Nicholas Jones
Professor (1976)
Associate Dean, Arts and Sciences



Cox 101



(440) 775-8410



Nicholas.Jones@oberlin.edu



B.A., Harvard College, 1967
M.A., Harvard University, 1969
Ph.D., Harvard University, 1973

Shakespeare and film; Early Modern drama and poetry; British Romantic poetry; Romantic women writers; music and literature; visual arts and literature.

Nick Jones' work in the classroom and in scholarship draws on his training in a combination of historical research and formal analysis. In teaching and writing about Romantic poetry as well as Shakespeare films, he uses close reading and the history of interpretation of texts to explicate the work that a text does in cultures other than that in which it originates. Nick enjoys interdisciplinary work, connecting textual literary study with the disciplines of art history, musicology, women's studies, and cinema. In his spare time, Nick is an amateur musician, singing in the Black River Singers and playing viola, and owner and co-director of Point CounterPoint, a chamber music camp for middle- and high-school students.

 


"A Bogus Hero: Welles's Othello and the Theatricality of Race." Shakespeare Bulletin, Spring 2005.

"Bottom’s Wife: Voice and Gender in Hoffman’s Dream." Literature Film Quarterly 32:2, April 2004, 126-33.

"Trevor Nunn's Twelfth Night: Contemporary Film and Classic British Theatre." Early Modern Literary Studies, May, 2002. http://www.shu.ac.uk/emls/08-1/jonetwel.htm

"Hamlet in Warsaw: The Antic Disposition of Ernst Lubitsch" EnterText 1.2 (Spring, 2001). http://www.brunel.ac.uk/faculty/arts/EnterText/hamlet/hamlet.htm

"Teaching Donne through Performance," Approaches to Teaching the Metaphysical Poets, ed. Sidney Gottlieb (New York: Modern Language Association, 1990)

"Felicia Hemans," British Romantic Poets, 1789-1832, Second Series, [Dictionary of Literary Biography, Vol. 96] (Detroit, New York, London: Bruccoli Clark Layman, 1990), pp. 130-43. Also articles on Hannah More, Mary Russell Mitford, William and Mary Howitt, and John Cotton in the same series.

"Texts and Contexts: Two Languages in the Poetry of George Herbert," Studies in Philology 79 (1982), 162-76

Salvation in New England: Selections from the Sermons of the First Preachers, ed. with Phyllis M. Jones (Austin, Texas: University of Texas Press, 1977)

"The Education of the Faithful in Milton's Piedmontese Sonnet," Milton Studies 10 (1977), 167-76

"'Stand' and 'Fall' as Images of Posture in Paradise Lost," Milton Studies 8 (1975), 221-46


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