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The
Oberlin Conservatory Black Musicians Guild features its first guest
lecturer, conductor and Oberlin alumnus Michael Morgan 79, this
Wednesday, November 14, at 4:30 P.M., in Bibbins,
Room 224.
The Conservatorys Black Musicians Guild is a student-based
organization that was founded recently for the purpose of bringing in
more African American musicians to lecture, hold master classes and perform
within the Conservatory. Consistent with this goal, the Guild has chosen
Michael Morgan, currently in his twelfth year as Music director of Oakland
East Bay Symphony, to be its first speaker.
Morgan was born in Washington, DC, where he attended public schools and
began conducting at the age of 12. While a student at the Oberlin Conservatory,
he spent a summer at the Berkshire Music Center at Tanglewood, working
with such conducting greats as Seiji Ozawa and Leonard Bernstein.
In 1980, he won first prize in the Hans Swarovsky International Conductors
Competition in Vienna, Austria and became Assistant Conductor of the Saint
Louis Symphony Orchestra, under Leonard Slatkin. His operatic debut was
in 1982 at the Vienna State Opera in Mozarts The Abduction from
the Seraglio. In 1986, Sir George Solti chose Morgan to become the Assistant
Conductor of the Chicago Symphony Orchestra, a position he held for seven
years. His highly praised debut conducting a regular subscription concert
of the Chicago Symphony came in 1987, when he stepped in, without any
rehearsal, to replace the ailing Maestro Solti. During his tenure in Chicago,
he was also conductor of the Civic Orchestra of Chicago (a training orchestra
for the Chicago Symphony) and the Chicago Youth Symphony Orchestra. In
1986, he was also invited by Leonard Bernstein to make his first appearance
with the New York Philharmonic; he has returned to conduct that orchestra
several times since.
In addition to his duties with Oakland East Bay Symphony, Maestro Morgan
serves as Artistic Director of the Oakland Youth Orchestra, Music Director
of the Sacramento Philharmonic, and Music Director of Festival Opera in
Walnut Creek. He makes frequent appearances as guest conductor with orchestras
throughout the United States, and has conducted the San Francisco Symphony
on many occasions, most recently during the 2000-20001 season. He was
honored as one of the ten most influential African Americans in the Bay
Area in 2000 at CityFlight Newsmagazines second annual Awards Gala.
Morgan recently served as guest conductor of the Juilliard Jazz Orchestra
for its debut concert at Lincoln Center in New York City, with Wynton
Marsalis appearing as guest artist. During the summer of 2002, he will
teach conducting at Tanglewood. He makes over 100 appearances in the nations
schools, particularly in the East Bay, and is widely regarded as an expert
on the importance of arts education and minority access to the arts.
Maestro Morgans
forum at Oberlin will focus on the opportunities and challenges in the
music business. All are welcome.
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