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London
Program
The program was instituted
as a memorial to the late Emil Danenberg, eleventh president of
Oberlin and a great friend to international education. Through the
Danenberg Oberlin-in-London Program, up to 26 students each semester
study in London for Oberlin credit. Two Oberlin faculty members,
each from a different discipline, direct the program in the fall
and spring.
Faculty for the
fall semester program will be:
Phyllis Gorfain,
Professor of English
Bruce Richards,
Professor of Physics
Faculty for the
spring semester program will be:
Michael Henle, Professor
of Mathematics
Andrew Shanken,
Assistant Professor of Art
Admission to the
program is by application only. Applications are due in March for
the fall semester and in October for the spring semester. Students
are notified by mail each semester when the applications are available.
Applications are reviewed by the faculty directors of the program
and by the chair of the London Program Committee.
The program is open
to any Oberlin student who will be at least a second-semester sophomore
at the time of the program. Special conditions of academic preparedness
may apply for the individual semesters and courses. The faculty
and committee will be especially interested in students who show
a serious interest in taking advantage of the resources of the program.
The faculty and committee hope for applications from a wide range
of Oberlin students and are prepared to recognize a number of different
cases for admission. Limited funds are available to sponsor two
credits' worth of music study for a small number of Conservatory
performance or composition majors each semester. Applications for
those funds can be picked up in King 105 and should be turned in
with the standard application for admission to the program.
The program maintains
classrooms, an office, a lounge, and study space in London. Administrative
Director Gwyneth Love lives in London and has general responsibility
for the on-site coordination of the program. Students live in small
groups away from the study center, usually in small semi-independent
apartments ("flats") with limited kitchen facilities and study space.
The program cost is equivalent to that of a semester at Oberlin,
plus transatlantic airfare (approximately $250 of which will be
credited on the term bill). Financial aid is available to the same
degree as for a semester in residence. Students are given a weekly
allowance in cash to cover costs of buying food, minimal household
necessities, and passes for tube and bus travel within London. As
at Oberlin, students will need some extra pocket money for textbooks,
personal costs, entertainment, and traveling.
Each student's academic
program will normally include 14 credit hours: an interdisciplinary,
team-taught course; one departmental course; and a two-credit course
on British history and culture. In all cases, course work will have
a strong experiential component, involving the student in the cultural,
natural, and institutional life of London and Great Britain.
Further information
about the program may be found on the web at www.oberlin.edu/~london.
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Fall
Semester Courses
900. The
Danenberg Lectures on British Culture and Society 2 hours
2EX
First Semester.
An introduction to the history and culture of Britain, examining
the roots of contemporary London and Britain by exploring selected
topics in social, political, and cultural history from antiquity
to the modern era. The course will be coordinated by both instructors,
but taught by a series of visiting experts (who will speak and
lead discussions in their fields) and supplemented by field trips
to museums and pertinent historical sites. This course is for
all students. Note:
CR/NE grading. Consent of instructor required.
Ms. Gorfain, Mr.
Richards
926. It's
About Time: Time in Literature and Physics 6 hours
3HU,
3NS, WR
First Semester.
We will study, in literature, how works use concepts, technologies,
and experiences of time; and, in physics, methods of measuring
time, the direction of time, and Einstein's theory of relativity.
Views of linear or cyclic time and the role of time concepts in
social history and folklore will be considered. Papers and individual
projects will be required; guest speakers, and field trips to
time-related sites in and near London. No mathematics beyond simple
algebra.
Ms. Gorfain, Mr.
Richards
927. Acting
Up: Theatre in London 6 hours
6HU,
WR
First Semester.
By reading scripts and regularly attending performances in a variety
of London venues, students will explore and critique how production
values, actors' interpretations, and other performance conditions
realize the potential meanings and effects of scripts. Selection
of plays will include works by major acting companies as well
as fringe productions. Students will write their own reviews,
critique published reviews, and stage scenes themselves to gain
fluency in the many production elements that contribute to meaning.
