Grace An
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Teaches:
French cinema, language and literature.
Research Interests:
French Cinema and Visual Studies
Classical and Contemporary Film Theory
French Orientalisms
New Wave and New Wave nostalgia
20th and 21st century French literature
Post-colonial Studies
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Comments:
French Studies is a good first step toward becoming a thoughtfully
cosmopolitan participant in our increasingly globalizing world.
In my courses at Oberlin, I ask students to think critically about
the demands of cross-cultural experiences and to develop the linguistic,
cultural, and intellectual sensibilities that can help make them
meaningful. They must address the specificity of the French tradition
in cinema and literature, yet also consider its place within global
cultural production.
These interests have come together in my book-in-progress, tentatively
titled A Par-asian Imaginary: French Cinematic, Artistic, and Literary
Encounters with East Asia since 1945. “Par-asian” is the
term I use to describe the different types of relationships that filmmakers
and writers such as Marguerite Duras, Alain Resnais, Chris Marker,
Henri Michaux, and Olivier Assayas have explored between France and
Asia, as well as to characterize the moments of French self-critique
that have been undertaken “par l’Asie,” or through
Asia. My research offers a look into French responses to their own
history of Orientalism in order to understand what they may have at
stake, during French decolonization in the second half of the 20th
century and in the face of the importance assumed by the Pacific Rim
in the 21st.
E-mail:
Grace.An@oberlin.edu
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