its wings on the live pin of its body--
a verb between fluttering nouns. To the left is a cliff:
there's a question of scale. You once put your hand
on the small of my back; we moved like a chord
below an ascending melody, a rare Te Deum in a minor key.

--Mary Cornish

Copyright © 2006 by Oberlin College. May not be reproduced without permission.


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