Ms. Gorfain
928. Making
Waves: Light and Sound in Performance Spaces 6 hours
6NS,
QPh
First Semester.
Following a survey of the physical characteristics of waves, we
will study the acoustics of theatres and concert halls and the
theory of color and color mixing with applications to theatre
lighting. We will relate physically-measurable properties of sound
and light to our perceptions of these waves. In addition to attending
performances, the course will include field trips for back-stage
tours and measuring acoustical characteristics of halls. No mathematics
beyond simple algebra will be used.
Mr. Richards
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Spring
Semester Courses
900. The Danenberg
Lectures on British Culture and Society 2 hours
2EX
Second Semester. An introduction
to the history and culture of Britain, examining the roots of
contemporary London and Britain by exploring selected topics in
social, political, and cultural history from antiquity to the
modern era. The course will be coordinated by both instructors,
but taught by a series of visiting experts (who will speak and
lead discussions in their field) and supplemented by field trips
to museums and pertinent historical sites. This course is for
all students. Note: CR/NE grading. Consent of instructor required.
Mr. Henle, Mr. Shanken
970. Art and Mathematics
6 hours
3HU, 3NS, QPh
Second Semester. This course
is organized around a series of encounters with artistic objects--paintings,
buildings, and spaces--in and around London. In these encounters
a dialogue will emerge between an historic and aesthetic view
of art, on one hand, and a mathematical and engineering view on
the other. A secondary theme is the conjunction (or disjunction)
of formal theories, both mathematical and artistic, with their
practical application in the real world. Topics for course segments
and corresponding objects of study will be chosen to illustrate
the differences and synergies created by these different points
of view. These will include, in particular, (a) bridge design,
(b) planned communities, (c) projective geometry, and the projection
of three-dimensions onto two, (d) work of the 17th century mathematician
and architect Christopher Wren, and (e) group theory, symmetry
and the decorative arts. Other topics will be arranged around
current exhibitions and building projects in London in 2003.
Mr. Henle, Mr. Shanken
971. British
Architecture and Urbanism 6 hours
6HU
Second Semester.
This course will use London and its environs to study the history
of British architecture, focusing on buildings and urban planning
after the Great Fire of 1666. Course material is divided into
three sections, broadly corresponding to the architectural periods:
BaroqueNeo-Classicism, Victorian, and Modern. Readings will
directly relate to site visits to buildings, monuments, and parks,
as well as various urban interventions that fall under the category
of "built environment," for example, Nash's Regent Street. Site
visits will include the great Commissioner's Churches of the early
18th century, the railroad stations and sheds such
as San Pancras, the great civic buildings of the 19th
century, including the Law Courts and Houses of Parliament; and
a close study of London's museums -- the British Museum, the Tate,
and the Victoria and Albert Museum -- which nearly constitute
a history of British architecture unto themselves. The class will
culminate with the extraordinary collection of contemporary buildings
that have gone up in London over the past decade.
Mr. Shanken
972. From
Logic to Persuasion to Propaganda 6 hours
6NS,
QPh
Second Semester.
Argumentation and persuasion, more formally, the fields of logic
and rhetoric, will be used as a lens through which to view British
culture. Students will learn how to construct arguments using
tools from deductive and inductive logic, including the propositional
calculus, the predicate calculus, and elementary statistics. These
tools plus others from classical rhetoric and the 'new rhetoric',
a modern theory of argumentation developed by the contemporary
British philosopher Stephen Toulmin, will be applied to analyze
and synthesize arguments in areas of current political and social
controversy in Britain. Examples of arguments for discussion and
analysis will be drawn from newspaper articles, advertisements,
opinion pieces, and public deliberation in all media. The class
will visit British courts of law, Parliament, the Hyde Park Speaker's
Corner, the Oxford Union, and other public debating forums, as
well as attend films and theatrical events. The final theme of
the course is the evolution of persuasion into a science and an
industry, i.e., advertising and propaganda, in post industrial
revolution England.
Mr. Henle
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