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FIELD #73

(Fall 2005)
 
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Contents
Jean Valentine: A Symposium
Maggie Anderson
"September 1963": Jean Valentine as Political Poet
Forrest Gander
"'Autumn Day'": A View with Some Room
Kathy Fagan
"Strange Quiet": Jean Valentine's "'Autumn Day'"
Camille Norton
On "'Love and Work': Freud Dying"
Michael Waters
"Snow Landscape, in a Glass Globe": Jean Valentine's Elegy for Elizabeth Bishop
Beckian Fritz Goldberg
On "High School Boyfriend"
Carl Phillips
Reading Jean Valentine: "About Love" as One Example
C. D. Wright
"The Power Table": World-Light in This-World Company
Brenda Hillman
"Listening": The Swerve

*****

Mary Ann Samyn

A Short Essay on the Work of Jean Valentine

Jean Valentine
For Her,
The Harrowing
The Look
Isabel Galbraith
Grass Widow
Kary Wayson
Love Is Not a Word
Lenore Mayhew
Lines for John Cage
Absence
Sarah Kanning
Darkroom
Nancy Eimers
Bird Nests Over the Gates to Terezin
White-Throated Sparrow
Sarah Gambito
Toro
Immigration I
Dore Kiesselbach
First Hike After Your Mother's Death
Erin Malone
Hush
Susan Hutton
For Tracy Cernan
Montgolfier
The Long Season
Carl Phillips
Captivity
Jack Kristiansen
Yonder
Nance Van Winckel
When He Snaps His Fingers,
Stopped in the Midst of Going On
Mary Crow
Implications of Color and Space
Addicted to the Horizon
John F. Deane
Market
Bill Bogart
Something Else About the Evening
Peter Jay Shippy
Tapestries in the Gothic Room at the Isabella Stewart Gardner Museum
Zee (Pronounced Sze)
Bob Hicok
ROTC
The Code
Charles M. Israel, Jr.
Two Lu-shihs for Lunch
Gretchen Primack
Patient
Colors
Carol Potter
Sticky Fingers
I Would Be Smoking
Philip Metres
The Familiar Pictures of Dis
David Hernandez
Fooling the Buffalo
Shira Dentz
Ringed Like a Tree
John Morgan
The Battle of Austerlitz
Gabriella Klein
Tip
As the Interval Between
Kevin Simmonds
Another Untitled from Japan
While in Northern Japan
Susan Terris
Goldfish: A Diptych
Elizabeth Winder
Weekend Notes to Adele X--A Play in Five Acts
Paula Bohince
Acrostic: Queen Anne's Lace
Betsy Sholl
Rough Cradle
Bruce Beasley
The Corpse Flower
 
THE LONG SEASON

In the evenings, after we've put the kids to sleep,
my husband and I go to our room,
close the door and stand next to each other,
companionably folding the laundry.
The kids' small socks and shirts fall
from the sheets we untangle from the basket.
This is not the love I imagined, but it's who I want to be.
Though I wonder sometimes. Like everyone.
It took Peary eighteen years to reach the Pole,
and some think he stopped thirty miles too soon.
One morning a friend stood at his door and watched a deer
charge past his house in Ann Arbor. Its hooves on pavement,
a hard sound. Where could it have come from?
Leaving the city, heading for the hills at the edge of town.
A mild Tuesday, breaking into green. There. Not there.

--Susan Hutton

Copyright © 2005 by Oberlin College. May not be reproduced without permission.

IMPLICATIONS OF COLOR AND SPACE

That isn't what happened, for we kept climbing up,
rammed earth and stones stuccoed and white-washed,
but the gates stayed closed while we kept on wearing
our bodies, not thinking what we'd do if they came
unbuttoned after standing for days without sleep,
after beatings, accusations about our secret code.

How much does the state weigh? The courts of justice?
The machines and the factories--how much, all of it?
And don't tell me you don't know, take a day
to think it over, then tell me how much.

We thought how we would answer such questions
as we went on mounting the hill into the white city.

Song surrounded us: small birds in small cages above us
on the balconies, water in the tinkling gutter, bicker
of magpies, broom rasping the cobblestones: I did it.
But blue escaped the morning glory climbing beside us,
from cobalt doors, washed over potted plants and steps up,
and suddenly the past swept on to somewhere else.

--Mary Crow

Copyright © 2005 by Oberlin College. May not be reproduced without permission.

WHILE IN NORTHERN JAPAN

Japanese girls torment me.
With chirpy, unfortunate English,

They ask,
From America?

Hip hop very like.
My body is news of their arrival.

They've landed in America, they're sure,
Because the static across my body has cleared

And I'm blacker than they'd imagined.
I hardly look at them.

Other black men run
Into the tendrils of their gardens.

They don't see Medusa's helmet there,
Tossed and eaten through.

--Kevin Simmonds

Copyright © 2005 by Oberlin College. May not be reproduced without permission.


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