Even the characters with the longest entries are not the focus of enough attention to deserve to be called main characters, Widmerpool perhaps excepted.
1 page: Bagshaw, Barnby, Bithel, Norman Chandler, Gen. Conyers, Craggs, Roddy Cutts, Duport, Amy Foxe, Buster Foxe, Glober, Barbara Goring, Isbister, Ted Jeavons, Nick's father, LeBas, Ada, Chips, Maclintick, Audrey, Mona, Murtlock, Pennistone, Stripling, Tokenhouse, Prince Theodoric, Isobel, Dr. Trelawney, Eleanor Walpole-Wilson, Sir Gavin W-W, Katherine Warminster, Tuffy Weeden, Baby Wentworth, Mrs. Widmerpool
2 pages: St. John Clarke, Deacon, Sir Magnus Donners, Myra Erdleigh, Erridge, Sunny Farebrother, Gwatkin, Gwinnett, Lady Molly, Uncle Giles, Members, Sillery, Odo Stevens, Jean Templer, Peter Templer, X. Trapnel, Dicky Umfraville, Matilda
3 pages: Pamela, Moreland, Quiggin, Stringham
4+ pages: Nick, Widmerpool
The last novel ends in late autumn; the first begins in winter so that turning back to the beginning simply continues the cycle of the seasons.
The series begins and ends with scenes of Widmerpool running. Other
features that the opening and closing scenes of the novel have in common:
the smell from the workman's fire-bucket is transmuted to the smell of
a bonfire; the centaur's conch becomes the quarry's hooter.
The second 'trilogy' begins with Nick's first visit to Lady Molly's; and ends with another visit (at which Nick meets Jeavons brother who fixes him up in the Army). Widmerpool is present at both these visits. The 'trilogy' also begins with Nick recalling visits as child with Gen. Conyers; it ends with another visit to the General (at which the General announces his forth-coming marriage to Tuffy).
The third 'trilogy' begins when Nick joins the Welch Regiment; the regiment reappears again near the end of the 'trilogy'.
The fourth 'trilogy' begins with Nick's description of Burton's Anatomy
of Melancholy; it ends with a dramatic quote from Burton.
Each of the novels in the third 'trilogy' describes army life at a different level.
Each of the novels in the fourth 'trilogy' features a work of art as
a 'character', that is, the chosen work resonates and/or comments on the
events of the novel (Burton's Anatomy of Melancholy, Tiepolo's "Candaules
and Gyges", Ariosto's Orlando Furioso). This intense focus on a
single art work is used in these three novels only.
The 12'th novel similarly recapitulates much of the action of earlier novels, often in the form of 'rescues' from the 'valley of lost objects'.
Nick's life, because of the war, begins all over in the seventh novel
(also in the 10'th).
BM/ Mr. Deacon is introduced at the beginning; his funeral comes at the end; thus the time span is exactly that of Nick's later acquaintance with Deacon. Nick and Widmerpool pursue Barbara at the beginning; together they learn of her engagement at the end; in the middle they pursue Gypsy -- each in his own way. Although formal social occasions are a feature of every novel in the series, this one is particularly rich in them, almost containing an 'inventory' of such events. They include: a formal dinner, debutante ball, large evening party, house party in the country, luncheon at a country estate, birthday party, a funeral, and a small dinner party.
AW/ Nick begins his affair with Jean at the beginning; at the end she announces that Bob wants to get back together. Thus the time span of this novel is exactly that of this affair. At the beginning Nick seeks a preface for a book about Isbister; at the end the book is published without the preface.
LM/ Begins when Nick drops in at Lady Molly's to find that Widmerpool's engagement to Mildred Blaides is being celebrated; ends when Widmerpool drops in at Lady Molly's to find that Nick's engagement to Isobel Tolland is being celebrated. Begins with reminiscences of General Conyers; ends with the General's report on the end of Widmerpool's engagement. The time span of this novel is exactly that of Widmerpool's engagement to Mildred Haycock. This novel contains a virtual 'inventory' of upper class characters: the 10 Tolland siblings are introduced, plus Gen.Conyers, several members of the Ardglass family, Mildred Blaides, and also, more indirectly, the Sleafords.
CCR/ Begins with reminiscence of Moreland and Maclintick, ends with grim visit with Moreland to Maclintick's and the latter's subsequent suicide. This novel is about marriage and contains a small 'inventory' of marriages. The focus is on the Moreland/Matilda and Maclintick relationships, but many others are introduced and commented upon, e.g., Nick/Isobel, George/Veronica, Roddy/Susan, Stringham/Peggy. In addition, a few irregular relationships that are like marriage appear, e.g. Amy Foxe/Norman Chandler, Stringham/Tuffy Weeden, and Eleanor/Norah. (The latter two were introduced in LM but are commented on in CCR as well.) This novel (ignoring the first chapter which is a flashback) spans the time from the beginning of Priscilla's job with a fund promoting opera (where she meets Moreland) to her marriage, on the rebound, to Chips Lovell. Thus the time span of the novel is roughly that of the 'romance' between Priscilla and Moreland.
