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Historical
Performance Program
David Breitman, Director
David Boe, Professor of Organ
David Breitman, Associate Professor of Historical Performance
James Caldwell, Professor of Oboe
James David Christie, Professor of Organ
Lisa Goode Crawford, Professor of Harpsichord
Michael Lynn, Professor of Recorder and Baroque Flute
Alison Melville, Assistant Professor of Recorder
Marilyn McDonald, Professor of Violin and Teacher of Baroque Violin
Catharina Meints, Associate Professor of Violoncello, Viola da Gamba
and Baroque Cello
Steven Plank, Professor of Musicology
Major Study: Performance (harpsichord, recorder, Baroque flute,
early oboes, Baroque violin, Baroque cello, viola da gamba, Baroque
cello/viola da gamba)
| Course
Requirements |
Recommended
Course Distribution |
| Hrs. |
|
Fresh
|
Soph |
Junior |
Senior |
| 32 |
Principal
Private Study |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
| 4 |
Secondary
Private Study1 |
- |
- |
2 |
2 |
- |
- |
- |
- |
| 9 |
Ensemble
electives2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
| 3 |
HPRF
302 (Intro to Historical Performance) |
- |
- |
3 |
- |
- |
- |
- |
- |
| 6 |
Historical
Performance electives |
- |
- |
- |
- |
- |
3 |
- |
3 |
| 12 |
MUTH
130 or 131, 132, 231, 232 (Music Theory) |
3 |
3 |
3 |
3 |
- |
- |
- |
- |
| 4 |
MUTH
101, 102, 201, 202 (Aural Skills) |
1 |
1 |
1 |
1 |
- |
- |
- |
- |
| 3 |
Upper-Division
Music Theory electives |
- |
- |
- |
- |
3 |
- |
- |
- |
| 13 |
Music
History electives3 |
4 |
3 |
- |
- |
- |
3 |
3 |
- |
| 19 |
Liberal
Arts electives |
3 |
3 |
- |
3 |
3 |
- |
4 |
3 |
| 5 |
Language
electives4 |
- |
- |
- |
- |
5 |
- |
- |
- |
| 14 |
Free
electives5 |
- |
- |
2 |
1 |
- |
3 |
4 |
4 |
| 124 |
|
16 |
15 |
16 |
15 |
16 |
15 |
16 |
15 |
Non-Course Requirements
Private Study Committee Exams:
| First
Major Committee |
- |
X |
- |
- |
- |
- |
- |
- |
| Second
Major Committee |
- |
- |
- |
X |
- |
- |
- |
- |
Performance Requirement:
| Junior
Recital6, 7 |
- |
- |
- |
- |
(X) |
(X) |
- |
- |
| Senior
Recital6 |
- |
- |
- |
- |
- |
- |
(X) |
(X) |
1 The requirement may be satisfied by two semesters
of Secondary Private Study, or by two semesters of class instruction
to be chosen from the following courses:
APST 841 (Viola da Gamba Consort)
APST 242, 244 (Baroque Violin for Violinists)
APST 110, 111 (Piano Class)
If a person meets this requirement earning two hours of credit, an
additional two hours of music electives are added to the requirements
for the major. No course may be used to meet both the Secondary Private
Study requirement and the Ensemble elective requirement.
2 To be chosen from the following courses:
APST 841 (Viola da Gamba Consort)
APST 843 (Baroque Ensemble)
APST 844 (Renaissance Recorder Ensemble)
APST 240 (Continuo Realization at the Keyboard)
APST 730 (Collegium Musicum)
Harpsichordists must take APST 214 (Keyboard Skills I), APST 240 (Continuo
Realization at the Keyboard) and four semesters of APST 340 (Continuo
Accompanying). APST 214 and 240 may not be counted towards the ensemble
requirement, but two of the four credits of APST 340 may be counted.
Recorder majors must take six semesters of APST 844 (Renaissance Recorder
Ensemble) and four semesters of APST 843 (Baroque Ensemble). Viola
da gamba majors must take six semesters of APST 841 (Viola da Gamba
Consort) and four semesters of APST 843 (Baroque Ensemble). Baroque
cello/viola da gamba majors must take APST 841 (Viola da Gamba Consort)
for six semesters; they must also take four semesters of APST 843
(Baroque Ensemble), in two of which they must play Baroque cello.
Violinists, cellists, oboists, and flute players may substitute one
semester of an ensemble in which they play the modern equivalent of
their baroque instrument.
3 Three courses in Music History beyond MHST 101 are required,
two of which must be at the 200 level.
4 May be waived by examination, in which case five hours
must be added to liberal arts electives.
5 The number of free electives for viola da gamba majors
and Baroque cello/viola da gamba majors is 12; for harpsichord majors
it is eight.
6 Two performances on a departmental or studio recital,
or on an honors recital, are required before the Junior Recital.
7 The Junior and Senior Recitals may be performed during
the first or the second semester, or during Winter Term. In order
for Baroque cello/viola da gamba majors to fulfill the Junior and
Senior recital requirements, each instrument must be performed on
at least one-half of a recital (either the entire junior or one-half
of the Senior recital).
Music Theory and Aural Skills Requirement. Students are expected
to register for Music Theory and Aural Skills courses each semester
until they have completed the requirements. Part or all of these requirements
may be waived by placement examination when the student enters Oberlin.
Music Theory I-IV and Aural Skills I-IV must be taken concurrently,
e.g., a student will register for Music Theory I (MUTH 130 or 131)
and Aural Skills I in the same semester. Under certain circumstances,
with the permission of the appropriate division director and the Music
Theory division director, students will be allowed to take Aural Skills
IV and Music Theory IV separately. A student's aural skills requirement
must be completed before the senior recital can be scheduled. Double-degree
students will resolve any conflicts with these expectations in consultation
with their advisors.
Electives. A student should select electives based on the following:
a minimum of 76 hours of Conservatory course work is required; a minimum
of 24 hours of liberal arts is required.
Aims. This program of study is designed to prepare students
for careers in performance on certain early instruments and for the
combination of performance and musicology. Advising.
It is expected that majors in these early music instruments will work
in close consultation with their advisors regarding the distribution
of required courses over the four-year sequence.
Expository Writing Proficiency. Students with an SAT verbal
score below 580 or an ACT score below 24, or a TOEFL score below 600
must complete one course chosen from the RHET 111-119 series.
Minor Study: Performance (harpsichord, fortepiano, recorder, Baroque
flute, Baroque oboe, Baroque violin, Baroque cello, viola da gamba,
Baroque cello/viola da gamba)
Eligibility
The student must be in a Bachelor's Degree Program in the Conservatory.
The student
must be recommended by his or her private study teacher, and approved
by the Historical Performance Committee, after at least two semesters
of secondary study.
Course Requirements
Completion of at least six semesters of secondary private study. (One
or two semesters may be waived, as described under "Private Applied
Study Courses in Performance.") HPRF
302 (Introduction to Historical Performance).
Three additional credits in Historical Performance, normally earned
through ensemble participation.
Non-Course Requirements
First and Second Minor Committee Examinations (the examinations may
be taken at any time before graduation at the discretion of the Historical
Performance Committee).
Two performances in Historical Performance Studio Class.
One departmental recital appearance. |