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October
3, 2003Joan Tower has been hailed as one of this generation's
most dynamic and colorful composers. Her bold and energetic music,
with its
striking imagery and novel structural forms, has been performed by numerous
major orchestras here and abroad and has won large and enthusiastic audiences.
Her 1987 work Silver Ladders, written for the St. Louis Symphony, won
the prestigious Grawemeyer Award for Music Composition in 1990.
The Oberlin Contemporary Music Ensemble and the Oberlin Percussion Group
will celebrate Tower's work at an Oberlin concert, as well a concert
at the Cleveland Museum of Art's biennial Aki Festival of New Music.
The festival has won the American Society of Composers, Authors and Publishers
(ASCAP)/Chamber Music America Adventurous Programming Award three times.
(The word aki means autumn in Japanese.)
The first concert, in Finney Chapel Friday, Oct. 3, at 8 p.m., is free
and open to the public. The second concert, part of the Aki Festival,
occurs Sunday, Oct. 5, at 2:30 p.m. in the Cleveland Museum of Art's
Gartner Auditorium. For this concert, Oberlin's ensembles will be joined
by the Cavani String Quartet, which includes violist Kirsten Docter '92.
Tower will present a preconcert conversation one hour before this performance.
Both concerts will feature In Memory, DNA, Black Topaz, Concerto
for Flute, and Petroushkates. The Finney Chapel program also includes Mirror
with(out) Reflection, a string sextet by Associate Professor of Composition
Lewis Nielson.
The Oberlin Contemporary Music Ensemble returns to the Aki Festival Saturday,
Nov. 1, for New Music from Finland; the concert, featuring Teacher of
Flute Kathleen Chastain, will be at 2 p.m. in Gartner Auditorium. A Nov.
15 concert, A John Cage Music Circus, will feature both the Oberlin Contemporary
Music Ensemble and the Oberlin Percussion Group; this event will take
place between 1 p.m. and 4 p.m. at various locations throughout the museum.
Assistant Professor of Composition Jeffrey Mumford also is headed to
Cleveland for the Aki Festival; his work is included in a concert of
works by Ohio Arts Council fellows at 7:30 p.m. Friday, Oct. 3, at the
Heights Art Gallery.
Tower -- who is in residence at the Oberlin Conservatory of Music through
Oct. 5 -- has influenced a number of Conservatory students over the years,
says composition Professsor Randolph Coleman. During this, her third
visit, she spoke with students and faculty members Oct. 2.
Those she has mentored include the members of eighth blackbird, the all-Obie,
internationally acclaimed ensemble that returns to campus for a Dec.
12 concert, as well as for an Artist Recital Series performance next
April. The group's latest CD, Thirteen Ways (Cedille Records), opens
with an arrangement of Petroushkates by percussionist Allen Otte '72.
"Joan was one of the first composers we ever met," says Lisa Kaplan
'96, eighth blackbird's pianist. "She guided us through the world
of contemporary
music and helped us make a name for ourselves. I remember we played
Noon Dance for her. She never really liked that piece, but after
we finished,
she was crying. She thanked us for helping her to like it. She's a
very special person and has always been a very supportive mentor
to the group."
"She' hot!" agrees Karel Paukert, codirector of the Aki Festival.
"She has consistently produced interesting pieces. It takes a special
talent
to inspire so many fine performances."
Several other Oberlin connections to the Aki Festival exist. The festival's
other codirector is Paul Cox '92, who along with Paukert, curates the
museum's music series.
In addition, the Pacifica Quartet, which includes violinists Simin
Ganatra and Sibbi Bernhardsson, both '95, will tackle the complete
string quartets
of Elliott Carter at 7 p.m. Nov. 12.
The Oberlin Contemporary Music Ensemble performs under the baton of
Associate Professor of Conducting Timothy Weiss. Professor of Percussion
Michael
Rosen leads the Oberlin Percussion Group.
For more information about the Aki Festival, visit www.clevelandart.org/aki
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