KO/ Begins with Nick's father and Gen. Conyers (among others), ends with Nick seeking help from both getting into the Army. All of the characters assembled at Stonehurst before W.W.I appear again in the novel and some of the later events echo the events at Stonehurst in 1914. Widmerpool appears suddenly at Stourwater as a harbinger of war, just as Billson suddenly appeared in the drawing room at Stonehurst. Dr. Trelawney prophecies both wars.
VB/ At the beginning, Nick meets Gwatkin and Bithel, the latter gets drunk; at the end, Bithel is drunk again, at Castelmallock. The time span of this novel is exactly the period of Nick's appointment commanding a Company.
SA/ This is the only novel with only three chapters: Divisional staff in Ireland---London---Ireland again. The time span of this novel is the period of Nick's appointment as a staff officer at the Divisional level.
BDFR/ Starts with Sillery; ends with LeBas, reversing the pattern of QU. This novel contains an 'inventory' of literary types, including authors, journalists, editors and reviewers. The time span is exactly the life of the magazine Fission.
TK/ The novel begins and ends with deaths (Trapnel, Ferrand-Seneschal, Pamela). It also begins and ends with extended passages describing events not witnessed by Nick. There are, in fact, three major passages of this type: Trapnel's apotheosis (witnessed by Malcolm Crowding and others), Pamela's invasion of Bagshaw's home (witnessed by Bagshaw and his father), and the confrontation of Glober by Pamela after the opera (witnessed by Hugh Moreland and Odo Stevens). This extended narrative device is only used in this volume.
HSH/ Begins and ends in the narrator's own garden (hunting crawfish
with Murtlock's crew, burning brush). Unlike all the other novels, many
scenes take place outdoors. Contains many re-enactment's of events from
earlier novels: the thrown banana incident, the uninvited speech incident,
seven deadly sins tableaux pix, visit to Stourwater, occultists. Contains
many rescues of objects from previous novels: Deacon's art and Duport's
seascapes are rescued by Herderson; Isbister and St. John Clarke are resurrected
on TV; Amanda and Belinda's radicalism recapitulates Quiggin's; Murtlock
resurrects Trelawneyism; Bithel rescues Stringham's Modigliani.
QU/ Stringham says of Widmerpool "That boy will be the death of me"
QU/ Canon Fenneau, not a real character until HSH, is the boy Paul at Sillery's
QU/ Sunny Farebrother drops out of Nick's life not to reappear until VB (although mentioned in most of the intervening novels)
BM/ Nick mentions Jean "when the time came" (referring to the next novel)
BM/ Erridge attends the Huntercombe's Ball, does not appear as a real character until LM
AW/ Alfred Tolland mentions ten nieces and nephews (then all introduced in LM)
KO/ Ted Jeavons says "Before we are all blown up" (They are all blown
up, Ted excepted, in SA)
|time spanned||duration||gap before next novel|
|QU||XII.21 to X.24||34 months||44 months|
|BM||VI.28 to X.28||4 months||37 months|
|AW||XI.31 to VII.33||32 months||6 months|
|LM||I.34 to X.34||10 months||23 months|
|CCR||IX.36 to III.37||7 months||19 months|
|KO||X.38 to X.39||12 months||5 months|
|VB||II.40 to VI.40||4 months||7 months|
|SA||I.41 to VI.41||5 months||9 months|
|MP||III.42 to VIII.45||41 months||4 months|
|BDFR||XII.45 to XI.47||23 months||128 months|
|TK||VII.58 to XI.59||16 months||101 months|
|HSH||IV.68 to X.71||54 months|
This is based on the chronology in Hilary Spurling's Handbook, ignoring flashbacks, and assuming that BM begins in 1928 (Powell's own preference).
Note these symmetries:
Sudden appearances of naked women: Jean, Billson, Pamela, Gypsy (well, almost naked).
Scenes with cars: In QU, there is the taxi ride to Madame Leroy's and Templer's Vauxhall ends up in a ditch; Widmerpool backs over an urn at Stourwater in BM; Templer's car takes Nick, Jean, and Mona home in AW where they are visited by Mrs. Erdleigh in Stripling's car; Chips' car takes Nick to Lady Molly's in LM; Lady Frederica's car takes Nick to Eleanor's in LM; Gen. Conyers' car makes it up the hill to Stonehurst in KO and in the same novel Templer's car takes Nick to Stourwater; Stevens' car takes Nick on leave in VB; Pamela; Finn; and Flores all drive official vehicles in MP plus Nick and the attachés ride military vehicles in France; several cars are used to ferry people to and from Erridge's funeral in BDFR; there is much talk, and one rally, of vintage cars in TK; finally, the narrator himself drives to the outdoor event at which a neighboring quarry is trying to justify expansion, Guinett has also driven there, although for a different event, and lost his car.
Sacrificial urns: The bucket of coke upon which a worker throws the remains of a kipper at the very beginning of QU, the po that Stripling tries to plant on Sunny Farebrother (QU), the urn that Widmerpool backs into (BM), Myra Erdleigh's air-raid helmet (MP), the Chinese vase (BDFR) and the font (BM) into which Pamela throws up.