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In Mimesis,
I am exploring the peculiar relationship between film and video.
I am also interested in the role of both as imperfect imitators
of the human eye. We filmmakers now stand at this juncture between
the industrial age technology of film and the information age technology
of digital video. It is important to realize that there will not
necessarily be an 'evolution' from one to the other. They are, nominally
and in actual fact, entirely different media.
In
Fight, I am exploring the peculiar relationship between Graeme
Hinde's face and Nicholas Upmeyer's fist.
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