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Graduate
Programs: Historical Performance Historical Performance Program David Breitman, Associate Professor of Historical Performance; Director David Boe, Professor of Organ James Caldwell, Professor of Oboe James David Christie, Professor of Organ Lisa Goode Crawford, Professor of Harpsichord Michael Lynn, Professor of Recorder and Baroque Flute Marilyn McDonald, Professor of Violin and Teacher of Baroque Violin Catharina Meints, Associate Professor of Viola da Gamba and Baroque Cello Alison Melville, Assistant Professor of Recorder Steven Plank, Professor of Musicology General Requirements: Procedures for Admission. Applicants are admitted based on an audition on their major instrument and a review of their academic record. Once admitted, students must demonstrate baccalaureate competence in music history and music theory. Deficiencies must be remedied by taking appropriate undergraduate course work, or in the case of music history, by either course work or re-examination. Placement exams. Exams in music history and music theory must be taken during orientation. Residence. Completion of this Master of Music degree program will typically require full-time residence for four semesters beyond the Bachelor's degree. Program Completion. All requirements for this Master of Music degree must be completed within three years from the date of admission. Students are encouraged to attend the summer Baroque Performance Institute and may use the credits earned there towards the degree. Grading. No credit with a grade lower than B- may be counted toward the requirements of the Master's Degree. Master of Music in Performance: harpsichord, fortepiano, organ, Baroque violin, Baroque flute, Baroque cello, viola da gamba, recorder
1 For students whose major is harpsichord. 2 HPRF 502 is required during the first semester of study unless waived by exam/interview during orientation. 3 HPRF 503 and 512 may be taken in either order; both may be offered in alternate years. 4 Students must have demonstrated baccalaureate competence in music history and music theory before enrollment for the lecture recital; the lecture recital cannot take place in the same semester as the master's recital. 5 Required of non-keyboard majors. Requirement may be satisfied by passing a proficiency exam or taking an appropriate course in consultation with the keyboard faculty. 6 Examination of reading proficiency in French or German. 7 For harpsichordists: includes proficiency in tuning, maintenance, and continuo realization. APST 240 (Continuo Realization) may be taken to fulfill the continuo realization requirement. Master of Music in Performance: historical keyboard instruments (harpsichord, fortepiano, and organ, combined)
1 HPRF 502 is required during the first semester of study unless waived by exam/interview during orientation. 2 HPRF 503 and 512 may be taken in either order; both may be offered in alternate years. 3 Students must have demonstrated baccalaureate competence in music history and music theory before enrollment for the lecture recital; the lecture recital cannot take place in the same semester as the master's recital.
4 The second recital must be split between a secondary
instrument and the principal instrument, on a single secondary instrument,
or split between two secondary instruments.
1 HPRF 502 is required during the first semester of study unless waived by exam/interview during orientation. 2 HPRF 503 and 512 may be taken in either order; both may be offered in alternate years. 3 Students must have demonstrated baccalaureate competence in music history and music theory before enrollment for the lecture recital; the lecture recital cannot take place in the same semester as the master's recital. 4 Requirement may be satisfied by passing a proficiency exam or taking an appropriate course in consultation with the keyboard faculty. 5 Examination of reading proficiency in French or German. Master of Music in Performance: Baroque cello/viola da gamba
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