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Huang Ruo's "Three Pieces for Orchestra" Chosen for Performance with Philadelphia Orchestra on October 6 and 7, for Centennial Composition Competition Story and Photographs by Michael Chipman |
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Huang Ruo Awarded Grand Prize at European International Competition for Composers |
In the final concert slated for Thursday, October 5, 2000, the Philadelphia Orchestra will perform all three finalists' pieces, under the baton of music director Wolfgang Sawallisch. The three composers' works will be voted on by orchestra and audience, and the winner will be announced at the end of the concert. The two runners-up will each receive $2,500; the winner will receive $10,000 plus two subscription performances in Philadelphia on October 6 and 7, and a performance in New York's Carnegie Hall on October 10. "We are thrilled with the three chosen works, and we are looking forward very much to hearing them played by the Orchestra in concert," says Simon Woods, artistic administrator of the Philadelphia Orchestra. "It is very exciting to have my work played by the Philadelphia Orchestra," says Huang. "This year the Philadelphia Orchestra is celebrating its 100th anniversary so they are performing mostly contemporary works for the season. This competition is part of that celebration -- to support the younger generation of composers by bringing their music to the audience. It is a great opportunity for us in the younger generation." Huang says the opportunity also presents a challenge. "There are only two rehearsals for all three finalists' pieces," he says. "In that situation, you just have to get the best you can from limited rehearsal time. That is very challenging, but it is the best part about making music: you never know what will turn out. That is the fun part of live performance." Huang's piece, "Three Pieces for Orchestra" has three movements: Prelude, Announcement and Fanfare. "All three movements are an opening," says Huang. "'Prelude' introduces the colors of the instruments and gives the audience an idea of the piece. 'Announcement' is a statement and is perhaps more serious, with more details in the process. It is more about the group working together. 'Fanfare' is last. Since this is the opening of a new century I wanted to put a fanfare at the end to open up the way for other pieces in the new century. They are all three different openings and could be played individually or together." Among Huang's accomplishments:
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