Showcasing the work of black composers is a primary function of the
Oberlin Conservatory Black Musicians' Guild, and the concert
they perform on Sunday, Feb. 20, will continue that tradition.
This concert will be unusual, however, because it will also include
a special tribute to emerita professor of pianoforte Frances Walker
Slocum, a longtime supporter of the guild and mentor to many African
American students in the Conservatory. An excerpt of a recent audiotaped
interview of Walker Slocum will be presented.
The concert—which will take place at 8 p.m. in the Conservatory's
Warner Concert Hall—will showcase jazz pianist Eric Lewis,
a rising star on the national jazz scene who was profiled last month
in the New York Times, as well as guild instrumentalists and vocalists
performing works by a wide range of black composers. The program
includes a violin concerto transcribed for flute by Le Chevalier
de St. Georges, a black contemporary of Mozart; a string arrangement
of spirituals by Moses Hogan '79; and original music by Theodore
Croker '07.
A longtime Oberlin resident, Frances Walker Slocum is known for performing
music by noted African American composers in critically acclaimed
concerts throughout the United States and Europe. She is a much-loved
teacher and role model whose students have achieved renown in a variety
of musical careers (link to online bio). Despite her official retirement
in 1991, she has remained active in students' lives and education.
A former member of the Lincoln Center Jazz Orchestra, 31-year-old
Eric Lewis is a 1995 graduate of the Manhattan School of Music. Winner
of the 1999 Thelonius Monk International Piano Competition, he apprenticed
with drummer Elvin Jones, trumpeter Roy Hargrove, and singers Jon
Henricks and Cassandra Wilson. Lewis is working on several film tracks
and a score for a work commissioned by the Joffrey Ballet, as well
as performing a number of solo engagements. He can be heard on the
Wynton Marsalis soundtrack for the Ken Burns' 2005 PBS documentary
Unforgivable Blackness: The Rise and Fall of Jack Johnson.
While in Oberlin, Lewis will complete a three-day guest residency
that will include master classes, a jazz forum, and a performance
with the student ensemble Theodore Croker and Kassa Overall Quintet.
Croker, a sophomore jazz studies major and co-chair with Reginald
Patterson '05 of the Black Musicians' Guild, met Lewis
last year while studying in New York with Wynton Marsalis, conductor
of the Lincoln Center Jazz Orchestra.