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Summer Programs at Oberlin

Contact:
Anna Hoffmann
Program Administrator
Phone: (440) 775-8044
Fax: (440) 775-8942
E-Mail: Anna.Hoffmann@oberlin.edu

Vocal Academy for High
School Students

JULY 18 - 27, 2008

The Oberlin Conservatory of Music is pleased to present the Vocal Academy for High-School Students, a nine-day, intensive workshop that offers dedicated high-school voice students age 16 years and older (high school graduates are excluded) an opportunity to explore the many facets involved in developing the singer's art. Technical work will include the development of posture, breathing, phonation, resonance, and articulation.

Photo by Fuchs & Kasperek Photography

Daily master classes in performance will deal with performance practice, diction, style, phrasing, and textual communication. Classes also will cover such topics as preparation for auditions, stage deportment, characterizations, presentation of songs, and analysis and understanding of texts. Private lessons are included in the tuition. Acting classes will focus heavily on song interpretation. Students will be encouraged to develop more freedom of movement and gesture while singing. Improvisational exercises will create awareness of non-verbal communication skills and help develop spontaneous creativity.

Evening workshops will include discussion of what is expected at a college audition and techniques for more effective auditions. Students will receive feedback on auditions performed during the workshop. College and career options for the singer-actor will be discussed. Following registration, the workshop will begin with a performance by guest artist, Martha Guth (an Oberlin alumna). The academy will conclude in a performance by the participants on Sunday, July 27, at 1:30 p.m.

This is an intensive, serious workshop directed toward students who are considering the pursuit of a career in vocal performance or vocal music education. Participants are expected to be present for the entire program.

Each participant will have two lessons - one with each faculty member, four masterclass presentations critiqued by both faculty members, and several coachings. Each participant performs in the final concert, and will receive an individual critique of the teachers' work with them, copies sent to the student and student's teacher in early September.

Daily Schedule of Events