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Spring 2002 |
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English 212 |
Rice 8, (440) 775-8661, |
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E-mail: Ben.Pauley@oberlin.edu |
"Sir," said Samuel Johnson to James Boswell in 1777, "when a man is tired of London, he is tired of life; for there is in London all that life can afford." By the eighteenth century, London was the largest city by far in Great Britain and was, indeed, the largest city in all of Europe. Unique among European cities as the center both of British government and trade, London was also the center of the nation's literary, cultural, and fashionable life. By turns wondered at and reviled, London was, for the British, a place of infinite variety and possibility, but also a place of temptation, danger, and loneliness.
This course examines depictions of and reflections on London life in representative works of poetry, drama, fiction, and nonfiction prose during the "long" eighteenth century (from roughly 1660 through 1805). Through careful reading and discussion of the literary and quasi-literary works on the syllabus, we will seek to develop a sense of the place London occupied in the geography of the eighteenth-century British imagination.
The class will be conducted as a seminar-style discussion. In addition to two formal seven-page interpretive/argumentative papers, students will write two briefer (2-3 page), more speculative assignments thinking through the relationship between the texts we have read and important cultural "contexts," such as crime, chocolate, nightlife, prostitution, and gin.
James Boswell, London Journal, 1762-63 (Yale)Frances Burney, Evelina (Oxford)Daniel Defoe, A Journal of the Plague Year (Oxford--n.b.: edition may change)John Gay, et. al., The Beggar's Opera and other Eighteenth-Century Plays (Everyman)William Hogarth, Engravings (Dover)William Wycherley, The Country Wife (Cambridge)
Rice 8Tuesday, 4:15-5:15pmWednesday, 9-10amThursday, 10-11amAnd by appointment
Attendance and Participation: 30%
Paper 1: 25%
Paper 2: 25%
Brief Assignments: 20%
In calculating grades, I use the grade point scale published in the College's 2001-02 catalogue (i.e. A+ = 4.33; A = 4.0; A- = 3.67; B+ = 3.33; B = 3.0; B- = 2.67; C+ = 2.33; C = 2.0; C- = 1.67). In some cases, an assignment may receive a "slashed" grade, which will be interpreted as falling midway between the two grades on the grade point scale (e.g. "B-/B" would equal 2.835).
Because this is a discussion-based course, your active participation is a constitutive part of the class: if you're not discussing, then we can't properly be said to be having a class at all. You're not expected to have fully-formed interpretations of the texts we read coming into each class. You should be prepared, however, based on your reading, to pose provisional questions, advance tentative hypotheses, etc., and to discuss questions and hypotheses posed by your classmates.
I understand that emergencies arise, but if at all possible, please let me know ahead of time if you will be.
Ø More than two unexcused absences will begin to erode the participation portion of your grade.
Ø If you have more than six unexcused absences, you have forfeited any consideration of attendance and participation in your final grade (i.e., you lose out on that 30%).
All written work for the course should be word-processed or typed, using standard margins (i.e. one inch on all sides) and reasonable typefaces or fonts (i.e. 10-12 point).
Ø All written work must be handed in in class the day it is due.
Ø Any requests for extensions must be made at least 48 hours in advance.
Ø Late papers, if no extension has been arranged, will be received for reduced credit (lowered one full letter grade, e.g. from B to C).
Ø If a paper is more than one week late, I will return it graded but without comments.
Important Proviso: I would much rather have you present and contributing in class than typing frantically in your room or the computer lab. For this reason, I will not lower the grade on an assignment that is turned in within 24 hours of its due date'even if you have not previously asked for an extension-- provided that you come to the class at which the assignment is due. After that first 24 hours, the regular penalty for late papers applies. Papers turned in in this manner should be submitted to the "Dropbox" on Blackboard.
