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Summer Programs at Oberlin
Oberlin Baroque Performance Institute Instruments

Contact:
Anna Hoffmann
Program Administrator
Phone: (440) 775-8044
Fax: (440) 775-8942
E-Mail: Anna.Hoffmann@oberlin.edu

"Although I didn't attend any of the first 35 Oberlin Baroque Performance Institutes, the excellent 2007 session, devoted to music in Hamburg and northern Germany, convinced me that the BPI team has spent three-and-a-half decades perfecting their approach to communicating just what baroque style is all about."

—2007 BPI Participant

Baroque Performance Institute

"Music in Paris, 1632-1764:
from the birth of Lully until the death of Rameau"

OBERLIN CONSERVATORY INSTRUMENTS

The unparalleled resources of the fully air-conditioned Oberlin Conservatory of Music and its excellent music library are at the disposal of all students. In addition, an enormous collection of harpsichords, tracker organs and fortepianos is available, and baroque violins, cellos, viols, bows, flutes, oboes, and bassoons may be borrowed by those players who do not have appropriate instruments of their own. The Conservatory has a large collection of viols for use in its Baroque ensemble and viol consorts. Oberlin owns instruments to make up a complete Baroque orchestra: eight Baroque violins, one Baroque viola, two Baroque cellos, and a violone, as well as Baroque flutes, oboes, bassoon, and natural horns.

Organs
The Kulas Organ Center, in the Robertson Hall practice building, is comprised of fourteen practice rooms equipped with organs of various designs, both mechanical action and electro-pneumatic. Of the mechanical action tracker organs, six are Flentrops, one a Brombaugh, and two are Noacks. Of the electro-pneumatic organs, six are Holtkamps. Warner Concert Hall houses a splendid three-manual Flentrop organ of forty-four stops. Built entirely in classical North European style, it was installed in 1974. A portable continuo organ by Flentrop is available for use in all performing halls. In 1981 a two-manual Brombaugh organ in mean-tone temperament was installed in the gallery of Fairchild Chapel. Located in the front of Fairchild Chapel is a positiv organ by Flentrop.

Warner Hall's Flentrop organ

The advent of the C.B. Fisk Opus 116, designed and constructed in the late-Romantic tradition is based on the symphonic style of the great French organbuilder Aristide Cavaillé-Coll. A new 76-rank, three-manual French romantic organ, designed and constructed by C.B. Fisk, Inc., acclaimed organ builders of Gloucester, Massachusetts, is in its new home in Oberlin College's Finney Chapel. The dedication of the new 4,014 pipe organ was the centerpiece of concerts and events which took place on the weekend of September 28, 2001.

Harpsichords
The collection of harpsichords includes three French doubles, by William Dowd, Keith Hill, and Richard Kingston; two Italian singles, one by William Dowd and one by Anderson Dupree; a German double by Keith Hill; two Flemish singles, one by Willard Martin, and one by Thomas Wolf; and a Flemish virginal, built by Willard Martin.

Fortepianos
The Conservatory owns three fortepianos: five-octave instruments by Wolf and Hester, and a six-and-one-half octave by McCobb. Oberlin's collection also includes a mid-nineteenth century grand piano by Erard, which was completely rebuilt by David Winston in the fall of 1993.