Nanette Yannuzzi Macias
Co-Chair, Associate Professor of Art Studio, 1993
| Exhibitions/Publications/Performances: | ||
| 2004 | Cruicible-Collaborative Multi-Media Installation [Schuster, Little, Yannuzzi-Macias]Cleveland Public Theater, Cleveland Ohio. | |
| 2003 | Mediated Nature, Oberlin College Gallery and Performance Space, Cleveland, Ohio. | |
| 2003 | Ceres Gallery NYC NY, Anniversary Exhibition/Artist Invitational [Schuster-Yannuzzi-Macias]. | |
| 2001 | RED. Installation..Oberlin College Gallery and Performance Space, Cleveland, Ohio. | |
| 2001 | RED, Poet Calvin Hernton performs within the installation @ The Oberlin College Gallery and Performance Space, Cleveland, Ohio. | |
| 2000 | Snapshot: Contemporary Museum, Baltimore, Maryland, An exhibition of snapshots portraying intimate or family photographs. | |
| 2000 | 2000 Forty Weeks. Artists Book, A limited edition collaborative artists book with Mexican artist Derli Romero. | |
| 2000 | North/South/East/West/Center Wooster College Museum of Art, An exhibition of drawings and sculptures inspired by the Mesoamerican concept of center. | |
| 2000 | 2000 Action: Video Days: A collection of video sequences of everyday life via two stationary video cameras at two locations within her home. | |
| 1999 | Transitional Spaces for the Millennium: The Mathematical Equation of Randomness...a collaboration between artist, dancer and choreographer Adenike Sharpley. Crane Pool Oberlin, Ohio. | |
| 1999 | Life Performance/One hour duration, Lakewood Ohio-gave birth to Nyima Lucia Funmilayo Coleman. | |
| 1998 | Action :Collections: A series of audio recordings made from a small pocket recorder that the artist carried around with her daily. July of1998- August 1998. | |
| 1998 | Action: Collections. The artist is collecting the lint from her laundry. This "action" will end in November of 1998 after one year. | |
| 1997-98 | Action: Threading/Breathing, Three hundred sewing needles
were threaded with red thread while correct breathing was practiced. Life Performance/25 hour duration, Oberlin Ohio-gave birth to Emanuel Ayo Coleman. |
|
| 1997 | Scales [ An Installation with sculptor/performance artist Melissa Smedley] Hyde Gallery, San Diego, California. | |
| 1997 | What's Rite: Ritual and Experience, [group exhibition] featured Installation entitled Umbilicus: Las Mujeres. Spaces Gallery, Cleveland, OH. | |
| 1996 | Gallery 3770, Umbilicus: Remnants and Huaraches, Installation San Diego California. | |
| 1995 | Cultural Connections: Explorations of Transcultural Identity, Spaces Gallery, Cleveland, Ohio. | |
| 1994-95 | Animal Vegetable Mineral: Comida para su Sombrero, [multi-media, Installation]A one year collaboration with artist Melissa Smedley, as part of InSite 94 a bi-national exhibition of site specific Installations. Exhibited in two parts: El Sotano, Tijuana, Baja California Mexico. | |
| 1994-95 | Animal Vegetable Mineral: Comida para su Sombrero- Video Installation. , The Museum of Natural History, Balboa Park, San Diego, California. | |
| 1994 | Veinte Dedos, Performance with artist Melissa Smedley, El Sotano, Tijuana, Baja California Mexico. | |
| 1993 | Dia de los Muertos, University of Nevada, Reno. | |
| 1993 | Ethnic Frequencies, Poetry Performance with artist Melissa Smedley, Cafe Cinema, San Diego, Ca. as part of: Desperately Seeking Italy: Identities, Cultures, and the Southern Question at Home and Abroad. | |
| 1992 | SKIN: Three Stories and a Lie (Installation). Featured exhibition: Al Fin del Siglo: Meditations for the Late Twentieth Century, El Centro Cultural de la Raza, San Diego, California. | |
| 1992 | Repo History/The Lower Manhattan Sign Project, A series of 36 site=specific historical sign markers, NYC, NY. | |
| 1991 | Arte Joven en Nueva York (group exhibition), Sala Romulo Gallegos, Caracas, Venezuela. | |
