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E-Mail: Josh.Levine@oberlin.edu

Office:
Bibbins 210

Office Phone:
440-775-5286

Address:
77 W. College St.
Oberlin, OH 44074

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Division of Composition

Josh Levine
Assistant Professor of Composition

Education:

  • Basel Music Academy (Switzerland), Lehrdiplom, mit Auszeichnung (Teacher's Diploma, with Highest Honors), 1979
  • University of California, San Diego, M.A. in Music Composition, 1994, Ph.D., 2002
  • Additional courses of study at the Conservatoire National Supérieur de Musique de Paris and IRCAM (Paris)
  • Principal composition teachers: Brian Ferneyhough, Balz Trümpy; further studies with Heinz Holliger, George E. Lewis, Tristan Murail, Guy Reibel, Roger Reynolds, Harvey Sollberger, Rand Steiger, and Chinary Ung

Awards, Honors, Residencies (partial listing):

  • Bourges International Electroacoustic Music Competition, Premier Prix and special jury prize (Euphonie d'Or)
  • Darmstadt Internationale Ferienkurse für Neue Musik, Stipend Prize
  • International jury selections (Ensemble Intercontemporain commission, ISCM World New Music Days)
  • University of California, San Diego, Gluck and Weill Fellowships for Composers
  • Foundation Patiño/Republic of Geneva (Switzerland), composer residency (Cité Internationale des Arts, Paris)

Professional Affiliations:

  • College Music Society
  • SUISA

Teaching Background and Related Professional Activities:

  • Lecturer in Composition, Theory, and Electronic Music, San Francisco State University (2000-08)
  • Visiting Lecturer in Composition, Stanford University (2007)
  • Lecturer (Associate-in-Music), Theory and Composition, University of California, San Diego (1999-2000)
  • Guest speaker at various universities internationally, member of composition selection panels and juries

Commissioned Works (partial listing):

  • Clear Sky for soprano saxophone and ensemble (Festival Rümlingen)
  • Transparency (Part I), for percussion (Aiyun Huang)
  • Land, for 22 instruments (Ensemble Intercontemporain)
  • A part of many journeys, for horn, 2 trombones, cello, and contrabass (Ensemble Intercontemporain)
  • Downstream, for guitar and computer-processed guitar sounds (Groupe de musique expérimentale de Bourges)
  • Zwischenwelt, for percussion, small ensemble, and computer electronics (Ensemble Contrechamps and République et Canton de Genève)
  • "... in gleicher Weise umher", for soprano, violinist, guitarist, and ensemble (Pro Helvetia)

Commercial and Radio Recordings:

  • Tel, for electronic tape, in Cultures Electroniques (Harmonia Mundi/Le Chant du Monde)
  • Numerous radio broadcasts, including the BBC; Radio France (ORTF); Swiss Radio DRS and RSR; and Swedish, Belgian, and Polish national radio corporations

Performances (partial listing):

  • Merkin Hall (NY)
  • Los Angeles County Museum of Art (LACMA)
  • Cité de la Musique, Centre Pompidou, Maison de la Radio, and IRCAM (Paris)
  • ISCM World New Music Days (Stockholm)
  • British Music Information Centre (London)
  • Festival Synthèse (Bourges, France)
  • Berne Biennale
  • Tage für Neue Musik (Zürich)
  • With musicians including: singers Donatienne Michel-Dansac, Katharina Ott, and Jen Cobb; clarinetists Ernesto Molinari and Carl Rosman; saxophonist Marcus Weiss; percussionists Aiyun Huang, Françoise Rivalland, and David Shively; guitarists Magnus Andersson, Seth Josel, and Geoffrey Morris; cellist Rohan de Saram; members of Klangforum Wien and Ensemble Phoenix; and the Ensemble Intercontemporain, musikFabrik NRW, Manhattan Sinfonietta, Basel Sinfonietta, Ensemble Contrechamps, Nouvel Ensemble Contemporain, and the IGNM Ensemble-Basel
  • Led by conductors including: David Robertson, Peter Rundel, Johannes Kalitzke, Rand Steiger, Giorgio Bernasconi, and Jürg Wyttenbach

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