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A gifted artist, Miss Severance designed the still-official Oberlin
College seal and was noted for her many pieces of sculpture and
works of art.
She was born in Oberlin on January 11, 1877. Her father, James
R., graduated from the College in 1868 and from the Seminary in
1871. Her mother, Rosa Gridley, studied at Oberlin from 1865 to
1871.
At a very early age Miss Severance could draw as well as write
and she thought it strange that everybody could not do the same.
She first studied at the Chicago Art Institute and continued her
artwork in connection with her studies at Oberlin. She was a regular
student in the College of Arts and Sciences from 1896-99, a special
student in 1899-1900, and took special courses in fine arts and
music for several additional years. She also studied in the Cleveland
Art School, in Italy, and with the New York Art Students’ League.
In 1941 she commented that, though she never received a degree,
she had “four years’ training in lines of my own choosing.”
In the June 1922 Oberlin Alumni Magazine, Arthur S.
Kimball ’15, then professor of singing, discussed her “great
gifts for portraying human character and attributes in the round
or in relief” and the fact that she was “always conspicuous
for fine drawing from casts and from nature.”
When the architect for Wilder Hall (Men’s Building) wanted
a college seal (now displayed above the entrance to Wilder’s
main lounge), he asked Miss Severance to develop a design from
the wording of the bylaws and the shapes in the old college seal,
which was three feet in diameter. The trustees decided to have
a new seal made from her design and she made several casts, about
12 inches in diameter. One was cast in bronze for the president’s
office.
In 1916 Miss Severance received an award in sculpture at the
Women’s Artists’ Club in Cleveland. In 1917 she gave
an exhibition of sculptures at the home of Delphine Hanna ’01
A.M., then professor of physical education, in Florida. In 1921
she designed the Leffingwell bronze tablet in the Chapel of St.
Mary’s School in Knoxville, Illinois. Several hundred copies
of her etchings of Florida scenes decorated guest rooms at the
Pennsylvania Hotel in New York City. She exhibited sculpture and
etchings at the Cleveland Art Museum in 1925.
“Neither the accuracy of the camera nor the skill of its
manipulator can ever compete with those subtle gifts of the sculptor
at their best,” wrote Mr. Kimball in 1922. As proof of Miss
Severance’s ability, he cited the Leffingwell tablet, two
low reliefs of Miss Severance’s parents, a portrait of Elizabeth
Swing ’07, a portrait bust of the late Prof. G. Frederick
Wright, and portraits of F. Champion Ward ’32, and his sister,
the late Helen Ward ’32. The Ward portraits were mentioned “as
only two of many similar ones that adorn the homes and gladden
the hearts of fond parents, fixing for all time the passing beauty
of childhood.”
Julia Severance died March 9, 1972 in Chula Vista, California.
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