| 1991 | Nature Morte: Modern Day Monsters (Installation) featured exhibition: Installations Art in General, NY. | |
| 1990 | Dream Machinations in America, group exhibition, Minor Injury Gallery, Brooklyn, NY. | |
| 1990 | Clomid and Pergonal(Installation), Whitney Museum I.S.P., NY. | |
| 1989 | Images and Words, Artists Respond to AIDS, Henry Street Settlement, Louis Abrams Gallery, NY. | |
| 1989 | Images and Words, Artists Respond to AIDS, The Painted Bride, Philadelphia, PA. | |
| 1989 | Dia de los Muertos, The Alternative Museum, NYC, NY. | |
| 1988 | AIM, Group Exhibition, The Bronx Museum of Art. | |
|
Selected Bibliography: |
||
| 2001 | WXPN Cleveland-Guest artist/speaker discussing Oberlin College Exhibition and Performance Space @ the Here Here. | |
| 2000 | Snapshot-catalogue published from exhibition of the same name. | |
| 1996 | Two artist...etc. San Diego article. | |
| 1995 | Crossing Borders, Frank Green, The Cleveland Free Times. | |
| 1994 | Similarities, disparities of Tijuana/San Diego are targeted by Artists. Ann Jarmush The San Diego Union. | |
| 1994 | De Fondos y Sotanos Culturales, Adolfo Guzman Lopez. | |
| 1994 | Twenty Fingers and Toes o el Ritual de los Objectos, Jarco Amezcua Luna. | |
| 1991 | Una Ventana que Revela a Nuestra Sociedad, Luis Martinez, El Unieversal, Junio de 1991. | |
| 1991 | Arte Joven in Nueva York, Tosca Grasso, Hoy Economica, Venezuela, SA., Junio de 1991. | |
|
Selected Catalogues: |
||
| 2003 | Mediated Nature. Oberlin College Gallery and Performance Space. | |
| 1998 | Loving Changes: A journal for Mothers in times of transition. Pilgrim Press, Cleveland Ohio. Drawings featured in this book. | |
| 1998 | WhiteWalls:a journal of language and art. The artists photographs and writings are featured in issue entitled:Crafting History. The Many Faces of Chief Wahoo and other Lawn Jockey Poems. | |
| 1996 | WhiteWalls : a journal of language and art #37. Entitled: Tourists Voyeurs and Exiles. Article jointly written with collaborator M. Smedley, detailing their one year collaboration. | |
| 1995 | Cultural Connections/Explorations of Transcultural Identity, catalogue pub., Spaces Gallery, Cleveland, Ohio. | |
| 1994-95 | Insite 1994, catalogue pub,. Installation Gallery. | |
| 1993-94 | El Soltano Letter: A bilingual community newsletter detailing the process of the Installations at El Soltano and introducing the artists to the community they were working among/ Tijuana, Baja California.Vol. 1 #.2. | |
| 1992 | Al Fin Del Siglo:Meditations for the Late Twentieth Centurycatalogue pub,. El Centro Cultural de la Raza. | |
| 1990 | Questions of Clomid and Pergonal, catalogue pub., The Whitney Museum, I.S.P. | |
| 1990 | Images and Words, Artists Respond to AIDS, catalogue pub., The Painted Bride Gallery, Philadelphia, PA. | |
|
Grants/Professional Service/Fellowships: |
||
| 2004 | Teaching Grant, Oberlin College. | |
| 2003 | Research and Development Grant, Oberlin College. | |
| 2003 | Mellon Grant-Curriculum Grant/New Course, Art and the Environment. | |
| 2002 | Mellon Grant-Information Literacy/thru Oberlin College Library. | |
| 2001 | Research and Development Grant. | |
| 2001 | 2001 Visiting Artist-Columbia College of Art and Design, Chicago, Ill. | |
| 1999 | (Invited but declined) Visiting Artist - El Paso Museum of Art, University of Texas, El Paso and the University of New Mexico Las Cruces. | |
| 1998 | Visiting Artist - Columbia College of Art and Design, Chicago, Ill. | |
| 1997 | Ohio Art Council - Individual Artist's Grant. | |
| 1995 | Juror for NEA sponsored RAP Project Grant, Randolf Street Gallery. | |
| 1994 | Oberlin College, Research and Development Grant. | |
| 1993 | California Arts Council Grant, Artist in Residence. | |
| 1992 | Project Grant, El Centro Cultural de la Raza. | |
| 1991 | Russell Foundation Grant. | |
| 1990 | Project Grant, Art in General, New York, NY. | |
