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CONSERVATORY ORCHESTRA TO EMBARK ON A TOUR OF THE PEOPLE'S REPUBLIC OF CHINA |
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November 21, 2005Ten concerts, nine days, six cities--the numbers add up to an intense tour schedule under ordinary circumstances. But for student-musicians from the Oberlin Conservatory of Music, the intensity is heightened by the fact that the six cities are in the People's Republic of China. The Oberlin Orchestra, an ensemble of 66 Conservatory students selected by audition, leaves for China on December 23, and will perform in some of China's premier venues, including the Beijing Poly Theater and the Shanghai Concert Hall. The tour begins with three concerts in Anshan, in central Liaoning Province, followed by a performance in Shenyang. From there it's on to Dalian, at the southern tip of the province, for two concerts. Two evening performances in Beijing are next on the itinerary, followed by a concert in Tianjing. The tour concludes with a performance in Shanghai. The musicians return home on January 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. They represent cities throughout the United States and Canada, as well as South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele Reischl, music director of the Oberlin Orchestras, will conduct the ensemble during the tour; J Freivogel of St. Louis, Missouri, is concertmaster. Along with intensive rehearsal sessions, the student-musicians are preparing for the tour by taking a course, China Tour Preparation, offered by the East Asian studies department of Oberlin College, the Conservatory's liberal arts counterpart. Funding for the tour is being provided by the Liaoning Performance Company, a presenting company from China; Chinese businessman Sen Wang; the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart's The Marriage of Figaro, selections from Bizet's Carmen, Strauss' Blue Danube, Brahms' Hungarian Dance No. 5, Dvorák' s Slavonic Dances Op. 46, Nos. 1, 3, and 8, and Chinese folk songs. In addition, this core program will alternate George Gershwin's Rhapsody in Blue with Igor Stravinsky's Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the Oberlin Conservatory, will be the featured soloist for the Gershwin. The orchestra also will perform the official songs of Anshan, Dalian, and Beijing, respectively, during concerts in those cities. In Dalian, the Oberlin Orchestra will perform under the baton of guest conductor Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts Troupe, was awarded a special prize at the 2000 Sibelius International Conducting Competition in Helsinki, Finland. A trip to China made last spring by the dean of the Oberlin Conservatory, David H. Stull, and several faculty members was the genesis of this tour. The Oberlin contingent was invited by the Szechuan Conservatory in Cheng du and visited major concert halls and music schools, where they gave master classes. "Our primary interest was to visit major schools to get a sense of their philosophy of teaching and to establish at least an informal relationship with the leaders of those institutions," says Stull. In April, five members of the Szechuan Conservatory made a reciprocal visit to Oberlin to explore the nuances of American conservatory training. "This China tour will be of immense educational benefit to Oberlin students," says tour manager James Kalyn. "In addition to the musical growth they will experience by performing the same pieces over and over again--something students in conservatory orchestras rarely get to do--they will be exposed to the culture of an emerging economic superpower." "China now produces some of the world's finest musicians," adds Stull. "Many of these young people come to Oberlin to study. Of the 50 students enrolled in the Conservatory from countries in Asia, 15 are from China. It is in our own students' best interest to explore the educational and performance opportunities this country has to offer." Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Thomas Rosenkranz has performed on four continents and has twice been named an artistic ambassador, sponsored by the United States State Department on tours of the Middle East and Africa to present recitals of American music for television and radio broadcasts. He was recently awarded the prestigious Classical Fellowship Award from the American Pianists Association. He has given performances at Lincoln Center (New York), the Miller Theatre (New York), the 92 Street Y (New York), the Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis), L'Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured Japan and Taiwan with the Eastman Wind Ensemble and has been a featured pianist at such notable festivals as the the Tabarka Jazz Festival (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany), and the National MTNA Convention in Seattle. He has performed as soloist with the National Orchestra of Beirut, the Orchestre Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory (Class of 1999) and the Eastman School of Music, his major teachers include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He lives in Honolulu, Hawaii, and is assistant professor of piano at the University of Hawaii at Manoa. He will be artist-in-residence at the Cortona Contemporary Festival in Italy this summer. J. Freivogel, concertmaster The Oberlin Orchestra and the Oberlin Conservatory of Music Magnificence has come to be synonymous with all aspects of the Oberlin Conservatory of Music, from its exacting standards for incoming students to the excellence in teaching and performance expected of its faculty and the notable careers of its alumni, who can be found performing in every major orchestra and opera house and with many of today's acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of Oberlin College since 1867, Oberlin is the oldest continuously operating conservatory in the United States. An undergraduate institution, Oberlin is renowned internationally as a professional music school of the highest caliber and has been called a "national treasure" by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 season include a performance at Cleveland's Severance Hall, home of the Cleveland Orchestra, under the baton of music director and conductor Bridget-Michaele Reischl. The 2006-07 season features a performance at Carnegie Hall with Robert Spano conducting. For more information about the Oberlin Conservatory of Music, please visit www.oberlin.edu/con. Oberlin College's Historic Ties to China Another strong Oberlin-China connection can be found at the Shanghai Conservatory of Music, the oldest conservatory in China. Huang Tzu, a 1926 Oberlin graduate who is widely considered to be one of the patriarchs of Western music education in modern China, was one of its founding fathers. He wrote the school's curriculum, which ultimately became the platform for the professional study of music in China. Concert Schedule
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| Media Contact: Marci Janas |
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