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Steven E. Plank,
Director
Jennifer Anne Fraser
Roderic Knight
Claudia MacDonald
Charles McGuire

-Oberlin Music Scholar Wins
Prestigious Competition
-Collegium
Musicum Performs in Pittsburgh and Oberlin
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Emeritus Professor Sylvan Suskin lectures during
an Introduction to Music History course
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CURRICULA
Oberlin's musicology division offers a major and a
minor in music history and a minor in ethnomusicology. Music
history is frequently chosen as half of a double major. For
those students planning careers as scholars or teachers it
is excellent preparation for graduate school. Courses in
both areas consider music within its present-day and past
cultural contexts.
- Students begin with a one-semester survey that
introduces them to major developments in the history of
Western music and acquaints them with historical
method.
- Five intermediate courses center on individual
historical periods, encouraging discussions about social,
historical, and aesthetic contexts related to the
production and interpretation of music.
- Advanced courses provide more in-depth coverage of
special topics, such as the music of Mozart, the oratorio
genre, or the role of women in music.
Ethnomusicology encompasses the study of music
traditions from throughout the world, including Western folk
traditions not covered in the music history courses.
Ethnomusicology courses include:
- a one-semester introduction to musics of the
world
- five area courses covering Africa, India, Indonesia,
East Asia, and the Americas.
- ensembles devoted to some of these traditions, such
as the Javanese Gamelan, the West African Mandinka
Ensemble, and a North Indian vocal ensemble.
GUEST LECTURERS
The musicology division sponsors the Richard Murphy
Colloquia, a series of lectures by visiting scholars and
resident faculty. Recent guests have included Susan Youens,
Robert Winter, James Hepokoski, and Scott Burnham.
The ethnomusicology program also is supplemented by guest
recitalists and lecturers. Recent visiting performers have
included Chan-Eung Park (Korean p'ansori), Michael Gould and
Chieko Iwasaki (Japanese shakuhachi and koto), and T.
Viswanathan and Ramnad Raghavan (South Indian flute and
mridangam).
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