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College of Arts and Science
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Conservatory of Music

Double-Degree Program
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Arts and Sciences
 Creative Writing

The Creative Writing Program is a rigorous program for student writers of serious purpose who want to develop their potential through a series of workshops and independent projects. Students work through a syllabus of reading, exercises, and assignments in classes that divide their time between presentations of assignments and discussions of student work. Most advanced work is accomplished through independent projects. There is a large demand for writing courses at all levels. Most courses and all independent projects require submissions and application forms that are designed to assess students' serious commitment to the nature and structure of the classes. Students who receive a grade of B- or lower in CRWR 201 are normally discouraged from pursuing the major.

Major. Students must complete at least 25 hours in Creative Writing which must include the following: Creative Writing 201; three of the six workshops (poetry, fiction, playwriting, nonfiction, translation, screenwriting) that are offered on a regular basis; and, beginning with the class of 2005, one or two independent projects (470, 480), which must include at least four credits in the same genre. For students prior to the class of 2005, two projects will be required. Students in advanced projects will work on projects of substantial quality and will be strongly encouraged to give a reading during their senior year.

Twelve hours of literature (in English, in translation, or in a foreign language) are also required, above the beginning level. Students are encouraged to take literature courses in the genre(s) in which they are writing. Film, theory, and other courses that do not focus primarily on written literature will not count toward this requirement, even if they are offered by the English Department. A list of recommended literature courses will be available in the Creative Writing Office prior to registration each semester. First-year students are advised to take CRWR 110 and 120, but only one of these courses will count toward the 25 hours required for the major. Students must have taken CRWR 201 before applying for 300-level poetry or fiction workshops, and must have completed the relevant 300-level workshop (and normally one other 300-level workshop as well) before pursuing an independent project in a given genre.

CRWR 470, 475, 480 and 485 are repeatable for credit, but only three credits of Reading for Writing (475) and two credits of Practicum (485) will count toward the major. CRWR 331 does not count toward the major.

The Program encourages cultural diversity among students and welcomes students of all cultural backgrounds.

Playwriting Concentration. The basic major requirement of 37 credits is reconfigured as follows: In Creative Writing, at least 20 hours, which must include CRWR 201, 330, 470 (in playwriting) and 480 (in playwriting). At least 13 hours must be taken at the 300 or 400 level, and at least one other 300-level workshop is recommended. In theater and other departments, at least 14 hours, including at least nine in literature (from English, Theater, or other departments), at least six of which must focus on drama; and at least five hours in acting, design, or technical theater taught by the Theater Department.


Transfer of Credit. No creative writing courses taken elsewhere will be accepted for the creative writing major without the approval of the Director of Creative Writing. Only half of the twelve literature hours may be transferred; those also require approval of the Director.
Winter Term. Various faculty will sponsor projects on worthwhile topics that students have carefully designed in consultation with them before the registration deadline. Winter Term workshops, supervised by faculty and directed by advanced students, will be offered to students who have not taken CRWR 201.



110. Technique and Form in Poetry 3 hours

3HU

First Semester. Extensive reading of published poetry from a creative writing perspective. Writing includes weekly exercises aimed at exploring the various techniques of poetry used in the assigned reading. The class combines lecture-demonstrations and discussion of student exercises. Enrollment Limit: 45. (35 places reserved for first-year students, 10 for sophomores).
Ms. Collins


120. Technique and Form in Fiction 3 hours

3HU

Second Semester. Extensive reading of published fiction from a creative writing perspective. Writing includes weekly exercises aimed at exploring the various techniques of fiction used in the assigned reading. The class combines lecture-demonstrations and discussion of student exercises. Enrollment Limit: 45 (35 places reserved for first-year students, 10 for sophomores).
Mr. Chaon


201. Poetry/Prose Workshop 4 hours

4HU, WR

First and Second Semester. The reading and writing of poetry, short fiction, and some drama. Students must submit a completed application form and a typed sample of recent work (at least two genres, due in Program office Thursday, June 12, 2003 for first semester, and Thursday, January 15, 2004 for second semester). Notes: Not open to first-semester first-year students and seniors; juniors discouraged; some second-semester first-year students may be admitted. Consent of instructor required. Enrollment Limit: 12. Mr. Chaon, Ms. Tufts, Staff

225. Polemical Strategies 1 hour

1HU

Second Semester. First Module. The treatment of political issues in contemporary fiction, nonfiction and film. Example texts may include: Once Were Warriors, Galilee Wedding, Keep the River on the Right, The Lives of Animals. Weekly writing. Admission based on a completed application form and writing sample (due in Program office by Thursday, January 15, 2004). Consent of instructor required. Enrollment Limit: 15.
Ms. Watanabe


310. Poetry Workshop 3 hours

3HU, WR

First and Second Semester. The writing of poetry. Intensive discussion of student work, accompanied by assigned reading. Admission based on a completed application form and a writing sample of six to eight poems (due in Program office by Thursday, June 12, 2003 for first semester, and Thursday, January 15, 2004 for second semester). Prerequisite: CRWR 201. Identical to ENGL 395. Consent of instructor required. Enrollment Limit: 12.
Ms. Collins, Ms. Alexander


