The papers of Alice L. Weiss (nee Spencer) document her performance experience as a student of the Oberlin College Conservatory.  The documents also provide a glimpse into her accomplishments and experiences as a young student in the field of music and her career as a musician. Although her Oberlin College materials relate to her graduate school work in the Oberlin Conservatory, they provide an example of the commitment and dedication that musicians invest in order to study music theory and perform musical arrangements.

Letters from two of her professors at the Oberlin Conservatory of Music, Edward Dickinson (b.1870, d. 1946) and George W. Andrews (b.1861, d. 1932), offer comment on the positive aspects of her recital, and record best wishes in seeing her perform at this level. These letters are important in showing the student and professor relationships at the Oberlin Conservatory of Music and the level of involvement the professors had with their students.

Two diagrams of the organs in Finney Chapel and Warner Concert Hall are filed in the collection.   The diagrams (with assigned grades) appear to be projects completed for an academic course at Oberlin.   These drawings show the stops, pedals and other parts of the organs.

Various handwritten music compositions prepared by Alice include a full concerto with a complete set of parts for the accompanying orchestra, string quartets and other miscellaneous pieces composed for piano and voice with piano accompaniment.   The titles of these miscellaneous compositions; “At the Foot of the Mesa” (two versions), “Chipmunks”, “The End of the Trail”, “Honey Come Along Down” and “Reeds of Innocence”.  These compositions document Alice’s knowledge and ability to create music for all instruments and voice. Miscellaneous works and pieces for piano, composed by Oberlin Professor George W. Andrews, are also in this group.  From time to time, Professor Andrews presented to his students gifts in the form of his original compositions.

The series of six music programs contains further evidence of Alice’s career as a musician and performer following her education at the Oberlin Conservatory.  Included are programs relating to her performances as the accompanist with the St. Cecilia Club in 1932 and as pianist with the Seattle Symphony in 1933.  There are also programs that provide examples of the recitals and concerts held at Oberlin during the 1920’s and 1930’s.  Performances at Finney Chapel in 1926 include; Organ Recital by Marshall Bidwell, the Cleveland Orchestra, and in 1932 a program dedicated to the organ compositions of George W. Andrews.  A program for a conservatory recital in 1927 is included in this subseries.

In addition to the musical compositions and programs, the collection contains black and white photographs of Alice Weiss and her family.  Filed in this series is a postcard with a picture of Professor Josef Pembauer (b.1875, d.1950), with whom Alice and Karl studied while in Germany from 1929 to 1930.

The historical importance of this collection lies in the documentation of the success of a young woman student at the Oberlin Conservatory as well as in her career as a musician between 1926 and her death in 1951.   With exception of the student file, there are no other documents regarding Alice’s personal life.

This collection of modest size (0.5 linear feet) is organized into five series:  correspondence (incoming), drawings, music programs, musical compositions and photographs and postcard.

Series 1:  Correspondence (Incoming), 1926 (1 folder, .025 l.f.)

Two letters received by Alice Spencer, including a letter dated 6 June 1926 from  Oberlin College Professor Edward Dickinson and a second letter dated 9 June 1926 from Oberlin College Professor George W. Andrews.

Series 2:  Drawings, n.d. (1 folder, .025 l.f.)

One hand drawn diagram of the Finney Chapel organ and one hand drawn diagram for the Warner Concert Hall organ comprise this series.  Each drawing is graded, indicating these were completed for coursework.

Series 3:  Music Programs, 1926, 1927, 1932, 1933 (2 folders, .025 l.f.)

Included in this series are six programs for concerts that are organized into two subseries.  Subseries 1 consists of two programs of performances by Alice Weiss.  Subseries 2 documents performances at Oberlin College by other performers and ensembles.  See the inventory for the program titles.

Series 4:  Musical Compositions, 1922-1926, n.d.  (5 folders, .4 l.f.)

Included in this series are handwritten musical works divided into two subseries.   Subseries 1 consists of music by Alice Weiss; some of which date from her student days at Oberlin College.  These pieces include two drafts of a piano concerto, a string quartet in two keys, as well as a concerto complete with full instrumentation.  Other miscellaneous undated compositions composed by Alice for piano and voice with piano accompaniment are included.  Subseries 2 includes compositions by Professor George W. Andrews.

Series 5: Photographs and postcard, c. 1929-30, 1939, and n.d. (1 folder, .025 l.f.)

One photograph of Alice, her husband Karl and daughter Dorthea  and  one photograph of Alice and Dorthea are included in this series,  as well as a blank postcard featuring Professor Josef Pembaur with whom Alice and Karl studied under in Munich, Germany in 1929-1930.

The Alice L. Weiss (nee Spencer) collection was donated to the Oberlin College Archives by Dorthea Lalonde in 2006.