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Division
of Vocal Studies
Gerald Crawford, Director
Gerald
Crawford, Professor of Singing
Jonathan Field, Associate Professor of Opera Theater
Hugh Floyd, Associate Professor of Choral Conducting
Philip Highfill, Professor of Accompanying
Daune Mahy, Professor of Singing
Lorraine Manz, Associate Professor of Singing
Daniel Michalak, Vocal Coach/Accompanist
Richard Miller, Professor of Singing
Marlene Rosen, Associate Professor of Singing
Major Study: Performance (Voice)
| Course
Requirements |
Recommended
Course Distribution |
| Hrs. |
|
Fresh
|
Soph |
Junior |
Senior |
| 28 |
Principal
Private Study (Voice) |
3 |
3 |
3 |
3 |
4 |
4 |
4 |
4 |
| 8 |
Secondary
Private Study (Piano) |
- |
2 |
2 |
2 |
2 |
- |
- |
- |
| 8 |
Ensemble
electives1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
| 2 |
LANG
100 (English Diction) |
2 |
- |
- |
- |
- |
- |
- |
- |
| 1 |
LANG
101 (Italian Diction) |
- |
1 |
- |
- |
- |
- |
- |
- |
| 1 |
LANG
200 (German Diction) |
- |
- |
- |
- |
- |
1 |
- |
- |
| 1 |
LANG
201 (French Diction) |
- |
- |
- |
- |
- |
- |
- |
1 |
| 3 |
APST
230 (Teaching of Singing) |
- |
- |
- |
- |
- |
3 |
- |
- |
| 3 |
MLIT
220 (The Lied) or MLIT 221 (The Mélodie) |
- |
- |
- |
- |
3 |
- |
- |
- |
| 12 |
MUTH
130 or 131, 132, 231, 232 (Music Theory) |
3 |
3 |
3 |
3 |
- |
- |
- |
- |
| 4 |
MUTH
101, 102, 201, 202 (Aural Skills) |
1 |
1 |
1 |
1 |
- |
- |
- |
- |
| 10 |
Music
History electives2 |
- |
- |
4 |
3 |
- |
- |
- |
3 |
| 4 |
Liberal
Arts electives |
- |
- |
- |
- |
- |
- |
4 |
- |
| 5 |
ITAL
Elementary Italian3 |
5 |
- |
- |
- |
- |
- |
- |
- |
| 5 |
GERM
Elementary German3 |
- |
- |
- |
- |
5 |
- |
- |
- |
| 5 |
FREN
Elementary French3 |
- |
- |
- |
- |
- |
- |
5 |
- |
| 6 |
Music
electives |
- |
- |
- |
- |
- |
- |
3 |
3 |
| 18 |
Free
electives |
1 |
3 |
2 |
3 |
- |
6 |
- |
3 |
| 124 |
|
16 |
14 |
16 |
16 |
15 |
15 |
17 |
15 |
Non-Course
Requirements
Private Study Committee Exams and Hearings:
| First
Major Hearing |
X |
- |
- |
- |
- |
- |
- |
- |
| First
Major Committee |
- |
X |
- |
- |
- |
- |
- |
- |
| Second
Major Hearing |
- |
- |
X |
- |
- |
- |
- |
- |
| Second
Major Committee4 |
- |
- |
- |
X |
- |
- |
- |
- |
Performance Requirement:
| Junior
Recital5, 6 |
- |
- |
- |
- |
(X) |
(X) |
- |
- |
| Senior
Recital6 |
- |
- |
- |
- |
- |
- |
(X) |
(X) |
1 Four credits must be completed by participating in (APST
701 (Oberlin College Choir). Four credits may be selected by the student
from the following: APST 843 (Baroque Ensemble--maximum two credits),
APST 800 (Chamber Music Ensemble--maximum two credits), APST 730 (Collegium
Musicum--maximum two credits), APST 723 (Contemporary Music Ensemble--maximum
two credits), APST 700 (Musical Union--maximum two credits), a major
operatic role (maximum two credits), APST 704 (Opera Chorus--maximum
two credits), APST 703 (Chamber Choir--maximum two credits).
2 Two courses in Music History beyond MHST 101 are required.
3 These requirements may be fulfilled by passing a standardized
examination devised by the language instructor.
4 Transfer students granted 16 or more hours in private
voice study are required to take the Second Major Committee in the
first semester at Oberlin.
5 Two performances on a divisional or studio recital, or
on an honors recital are required before the junior recital.
6 The junior and senior recitals may be performed during
the first or the second semester, or during Winter Term.
