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The New York Critics React to Oberlin’s Lost Highway
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Top New York classical music critics, including Bernard Holland of the New York Times, Pulitzer Prize-winner Justin Davidson of Newsday, and Alex Ross of the New Yorker, were among nearly 20 members of the media to attend Oberlin’s Miller Theatre performances of Lost Highway, Olga Neuwirth’s refashioning of the David Lynch film. Both nights were sold out, and lines of people hoping for stand-by tickets formed in the Miller lobby. Comments included this one from Alex Ross, responding to blogger David Salvage on Sequenza21.com: “For any number of ear-tingling passages — especially the Olga Neuwirth Techno Danceparty — it was worth seeing. The Oberlin players were fantastic.” Press Coverage:
Nightmare Sounds of David Lynch in Operatic Translation
Far From Music Capitals, an Ohio Conservatory Fosters Contemporary Sounds
'Highway' leads to a surreal memory lane 'Lost Highway': New Place to Explore Oberlin Conservatory Enjoys Wild Ride in Premiere of 'Lost Highway' Ensemble to Tackle Twists and Turns of 'Lost Highway' 'Lost Highway' Morphs into an Opera Photo Journal: Lost Highway, Opera Based on David Lynch Film, Adapting ominous overtones Sing Along to 'Lost Highway' An Opera by Olga Neuwirth
Based on the Film by David Lynch Sex, Voices, and Videotape Enjoy the Ride, Even if You're Lost on the Way
Soundcheck on WNYC, 93.9 FM WFMT Radio Chicago One Sings, the Other Doesn't & It's Déja Vu All Over Again, and More, in "Lost Highway" Opera at Miller Theatre Lynch's Wacko `Lost Highway' Lends Madness to Neuwirth Opera
Dispatch from The Miller: Lost Highway And Found |
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