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Violinist and Concerto Competition Winner Hee-Guen Song By Claire Chase '01 |
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"The only thing I could say was, 'Hi' and 'How are you?' I couldn't really talk to people," Song recalls with a laugh. "I just smiled and nodded a lot and said, 'yes!'" With a sudden tinge of seriousness in her voice, Song admits, "The frustrating thing was that I couldn't communicate. It was tough. And sometimes, I have to say, it was very lonely." Now, nearly six years later, not only is Song's English impeccable, but her communication skills on the musical level have been recognized across the globe. She won first place at the prestigious Kingsville International Young Performers Competition in 1999, and was a prizewinner at the 1998 Irving M. Klein Competition for Strings. She has been the recipient of numerous honors from her native Korea, including the Iiwha'Kyunghang Competition, the Korean Newspaper Competition, the Chosun Newspaper Competition and the World Newspaper Competition. Most recently, as a winner of the 2000 Oberlin Conservatory Concerto Competition, Song performed the Tchaikovsky Violin Concerto with the Oberlin Orchestra under the direction of Paul Polivnick, music director of the Oberlin Conservatory orchestras. Song is no stranger to the concert stage, however; she debuted in San Francisco with the Nova Vista Symphony Orchestra when she was just 16 years old. Song began her training in Seoul at the age of eight, first as a student of a distant relative and soon thereafter under the rigorous guidance of Korean violinist Kyung-Ok Chung. "She was a great teacher, but she was so strict, and really scary," Song remembers. "I think I cried in every lesson." Song attended an arts high school in Korea for a short while before immigrating to the United States to study with Davis Law at the Preparatory Division of the San Francisco Conservatory. She was able to make the transition into American life and American conservatory training smoothly. "Mr. Law was one of the nicest people I"ve ever known," says Song. "He helped me so much, as a teacher and as a person, and he really took care of me during my first few years in this country, while I was homesick." Song met violin professors Roland and Almita Vamos one summer at the Weathersfield Festival in Vermont, and was instantly impressed by their friendly but demanding teaching style. "When I began studying with the Vamoses, I got so much more involved in music," Song says. "Before, I just sort of followed the road, like everybody else. They taught me how to feel things, how to say things, how to relate to music." Still in high school, Song picked up and moved from San Francisco to Oberlin to live and study with the Vamoses. The task was not an easy one. She had weekly lessons and practiced fiendishly while attending Oberlin High School, where she struggled with English classes and challenging coursework. But she persevered. "I tend to set a goal, and go for it. It's kind of exciting. I like the feeling after I achieve something. I feel great." The Vamoses would second that assertion. Almita Vamos, her teacher of four years, has nothing but superlatives to impart on Hee-Guen's behalf. "I always say Hee-Guen is one of my easiest students. She adapts well, has talent and intelligence, works very hard, and above all has great character." Next year, Hee-Guen will continue her studies at the Juilliard School with celebrated violinist Masao Kawasaki. What inspired you to be
a musician? What keeps you inspired on discouraging days?
If you could not be a
musician, what other profession would you choose? What profession would
you definitely not choose?
What are three words
that describe you? |
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