Week 1 |
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| Tu |
2/5 |
Introductions |
| Th | 2/7 |
Daniel Defoe, Letter 5 of A Tour Through the Whole Island of Great
Britain (Blackboard) |
Week 2 |
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| Tu |
2/12 | John Dryden, Annus Mirabilis (Blackboard) Samuel Pepys, Selections from the Diary ("Group I" on Blackboard) |
| Th | 2/14 |
John Dryden, Annus Mirabilis (Blackboard) Samuel Pepys, Selections from the Diary ("Group II" on Blackboard) |
Week 3 |
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| Tu |
2/19 | William Wycherley, The Country Wife Written Work: Brief Assignment 1 Due |
| Th |
2/21 |
William Wycherley, The Country Wife |
Week 4 |
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| Tu |
2/26 |
Daniel Defoe, A Journal of the Plague Year, pp. 1-86 ["and then they cou'd no more bury
in Form, Rich or Poor"] |
| Th |
2/28 |
Daniel Defoe, A Journal of the Plague Year, pp. 86 ["I have mention'd above''] - 164 ["when
they found they cou'd not get leave to go out of their Doors'] |
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| Tu | 3/5 |
Daniel Defoe, A Journal of the Plague Year, p. 164 ["It was for want of People conversing
one with another ''] -- end |
| Th |
3/7 |
Meeting with Ed Vermue, Oberlin
College Library Special Collections Written Work: Paper 1 Due |
Week 6 |
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| Tu |
3/12 |
Joseph Addison and Sir Richard Steele, The Spectator, numbers 1, 50, 403, and 454 ("Group I"
on Blackboard) John Bancks, "A Description of London" (Blackboard) |
| Th |
3/14 |
Alexander Pope, "The Rape of the Lock" (Blackboard) |
Week 7 |
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| Tu |
3/19 |
John Gay, The Beggar's Opera (Please listen to .mp3 files of Airs on Blackboard) |
| Th | 3/21 |
John Gay, The Beggar's Opera |
Week 9 |
Spring Recess |
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| Tu |
4/2 |
John Gay, Trivia (Blackboard) William Hogarth, The Four Times of Day (Plates 42-45) |
| Th |
4/4 |
John Gay, Trivia (Blackboard) William Hogarth, The Enraged Musician (Plate 47) Written Work: Brief Assignment 2 Due |
Week 10 |
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| Tu | 4/9 |
Henry Fielding, An Enquiry into the Causes of
the Late Increase of Robbers
(Reserve) William Hogarth, Industry and Idleness (Plates 60-71) |
| Th |
4/11 |
Henry Fielding, An Enquiry into the Causes of
the Late Increase of Robbers
(Reserve) William Hogarth, Beer Street and Gin Lane (Plates 75-76) Charles Woodward, "The Midnight Ramble" (Blackboard) Anonymous, "Strip Me Naked, or Royal Gin Forever. A Picture" (Blackboard) |
Week 11 |
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| Tu | 4/16 |
James Boswell, London Journal, 1762-63, pp. 1-113 |
| Th |
4/18 |
James Boswell, London Journal, 1762-63, pp. 115-231 ["I went and sat a while with
Webster"] |
Week 12 |
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| Tu |
4/23 |
James Boswell, London Journal, 1762-63, p. 231["Friday 1 April"] - 342 Joseph Addison and Sir Richard Steele, The Spectator, number 266 (Blackboard) William Hogarth, A Harlot's Progress (Plates 18-23) Thomas Holcroft, "The Dying Prostitute" (Blackboard) |
| Th |
4/25 |
Frances Burney, Evelina, pp. 1-115 |
Week 13 |
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| Tu | 4/30 |
Frances Burney, Evelina, pp. 115-212 William Woty, "White Conduit House" (Blackboard) Anonymous, "A City Eclogue" (Blackboard) |
| Th | 5/2 |
Frances Burney, Evelina, pp. 213-307 |
Week 14 |
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| Tu |
5/7 |
Frances Burney, Evelina, p. 307-end Written Work: Paper 2 Due |
| Th |
5/9 | Conclusions William Wordsworth, "Composed upon Westminster Bridge, 3 September 1802" (Blackboard) |