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PHOTO CREDIT: SCOTT
SKIBA
Oberlin Conservatory senior
Eric Einhorn will present a full-scale production of Viktor Ullmanns
opera Der Kaiser von Atlantis (The Emperor of Atlantis). The performances
will be held in the Wilder Hall Main Lounge on the Oberlin College Campus
from January 31-February 2, 2002. Pre-performance lectures will
begin at 7:30 P.M., and the performances will begin at 8:00 P.M. All events
are free of charge. This one act opera runs approximately one hour.
Written in 1943 during Ullmanns detention in Theresianstadt concentration
camp, the opera was composed as a parable of the Jews during the Second
World War. Although the composer and most of its original cast did not
survive the Holocaust, the operas manuscript was smuggled out of
Theresianstadt and was finally performed for the first time in 1973.
This project is part of Einhorn's senior thesis for his independent major
in Opera Stage Directing. Also majoring in voice, Einhorn will direct
and produce this opera for his Oberlin College Winter Term project. In
conjunction with these performances, Einhorn has organized a pre-performance
lecture series. Topics will range from the history of the Theresianstadt
ghetto to the role of music in the Holocaust. The speakers will be Shulamit
Magnus, Chair of the Oberlin Jewish Studies Department (Thursday evening);
Eric Einhorn, the productions stage director (Friday evening); and
Caroline Stoessinger, a New York-based conductor, pianist, and author
of a forthcoming book on music in the Holocaust, who will speak about
music and opera in Theresianstadt (Saturday evening).
Says Einhorn, " By performing Der Kaiser von Atlantis, we are giving
life to those so brutally suppressed and, at the same time, disseminating
crucial information on the topic of Entartete Musik (music suppressed
by the Third Reich). Sublime art is often created under situations of
extreme duress, and such is the case with this opera."
This production is sponsored by the Winter Term Committee, the Jewish
Studies Department, the Opera Theater Department, the German Department,
Hillel, Oberlin Musical Theater Association, the National Association
of Temple Brotherhoods, and KESHER (the collegiate branch of the Union
of American Hebrew Congregations). The projects faculty advisor
is Jonathan Field.
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