Liminal Experiences and Status Change in The Taming of the Shrew
Playing and Parody in The Taming of the Shrew
Performative Acts of Gender and Status in The Taming of the Shrew
The Limits of Play and Fun in The Taming of the Shrew
Shrew-Taming and Games in The Taming of the Shrew
Playful Servants and Exchanges of Power in The Taming of the Shrew
Petruchio's Game in The Taming of the Shrew
Sexism in Interpretations of the Playing in The Taming of the Shrew
Bianca's Games in The Taming of the Shrew
Fools in The Taming of the Shrew
Falstaff as a Jester Figure or Fool
The Boar's Head Tavern and the Underworld of Henry IV, 1: Liminality or Playground?
Can Hal Actually Participate in Communitas as Heir Apparent: The Limits of Hal's Liminality The Containment of Carnival and Resistance in Henry IV, 1
The Persistence of Misrule in Audience Sympathies in Henry IV, 1
The Theme of Responsibility vs. Idleness, Keeping Time vs. Time-out-of-Time in Hal's Coming of Age
Ritual Elements in Henry IV, 1
Play Aspects of Henry IV, 1
The Performative Act of Kingship in Henry IV, 1
Foils and Mirrors in Henry IV, 1
The Playful Relationship of Hotpsur and Lady Percy
Music and the World of Magic in Henry IV, 1
Fools and Foolishness inTwelfth Night
Viola and Katharina's Assumed Roles as Protection and Protest
Performative Gender Acts in Twelfth Night?
Saturnalian Freedom and Disorder in Twelfth Night
The "Passage" to Heterosexuality in Twelfth Night as a Rite of Passage
Playing With Sexuality in Twelfth Night
Malvolio's Function as a Spoilsport in Twelfth Night
Liminal Experiences in Twelfth Night: Does Anyone change?
Arranged Marriages in Shrew and Olivia's Freedom in Twelfth Night
Ambiguous and Ironic Endings in Henry IV, 1 and Taming of the Shrew
Audience Ambivalence about Heterosexual Marriage in Twelfth Night
Audience Ambivalence about Growing Up in Henry IV, 1
Food and Drink in Two Plays
Clothing and Identity in Two Plays
How a critical performance choice can change the meaning of a play