Major Status. Sophomore Major Status is attained upon completion
of:
The First Major Committee Examination.
Junior Major Status is attained upon completion of:
Principal Private Study IV and the Second Major Committee Examination.
Senior Major Status is attained upon completion of:
Principal Private Study VI and the Junior Recital.
Expository Writing Proficiency. Students with an SAT verbal score
below 580 or an ACT score below 24, or a TOEFL score below 600 must
complete one course chosen from the RHET 111-119 series.
Music Theory and Aural Skills Requirement. Students are expected
to register for Music Theory and Aural Skills courses each semester
until they have completed the requirements. Part or all of these requirements
may be waived by placement examination when the student enters Oberlin.
Music Theory I-IV and Aural Skills I-IV must be taken concurrently,
e.g., a student will register for Music Theory I (MUTH 130 or 131)
and Aural Skills I in the same semester. Under certain circumstances,
with the permission of the appropriate division director and the Music
Theory division director, students will be allowed to take Aural Skills
IV and Music Theory IV separately. A student's aural skills requirement
must be completed before the senior recital can be scheduled. Double-degree
students will resolve any conflicts with these expectations in consultation
with their advisors.
Electives. A student should select electives based on the following:
a minimum of 76 hours of Conservatory courses is required; a minimum
of 24 hours of liberal arts is required.
Vocal Coaching. The following courses are available to singers
wishing to coach recital material or to explore the French and German
Art Song repertoire:
APST 204 Interpretation of Art Song (coaching for senior or artist
diploma recitals--singers should register jointly with their accompanists
whenever possible)
MLIT 220 The Lied (a performance-oriented course in German Art Song)
MLIT 221 The Mélodie (a performance-oriented course in French
Art Song)
Language Study. To fulfill language requirements of many graduate
schools, additional language study may be taken in the College of
Arts and Sciences. Students may choose to participate in intensive
Winter Term language study offered by the language departments. However,
the 101 requirements will only be considered completed if a proficiency
test, given by the language department, is satisfactorily passed at
the end of the Winter Term.
Attention is called to an intensive summer language study program
in Urbania, Italy. The course includes a month's study of Italian
language and culture, Italian poetry as it relates to the song literature,
and musical coaching. Five credits are granted for this study. Voice
majors are given preference. For further information consult the faculty
sponsors, Gerald Crawford and Daune Mahy or see "Oberlin in Italy"
listed earlier in this catalog.
Minor Study: Performance (Voice)
Eligibility
The student must be in a Bachelor's Degree Program in the Conservatory.
The student must be recommended by his or her private study teacher.
The student must be approved by the Voice Department.
Course Requirements. Completion of at least four semesters (eight
credits) of Secondary Private Study (Voice); five credits of a foreign
language to be chosen from: GERM 101 (Elementary German), FREN 101
(Elementary French), or ITAL 101 (Elementary Italian); two credits
of LANG 100 (English Diction); one credit of a diction elective, to
be chosen from: LANG 101 (Italian Diction), LANG 200 (German Diction),
LANG 201 (French Diction).
Non-Course Requirements
Private Study Committee Examinations:
First Minor Committee
Second Minor Committee
Performance Requirement:
One appearance on a departmental or studio recital. (Students who
fail to receive a majority of satisfactory grades on the Second Minor
Committee Examination will not be permitted to continue in the Minor.)
Opera Theater Department
Jonathon Field, Director of Opera Theater Productions; Associate Professor
of Opera Theater
Daniel
Michalak, Vocal Coach/Accompanist
Alan Montgomery, Assistant Music Director, Coach
Robert Spano, Music Director, Conductor
Victoria Vaughan, Assistant Director of Opera
| OPTH
|
202,
203 |
Introduction
to Opera: Performing Techniques |
| OPTH
|
304
|
Production
Project: Stage Management |
| OPTH
|
305,
306 |
Opera
Workshop |
| OPTH
|
400
|
Performance
Project |
| OPTH
|
404,
405 |
Seminar
in Opera |
| OPTH
|
406,
407 |
Seminar
in Directing |
| OPTH
|
500,
501 |
Advanced
Seminar in Opera |
| OPTH
|
502,
503 |
Research
Project in Opera |
| APST
|
704
|
Opera
Chorus |
The
Opera Theater Department, in cooperation with the production staff
of the Theater and Dance program, presents one major opera each semester
in Hall Auditorium. These productions are cast on the basis of open
auditions. Opera Scenes programs are presented each semester by students
in opera classes. |