320. Fiction Workshop 4 hours

4HU, WR

First and Second Semester. The writing of short fiction. Admission based on a completed application form and a writing sample of at least 12 pages of fiction, made up of at least 2 separate pieces (due in Program office by Thursday, June 12, 2003 for first semester, and Thursday, January 15, 2004 for second semester). Prerequisite: CRWR 201. Identical to ENGL 397. Consent of instructor required. Enrollment Limit: 12.
Staff, Mr. Chaon

330. Playwriting Workshop 4 hours

4HU, WR

Second Semester. A workshop focused on discussion of student work and on selected examples from modern and contemporary drama, working toward a staged reading of an original one-act play. The course presupposes considerable knowledge of drama. Admission based on a completed application form and writing sample (due in Program office by Thursday, January 15, 2004). Identical to ENGL 398. Consent of instructor required. Enrollment Limit: 12.
Mr. Walker


331. Playwriting Lab 1 hour

1HU

Second Semester. Second Module. For actors who are available to students in the playwriting class; to try out work in progress and be available for any productions that result. See CRWR 330. Note: CR/NE grading. Consent of instructor required.
Mr. Walker


340. Nonfiction Workshop 4 hours

4HU, WRi

Second Semester. The writing of personal narratives which employ the techniques of both the traditional essay and fiction, with an emphasis on nonfiction as a literary art form. Students will read work by modern and contemporary authors with an eye toward understanding the variety of modes which come under the current heading "creative nonfiction" (memoir, meditation, travel, cultural critique, etc.), and will be asked to employ a number of these methods and approaches in their own work. Admission based on a completed application and writing sample (due in Program office by Thursday, January 15, 2004). Recommended preparation: CRWR 201. Identical to ENGL 396. Consent of instructor required. Enrollment Limit: 12.
Ms. Watanabe


350. Translation Workshop 3 hours

3HU, CD

First Semester. Major writers in modern and contemporary poetry and some classical examples studied by translating them into effective American English. Exercises and assignments in the first half will help students focus on a project of their own design in the second half. Guest appearances by local and visiting writers. This course has no prerequisites, but some knowledge of a foreign language and some experience in writing poetry are required. Admission is based on a completed application form and writing sample (due in Program office by Thursday, June 12, 2003). Identical to CMPL 350. Consent of instructor required. Enrollment Limit: 16.
Mr. Young


360. Screenwriting Workshop 3 hours

3HU

First Semester. The elements of translating written work into a visual medium. Students will examine the art and craft of film scripting from a writer's perspective, focusing on both adaptation and original work. Admission based on a completed application and writing sample (due in Program Office by Thursday, June 12, 2003). Strongly recommended preparation: CRWR 201. Consent of instructor required. Enrollment Limit: 16.
Mr. Chaon

470. Advanced Writing Project I 2-4 hours

2-4HU, WR

First and Second Semester. Students will work individually with an instructor in a single genre. Majors should have completed at least two and preferably three of their required 300-level workshops before applying. Applications due in Program office by Thursday, June 12, 2003 for first semester, and Thursday, January 12, 2004 for second semester. Faculty sponsoring projects include: Ms. Alexander, Mr. Chaon, Ms. Collins, Ms. Grim, Mr. Hobbs, Ms. Jackson-Smith, Ms. Tufts, Mr. Van Nortwick, Mr. Walker, Ms. Watanabe. Prerequisites: Workshop in the genre of specialization (i.e. poetry, fiction, nonfiction, playwriting, translation or screenwriting) and one other 300-level workshop. Consent of instructor required.

475. Reading for Writing 1-2 hours

1-2HU

First and Second Semester. This course is normally taken in conjunction with CRWR 480 (occasionally 470); it is not a substitute for required literature courses, and it is not a private reading. Advanced students, upon consulting with a faculty sponsor, will select a reading list and keep a journal of their critical responses (and/or discuss the material they contract to cover with the instructor). Faculty sponsoring projects include: Ms. Alexander, Mr. Chaon, Ms. Collins, Mr. Walker. Ms. Watanabe. Note: CR/NE grading. Consent of instructor required.

480. Advanced Writing Project II 3-4 hours

3-4HU, WR

First and Second Semester. Students will work individually with an instructor in a single genre. Applications due in Program office by Thursday, June 12, 2003 for first semester, and Thursday, January 15, 2004 for second semester. Faculty sponsoring projects include: Ms. Alexander, Mr. Chaon, Ms. Collins, Ms. Grim, Mr. Hobbs, Ms. Jackson-Smith, Ms. Tufts, Mr. Van Nortwick, Mr. Walker, Ms. Watanabe. Prerequisite: Advanced Writing Project I in the same genre. Consent of instructor required.

485. Practicum 1-2 hours

1-2HU

First and Second Semester. This course is open only to students who are working for FIELD magazine/Oberlin College Press or student literary publications, or who are engaged in other approved creative writing activities. Students can earn a maximum of four hours credit toward graduation, and two hours credit toward the major. Note: CR/NE grading. Consent of instructor required.
Ms. Collins, Ms. Watanabe


495. Senior Colloquium 1 hour

1HU

First Semester. A one-credit colloquium for senior creative writing majors, concentrators, and others who have taken a substantial number of creative writing courses. A variety of topics will be covered in meetings with various faculty, staff, and visiting writers, and some sessions may be devoted to discussion of student work (topics will be determined in part by discussion with students at the first session). Some reading and written work will be required. Note: CR/NE grading. Consent of instructor required. Enrollment Limit: 16.
Ms. Collins

    
   
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